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"We have five or six samplers, but my favorite by far is still the Akai S1000. It's an old tank now, and the screen has faded so that I almost can't read it, but I know it inside out. It's the most spontaneous thing for making up little tunes. It adds something to the sound - maybe the lower bit depth has something to do with that." From an [interview](http://bocpages.org/wiki/Northern_Exposure) w/ Michael Sandison.more
As I browsed through the sleeve notes on Moby's albums I noticed that the gear lists documented in the 1995 release Everything Is Wrong are almost identical to his current setup. Could it really be possible that this successful musician had no spare cash to spend on new studio gear during the last four years? "From Everything Is Wrong until now I've bought a vocoder and a new sampler and that's about it. On the one hand I'd love to get a bunch of new equipment, but on the other hand there's something to be said for working with equipment with which I'm comfortable. I'm thinking that at some point I will actually switch over and get a full Pro Tools setup and start doing things more in the computer, but for this record I didn't feel compelled to do that." MOBY GEAR Apple Mac running Steinberg Cubase sequencer. Soundcraft Spirit 24:8:2 desk. Alesis ADAT digital multitracks. SAMPLERS Akai S950. Akai S1000. Akai S3000. Akai S3200. SYNTHS/KEYBOARDS Casio CZ101. Emu Proformance piano module. Oberheim Matrix 1000. Roland Juno 106. Roland Jupiter 6. Serge Modular Synth. Waldorf Pulse Plus. Yamaha SY22. Yamaha SY35. Yamaha SY85. PROCESSORS Dbx 160XT Compressor. Eventide DSP4000. Soundlab Vocoder. Yamaha SPX900. SEQUENCERS & DRUM MACHINES Roland TB303. Roland TR606. Roland TR909. Roland TR808. OTHER EQUIPMENT Hafler Pro 5000 Power Amp. Technics 1200 turntables. Ibanez Electric Guitar. Fender Precision Bass.more
"I'm a big advocate of getting outside your computer, using as much hardware as possible. I made so many tracks with just a few pieces of gear, like my old Akai S1000, Waldorf Q and a Juno 106. Just having stuff like that and a cheap mixer sounds loads better than doing everything in the computer with soft synths."more
“There’s a big trend of people using vinyl crackle in electronic production when they don’t even own a piece of vinyl. When you hear a vinyl crackle in my tune, it’s usually because it’s come from vinyl. It goes back to the Jungle era; people like LTJ Bukem, Photek and Source Direct, all those records come from other records, through an Akai S1000, 2000 or 950 sampler. I like paying homage to the original production techniques that got me into this game in the first place.”more
In his early years, Mr. Oizo used a Korg MS-20, an Akai S1000, and an Atari 1040 computer. Mr. Oizo is known currently for strong use of computers in his music. As he stated in an interview with XLR8R, he started using computers to avoid having to plug in four different appliances, and because the result of music is more or less the same. His first album to switch to all computers was Moustache (Half a Scissor). In Lambs Anger, Mr. Oizo used a Macintosh G5 running Logic Pro to compose all of the songs. During his DJ sets, he uses two CDJs.more
For Very they used: Korg M1Rs Akai S1000s Akai S3000s Roland S770 E-mu Systems Proteuses Oberheim Matrix 1000 Roland MKS80s Roland MKS50s PPG Waveterm Roland JD800 Roland Juno 106 Sequential Circuits Prophet V Roland R70 Fairlight CMI Macintosh running Notator Logic Dynaudio monitors This is according to Music Technology magazine (Dec 1993)more
«I’m using this with Mennie for an album track we’re doing together. It’s a 2MB memory sampler that can be used to edit and chop samples… very juicy. I got it from Mennie and I’m not sure I’ll give it back. Francesco found this for 100 Euro in an old market in Rome – a very lucky shot»more