The 4038 Studio Ribbon Microphone is of British Broadcasting design (BBC) and used for broadcasting and recording such sounds where a clear smooth wide range frequency response, absent of transient distortion and relatively high sensitivity is ess...
Seen here in 'It Might Get Loud' used as a vocal mic to get a bullet-mic-sort of sound. Usually he also uses these mics for guitar amps and as room mics, as mentioned by his engineer in a Sound On Sound article (http://www.soundonsound.com/sos/oct07/articles/insidetrack_1007.htm): "Jack loves the sound of ribbon microphones, so we used a lot of them, on guitar amps, vocals, and as room mics: Coles 4038, Royer 121, AEA R84. I would have six to 10 room mics up, and would chose a stereo pair from them."more
"When it comes to microphones, Arnalds relies mostly on a pair of Neumann KM84s that he bought from the estate of Hansa Studios owner Peter Meisel. He is tickled by the notion that they were most likely used on some of the classic albums made in Berlin by the likes of David Bowie and U2. "They're in perfect shape and they're marked with his name,” he says. "They're my go-to condensers, but I also have a pair of Coles 4038 [ribbons], which I use a lot on the piano.”"more
"Mic-wise, it depends on the track. It's generally the CMV, but 'Tell Me A Tale' was done on the Coles. There were a few times, particularly when he was absolutely belting it out and the equipment started groaning, it needed something to warm it up a little bit, like a nice ribbon mic." - Paul Butler (Producer of Kiwanuka's debut "Home Again")more
The 4038 Studio Ribbon Microphone is of British Broadcasting design (BBC) and used for broadcasting and recording such sounds where a clear smooth wide range frequency response, absent of transient distortion and relatively high sensitivity is essential.
The 4038 has a proven reliable performance capability, being since its introduction, used by broadcasting networks throughout the world such as the BBC.
The frequency response of the 4038 is exceptionally flat from 30 to 15,000 c/s and throughout this range the shape of the bi-directional (figure of eight) polar response is maintained substantially constant both in the horizontal and vertical planes, giving a natural smooth sonic quality textured response to sound signal being picked up.
Studio microphones have now achieved a remarkable fidelity of reproduction. If the microphone is not close to perfection, there is no point in having expensive systems to take the sound the rest of the way to the audience's ears.
In the world of sound, the BBC has always been the leader, and is still regarded as the 'setter of standards'.
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