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Catalinbread began working on an oil can delay (later to be named the Adineko) in the Summer of 2012, about the same time they were working on the Echorec. They identified a number of very cool behaviors of the old units, though the differences co...
Noel Gallagher shows his pedalboard (new as of Oct 2016) on his Instagram. In the top row, fourth from the left, is his Catalinbread Adineko Oil Can Delay Guitar Pedal. The signal coming out of the pedalboard looks to be going into the first Vintage channel of his [Fender '68 Custom Twin Reverb Amp](http://equipboard.com/pros/noel-gallagher/fender-68-custom-twin-reverb).more
> This is the Adineko from Catalinbread. When magnetic tap ruled the world in the 60's there was one murky, quirky alternative, the oil can. This purely mechanical device involved a rotating drum of electrolytic oil through which guitar signal passes. Nothing about them was practical, except for the tone, and Catalinbread has worked hard to give us the authentic oil can experience without the hassle. Every aspect of a digital oil can delay can be controlled with the Adineko, from oil thickness to playback head panning. Original oil can delays were used for slapback because it's all the delay time they had. The Adineko provides a much longer delay time, stretching the possibilities of an old-school oil can far beyond the original technology for haunting soundscapes and murky reverberations that ooze vintage cool. An added Reverb knob adds even more thickness to the Adineko, and it's capable of self oscillations that slice through the oil and bubble to the surface. Like all Catalinbread pedals, the Adineko is made from all the good stuff right here in Portland Oregon.more
Catalinbread began working on an oil can delay (later to be named the Adineko) in the Summer of 2012, about the same time they were working on the Echorec. They identified a number of very cool behaviors of the old units, though the differences could be dramatic from unit to unit, or day to day (even hour to hour based on the temperature of the oil). The positive behaviors were a cool, bright, but murky sounding echo with a vibrato modulation that lined up with the echo time, and a repeat quality that had a ‘fog’ that hovered in unique way.
You will notice that each of the Adineko cases have been aged. It just seemed fitting for this, which is inspired by the old oil can effects, to look physically weathered and a bit stained.
As they always strive to do when making something old, new again, Catalinbread wants to honor the old experience and expand upon it. The Adineko is no exception: the murky warble of the old units, traditionally only achievable when the oil’s thickness is incorrect, can be conjured a twist of the VISCOSITY knob. The warm echo quality has an expanded range of delay time (TIMING knob), more so than any oil can unit could ever hope to achieve. The dual playback head is continuously balanceable (BALANCE knob) to favor one head over the other for interesting syncopation feels.
The Adineko can achieve authentic oil can sounds, but is designed to mode the mechanical concept and deliver results well beyond what was possible with the original units.
To dial an authentic oil can sound:
TIMING to 9-10 o’clock
VISCOSITY to 9-10 o’clock
REVERB to the verge of self oscillation
BLEND to 12 o’clock
BALANCE to 12 o’clock
Now you will hear all of the hallmarks of an original oil can unit. A relatively short echo time on two taps, a vibrato in the concert with the delay time, and a reverb that sounds like a low lying fog coalescing upon the verge of a self-oscillating resonant point. To get the vibrato sound of a Tel-Ray Deluxe Organ Tone, use the above settings, but turn the REVERB down and the BLEND up to taste.
Must be powered with a center-negative, regulated 9 - 18V DC external power supply.
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