The DD-5 offers four switchable delay ranges and 11 modes that give access to delays from 1ms all the way up to a walloping 2000ms. Delay time can also be set in real time using the Tap Tempo function and an optional FS-5U footswitch. With the Hol...
In an interview with Russell Lissack, when asked "And what gear do you use in order to conjure up the Bloc Party sound?", Lissack responds: "My guitars are all Fender Telecasters, and Kele and I use Fender Deluxe amps both in the studio and on stage. Pedal-wise, it’s pretty much a Boss-fest. I’ve got a TR-2 Tremolo, DS-1 Distortion, a new PW-10 Wah, the **DD-5** and DD-6 Delays and the PS-5 Supershifter. For a long time, all we had was a distortion, a delay and an old wah pedal and we really got the most out of them. The **DD-5 was always my best friend because there were so many different types of delay, but it was always really flexible**. I really like to push my effects to see what sounds I can achieve when I get new stuff, but it’s been ages since I’ve had time to really experiment with things. I like the way new pedals can open up different ideas. Pedals can inspire new parts or songs by giving you access to new sounds. And the way you can hook them up in a different order as you get more of them can be really interesting too. Unfortunately, the only time I get my hands on my gear now, except for during a gig, is when we’re sound checking. And people don’t tend to appreciate you trying out weird sounds when they’re setting the rest of the PA and monitors up. So I’m a bit frustrated at the moment, because I’ve got all of this new stuff and I haven’t begun to explore its potential yet!" (original interview [here](http://www.roland.co.uk/blog/bloc-party/)).more
"And then, for me, another cornerstone is the Digital Delay, the DD-5, had that since I can remember, since it came out... the most common setting for me is the effect all the way up, if you can imagine that, the 3 setting, and then I have the feedback at about 2 o'clock, and the delay time at about 10 o'clock... I could use that for almost anything, so I really love that... I started writing with a delay pedal a lot, just for the simple reason that 'Oh, it sounds like way more notes than I'm actually playing, I sound pretty good right now.'" – Omar Rodríguez-López on the Boss DD-5 Digital Delay Pedal, 1:33more
In this screenshot from an article, Daniel Kessler can be seen talking about how the signal of his guitars is weak, and he needs to dress the sound up with effects: "But I’m also very lazy with effects. I use a couple of overdrives, a Boss DD-5 and an Eventide Space pedal, which is a new thing that I like. It's better than any analogue." (original source [here](http://www.musicradar.com/news/guitars/rig-tour-interpol-618675), article dated March 31, 2015)more
"Through the effects loop I run chorus and a Boss DD-5 delay together, kind of a Satriani lead tone which goes out to the channel switch that I have on my [pedal]board…," says Phil Demmel, in [this interview](http://www.musicradar.com/totalguitar/steal-their-sound-phil-demmel-machine-head-275286).more
On his web site Bortnick details the collection of foot pedals that he uses for his guitar, such as the Electro-Harmonix Frequency Analyzer ring modulator, Univox Super Fuzz, Boss DD5 Digital Delay, DOD FX17 wah pedal, Boss Phase Shifter, Boss Blues Driver, and Ibanez AF9 Autofilter.more
My guitar goes into a Lehle D.Loop SgoS Effect Looper/Switcher, which has two loops. Loop A contains a Prescription Electronics Experience Octave/Fuzz, a Dunlop wah, a Boss OD- 2 Turbo OverDrive, and a Rat distortion. Loop B contains a Boss DD-5 Digital Delay, an Alesis Bitrman ModFX multi-effects processor, a Z.Vex Fuzz Factory, and an Electro- Harmonix Micro Synthesizer.more
Premier Guitar takes a turn with Guthrie Trapp with a detailed Rig Rundown of all his gear. The following photo was taken from the article this particular Rig Rundown. After the Flint, Guthrie's signal hits the second-to-last pedal, the Boss DD-5. This pedal was set on the reverse setting at the time.more
The following is his signal path, as explained by Andy Othling to Strymon: this1smyne buffer Walrus Audio Deep Six Electro Harmonix Micro POG Walrus Audio Mayflower Earthquaker Devices Bit Commander Xotic EP Booster Ernie Ball MVP (with Boss TU-3 on tuner output) Electro Harmonix Superego Malekko Ekko 616 Dr. Scientist Tremolessence Strymon El Capistan Boss DD-5 (in hold mode for stutter/glitch effects) ZVex Instant Lo-fi Junky Strymon TimeLine Strymon BigSky Disaster Area DMC-3 XL controller is connected to both the Timeline and BigSky via MIDI Two this1smyne mini expression knobs are also controlling different parameters on the Timeline and Bigskymore
"astroflexagram Some addictional extra horse power to my pedalboard: 2x Electro Harmonix Deluxe Memory Man + Lo Fi Loop Junky #electroharmonix #deluxememoryman #zvex #bossdd5 #bossdd6 #guitargear #gearpassion #audioeffects #guitareffects #pedalboard #guitareffects #guitarfx #pedalboardfreak #delay #analog #geartalk #guitar #guitarporn @astroflexagram"more
The DD-5 offers four switchable delay ranges and 11 modes that give access to delays from 1ms all the way up to a walloping 2000ms. Delay time can also be set in real time using the Tap Tempo function and an optional FS-5U footswitch. With the Hold mode you can sample a passage simply by pressing and releasing the pedal.
What more can I say? Classic digital delay. Crisp, clear, and more features then you'll ever need. Nearly every guitarist uses delay these days, but the most noteworthy is probably "the Edge" from U2. I've played plenty of gigs where I needed that sound, and was able to deliver thanks to my DD-5 and a tap tempo switch (with an analog delay in series).