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Bad Cat Lynx 50

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9 Pros
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Keith Urban

Keith Urban is list as a [Bad Cat artist](http://www.badcatamps.com/keithurban.html) for using the Lynx 50.
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Steven Wilson

In this rig rundown, Wilson shows his Bad Cat Lynx 50 head. Around 20:40 he says of it, "What I like about the Bad Cat and what I use the most is the fact that the two channels, the clean channel and the dirty channel are simultaneously active."
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Steve Pedulla

Pedulla recently got hooked on the Bad Cat Lynx—a 50- watt, 2-channel head driven by EL34s—which he routes through a Bogner 4x12 cabinet loaded with Celestion Vintage 30s
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Chris Daughtry

Chris uses a Bad Cat Lynx 50 according to the Bad Cat websites artist page for Daughtry.
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Jeremy Popoff

Jeremy uses a Bad Cat Lynx 50 when he is playing for Lit according to the Bad Cat Amps website page for Lit, the Lynx Amp is seen to the right of Kevins other Bad Cat Amps on the artist page.
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Thomas Wisniewski

"weapon of choice this weekend at El Corazon"
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Chad Sterenberg

Sterenberg discusses his amps at 11:40 in the video. He says "And on the amp, for the most part, I just have the volume knob. I have volume, and presence." Sterenberg also says that in terms of amps, what he has is "nothing really special" and that he believes you can get that kind of sound out of most amps.
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John Dyer Baizley

At 2:43 Baizley mentions he uses a 50W Bad Cat head
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Johnny Bond

parableofarableI feel a wee shout out to @badcatamps is in order, I must say I'm digging these heads, fanx u guyzzz.
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Description

When the designers at Bad Cat set out to build the best high gain amp on the market, they brought years worth of knowledge and tricks to the table combining them into an EL-34 based, Class A tonal powerhouse. The Lynx delivers unreal note articulation at full saturation but dishes out full on harmonics in your chord work from the Class A wiring. The three dimensional effect that this has on your tone is something that players are constantly seeking. The clean channel on the Lynx is much more than the two knob format seems. Running the clean channel in Class A will bring out all of the shimmer in the highs and ghost harmonics in clean tones and sounds great with delays set in the Effects Loop.

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