Pedalboard used in conjunction with Marshall: "My live ‘board is pretty simple - essentially just a tuner, an octave pedal, and a couple of subtle boost pedals. 90% of the core sound is from the guitar and amp, then a clean boost is used just to push the amp a bit harder into overdrive. I use the guitar volume for most of the tonal variations. Main pedals used are as follows: Free The Tone FINAL BOOSTER - Fantastic clean boost… the great thing is when set at zero and kicking it in there no tonal/level change whatsoever - it only adds to what’s already there. Has a nice natural sounding buffer in it too. Sonic Research ST-200 Tuner - Accurate and reliable strobe tuner that works great especially for the ‘half a step down’ tuning I use. Easy to see on dark stages too! T-Rex ALBERTA - Nice subtle tubescreamer type pedal, smoother and warmer sounding than the classic TS pedals. Normally just kicked in now and then with the Strat. T-Rex OCTAVIUS Octave pedal with switchable clean boost - This is great and is used mostly with the old cello slide guitar. The guitar has a really low output so the extra boost on here works perfectly to beef things back up. Voodoo Lab PEDAL POWER 2 PLUS - Silent, super reliable and efficient power supply! Brightonion Pedals TRUE BYPASS LOOPER - Any pedals that aren’t true bypass run through this, plus it keeps things nice and easy to switch on and off during a gig as every thing is at the front! Other pedals I use now and then: Klon Centaur, JHS Charlie Brown, Free The Tone Red Jasper, ZVEX Box Of Rock" -Aynsley Listermore
The bad monkey was my first od pedal, and remarkably, it's still on my board. Very natural and amplike, it nicely compliments many styles. It has much more versatility in tone shaping then a tube screamer, and much better value. Many claim this $30 box is better then many $300 boutique pedals. However, this isn't just another cheap tube screamer clone. It has a much different vibe. Once you hear it, you'll understand. For the price, it's amazing. A great site for the bad monkey is http://www.guitarforworship.com/?p=729
This pedal is well designed, simple to change the battery, the controls work and actually do influence the quality and quantity of tube overdrive you get. Sturdy construction, solid sound, good price=good pedal.
Its a cheap pedal that fit extremely well if you want to play blues and even rock. This pedal has a voice that is similar to the tube screamer. I`m currently using it as a level booster to my TS9DX.
I'm using the Bad Monkey as my low drive option. It has a really bassy sound perfect for a low blues driver, but if you push that High knob it will give you all the sharpness you need for the more dynamic sounds.
Having the option to control the low and the high frequencies independently really gives you a whole lot of new options and routes for your sounds and vibes.
The only thing I would change about this pedal is the gain spectrum. The regular overdrive gain level is PERFECT however it really does not behave well on a low gain level (crunchy like sound) it also caps up pretty soon unlike the OCD OD for example.
My most favourite TS-Style Overdrive. Absolute recommendation. Better than the original. The bass and treble knobs makes it sooo versatile. My MXR M77 Custom Badass Modified O.D. has more drive. If you don't need more drive than a TS usally has, get one and get lucky!
The now discontinued Digitech Bad Monkey earned its reputation as a worthy budget pedal that could hold its own beside well established and significantly more expensive 'classic' overdrives. If you can find one cheap on Ebay I'd highly recommend it as a first overdrive pedal (and hang on to it; 'upgraders' often regret letting it go). The tonal flexibility provided by its low and and high frequency controls gives it an edge in versatility over some of its more renowned stablemates. The gain pot is responsive throughout its range and overall this is a smooth, low to mid gain overdrive. An often overlooked additional feature is it's mixer output; a passable cabinet simulator which justifies keeping it in one's gig bag as a 'backup amp'. Mixer output is how I connect directly to my living room stereo when I can't be arsed to fetch in an amp from the 'play room'. I use it with Fender Mustang Pawn Shop Special which delivers a huge tonal spectrum due to its splittable Enforcer Humbuckers. The Bad Monkey handles everything this throws at it with aplomb. Now, don't go splurging silly money for this 'legendary' pedal. I score it 4.5 stars but for >£50 there are exceptional 5 star alternatives ( Hey, Soul Food. I'm looking at you! ) but if a Monkey can be found for around it's original retail price this makes a solid foundation from which to develop your tonal palate. It benchmarks well against a TS9 or Maxon 808. Tonally it's as subtly different from those pedals as they are from each other but in a positive way, neither 'better' or 'worse' which is why some pro's find it a worthy alternative.
I sat down in the store with this pedal and the TS-9. The difference is small, but the difference in price sealed the deal. A $70 Tube Screamer vs this bad boy for a cool $39.99. You get that essential electric blues sound. SRV to John Mayer to Joe Bonamassa to Albert King, a tube screamer/overdrive sound is essential, and this pedal delivers. Even at high volumes, it doesn't clip (not that I noticed anyway). Love it love it love it. I almost always have it on now when I play.
What's small, green, ugly as hell, but works perfectly as a gain booster to push my drives and distortions? The Bad Monkey of course. The best bang for the buck pedal in my set. Besides, if your'e using batteries instead of a dc power unit, it will sound even more sweet. The mixer output is a great feature too, not only to send the signal directly to a mixer but to make the monkey behave more like a transparent drive with absolutely no buzz. Just loving it!
I've bought the pedal because I was looking for the sound of a Ibanez Tube Screamer, but I didn't have the money to buy one. The Bad Monkey is a great, cheap alternative for the Tube Screamer. Of course, the Tube Screamer sounds slightly better, but the price-quality of the Bad Monkey pedal is phenomenal!
This pedal is CRAZY. It was dirty cheap when my guitarist got it, eventually it made its way to my board. I personally use it to boost my solos, super high gain and highs. It gives my bass a Lemmy-ish tone, with a lot of sustain and feedback. It's crazy how good it sounds considering the price tag. It's also very well built, and sometimes I use the extra mixer output to run the bass through a guitar amp and basically annoy everyone and everything
In a blind test it wouldn't quite fool you when pitched against a real tube screamer, but I prefer this over the real thing because of the increased amount of distortion available and the individual treble and bass controls. The price is also incredible.