"The Akai s950... that's what I used when I made hip-hop beats. That's my old one, that's what I started with. We used it on the first album. The drums from 'Needy Girl' were on there, but we haven't used that recently. The MPC is just more powerful. The s950 is good when you you're dealing with loops and you want a filter. At this point it's just an old school sound."more
As I browsed through the sleeve notes on Moby's albums I noticed that the gear lists documented in the 1995 release Everything Is Wrong are almost identical to his current setup. Could it really be possible that this successful musician had no spare cash to spend on new studio gear during the last four years? "From Everything Is Wrong until now I've bought a vocoder and a new sampler and that's about it. On the one hand I'd love to get a bunch of new equipment, but on the other hand there's something to be said for working with equipment with which I'm comfortable. I'm thinking that at some point I will actually switch over and get a full Pro Tools setup and start doing things more in the computer, but for this record I didn't feel compelled to do that." MOBY GEAR Apple Mac running Steinberg Cubase sequencer. Soundcraft Spirit 24:8:2 desk. Alesis ADAT digital multitracks. SAMPLERS Akai S950. Akai S1000. Akai S3000. Akai S3200. SYNTHS/KEYBOARDS Casio CZ101. Emu Proformance piano module. Oberheim Matrix 1000. Roland Juno 106. Roland Jupiter 6. Serge Modular Synth. Waldorf Pulse Plus. Yamaha SY22. Yamaha SY35. Yamaha SY85. PROCESSORS Dbx 160XT Compressor. Eventide DSP4000. Soundlab Vocoder. Yamaha SPX900. SEQUENCERS & DRUM MACHINES Roland TB303. Roland TR606. Roland TR909. Roland TR808. OTHER EQUIPMENT Hafler Pro 5000 Power Amp. Technics 1200 turntables. Ibanez Electric Guitar. Fender Precision Bass.more
He says, ". I came back from Detroit, sold my record collection, got a few grand together and bought an Akai S950 sampler, a Roland D-5 as a master keyboard, a DAT machine, a Roland R-5, which was their latest drum machine at the time, and an Atari 1040 with Opcode Vision. So I had pretty good gear to start with and I locked myself away for six months to read manuals and teach myself."more
"I'll sit down and listen to a load of reggae, funk and jazz and eventually I'll hear something that I like and then load that into the Akai 950, start a tune. Normally, after two hours, I'll know if it's good or not. And, oh yeah, I'm ruthless, I'll just junk it if it's shit, not even save any sounds.”more
At 5:48 Kid Lib explains how he samples drum breaks into his Akai S950 to crunch them down. "So I'll record my samples into there, you know, grab a drum break off of vinyl or whatever, record it straight into the S950, give it that nice 12-bit crunch." A slow-motion shot of the S950 is also shown at that timestamp.more
According to this article on the making of Goldie's *Timeless* album from the [June 1998 issue of *Sound on Sound* magazine](https://web.archive.org/web/20150416233330/http://www.soundonsound.com/sos/jun98/articles/goldie.html), Playford says, "...there have always been things I like to constantly upgrade. It used to be my samplers. I went from the S950 to the S1000, then up to the S1100, and finally to a S3200. I can't see myself upgrading again soon."more
Although it looks rather cryptic by todays standards, it is actually quite easy to use and sounds great. I eventually sold it when I got my mpc1000. However, the s950 had what sounded to me like a better system for polyphonic instrumental sampling. In other words, it is a great sampler for turning a short wave loop into an awesome sounding instrument part. Or, for making sick low-fi drum samples.