On the picture, Verlaine can be seen playing with his band Television, in their early days, back when Richard Hell was still in the band. Also, Richard Lloyd said in a quote from his website: "We used to use Fender Super Reverbs. Black face with 4 ten inch Jensens. We both had those for years. Then for some reason we switched to the Music Man equivalent".more
I also used a ’65 or ’66 Fender Princeton Reverb loaned to me by a friend. I had a bunch of different amps, and I normally use a Super Reverb live, but Scott Cable, the producer of Sugar Shack, told me to try it. Once we heard it I was like, “Oh man, that’s the one right there.” I used that for the entire album, with the volume typically set at 5, 6, or maybe even 7.more
He uses it among two other amps to get different sound characteristics. He is plugged into the vibrato channel on the amp with no vibrato on just with the reverb dialed in on 3-4. He says the amp is a big part of his sound in the band. He splits his signal at the end of the effect chain and sends a dry signal from digitech whammy directly to this amp as oposed to his vox which gets the wet signal from the whammy.more
With an Equipboard account you can rate this item, add it to your collection, submit a review to discuss what you like and dislike about it, and associate 1965 Fender Super Reverb to artists that use it. Create an account!