In this Vine, RJD2's MPC can be seen when the camera pans to the right. Two years later, Ramble was interviewed by [Reverb.com](https://reverb.com/news/reverb-interview-rjd2-on-his-favorite-gear-and-artists-hed-kill-to-work-with). He had this to say about what gear he used in the recording process: "Pretty much everything was recorded in Pro Tools. There was an assortment of mics. For the most part, the signal path would be either microphone, preamp right into the machine, and then the MPC somewhat extensively, the MPC2000XL, the Akai."more
"We also used an Akai MPC2000XL sampler to incorporate a ‘Speak and Spell'' toy in the pre-choruses and made use of a Korg microKorg synthesizer vocoder in the outro of the song to give the song a Led Zeppelin ‘Immigrant Song''-meets-Deliverance-banjo sound.” - Pat Spurgeon (Rogue Wave)more
> Contrary to No ID, Kanye likes to use all the equipment in the room — stomp boxes, classic samplers, and so on. He mainly uses the [Ensoniq] ASR10 and sequences that with an [Akai] MPC 2000XL. When he's done with a track, he sends it to us as an MP3, and I upload these onto two tracks in Pro Tools. In this case Jay wanted Rihanna's vocals to be edited down, so I asked for them separately, and worked with two tracks of music, two tracks of Rihanna, and then Jay cut his vocals to that. The song was originally intended to feature just Jay and Rihanna, but he also wanted Kanye on it, because he felt that it would fit the texture of the song. So one day when Kanye was in New York, he came in at 10am and in two takes he was done. Young Guru, Sound on Sound interview, 2009.more
FJ: In terms of time efficiency, I feel software is better. Well, faster anyway. Analog instruments definitely have characteristic sounds, a punchiness, and a warmness, which I feel software is very difficult in duplicating. I used to own a few samplers, mainly an MPC 2000xl, but never really utilized it because I found recording and editing on it was too slow for me. Sometimes working that slow can produce a great sound. Ultimately, I learned software was the best choice for the types of music I wanted to create.more
The 2KXL is really an amazing piece of gear on which you can work very quickly once you get the hang of it. The pads are some of the best I've ever tried. I have an external scsi drive to make up for the only downside of this machine to me: the use of floppy disks.
I bought a MPC2000XL because so many of my favorite producers have used it at one point or another in their career (many of which are still using one). The limitations imposed by this hardware pulls something out of you. When you have to find creative ways to get around its limitations, you start to come up with ideas that you wouldn't have come up with in a DAW. I use it to generate a skeleton idea and then flesh that idea out in a DAW, but I'm almost always happy with what comes out of this classic machine. It's rare to find a studio piece that teaches you how to be a better producer, but the MPC2000XL is definitely a piece that has pushed me to become a better producer. Hardware limitation does NOT mean creative limitations. I will NEVER sell mine. Never.
always wanted a mpc but i thought it was too expensive, had a lot of other samplers and drum machines but now that i also have a 2000xl everything changed. i also like it`s made by akai, not nAKAI :D