Dunlop Dallas Arbiter Fuzz Face

In [this video](https://youtu.be/m2X-ZalBFCE?t=3m53s) of longtime U2 guitar tech Dallas Schoo inspecting Edge's rig for the then-upcoming Popmart tour, an Arbiter Fuzz Face pedal is visible on the foot control board at the [3:53 mark](https://youtu.be/m2X-ZalBFCE?t=3m53s).

At 4:36, you can see Steve Vai using an Dunlop Fuzz Face during the work for the 25th Anniversary Edition of "Passion and Warfare" "Commemorating the 25th anniversary of Passion and Warfare comes a special 2CD edition of the album which includes the first-ever release of Vai's Modern Primitive songs and recordings. Based on song sketches and works-in-progress penned, and recorded, by Vai following the release of Flex-Able, the artist's debut album, in January 1984, the music on Modern Primitive has been completed by Steve for release as a full album bonus disc in the Passion and Warfare 25th Anniversary Edition."

In this photo, Stevie Ray Vaughan is using an Arbirator Fuzz Face.

At 5:30 of this video he quotes "I use my Fuzz Face a lot"

[This](http://www.guitargeek.com/jimi-hendrix-woodstock-1969-guitar-rig-and-gear-setup-diagram/) detailed gear diagram of Jimi Hendrix 1969 "Woodstock" stage setup includes a Dunlop Dallas Arbiter Fuzz Face.

Duane preferred playing straight through the amp, but he did use two different fuzz effects. First one was a custom built fuzz box which was attached to his Telecaster (see above), and the second one was Dallas Arbiter Fuzz Face, which he playing during early session work, and used old 9V batteries in it because he argued that they make a special sound.

Pete Townshend used a Dallas Arbiter Fuzz Face fuzz pedal on stage for a brief period in 1968. The only photos showing its use are from August 1968.

David's history with the Fuzz Face can be [found here](http://www.gilmourish.com/?page_id=73). In this picture, it is seen just behind and a bit underneath his left foot.

In this source Instagram picture taken by Philip Sayce himself he is comparing diffrent fuzz guitar effect pedals. You can see two different vintage fuzz faces.

Dunlop Fuzz Face was used for fuzzy tones

He used it during the "Let It Be" Sessions

UG: "You were really looking for those classic guitar sounds from back in the day." Glenn: "Yeah. I was looking for all old pedals and stuff cause I wanted a really cool phase shifter sound but none of those Plug-ins on the computer sound like anything except crap. So while I was digging for all these old pedals and trying em all out at all these different music shops, I found this box I'd been lookin' for forever with the original Misfits. It was a distortion box I used to use which was a Dallas Arbiter fuzz."

he use it in many ocasions in his career live and in the studio. at minute 2:01 you can see a shot of the pedal on the ground.

The photo comes from jayhawksfanpage.com. It shows the Louris' pedalboard at a Chicago shows on 07/26/1998. This red pedal is an original Dallas Arbiter Fuzz Face from the 70's equiped with germanium diodes helping Gary to get this harsh sound during solos.

John Squire uses a Dallas Fuzz Face in presenting waterfall on the other side of the performance

In this Instagram photo posted by Chislett on his Instagram profile, the Dunlop Dallas Arbiter Fuzzface can be seen.

"They were all used at some point during the last recording with @sparrows613. We should have hooked them all up at the same time...blew it. #pedals #sonicdestruction #reverbisthenewdelay #compensatingforthesizeofmywhat?!? #notsurehowtospellcompensating"

Tommy is known to use the fuzzface according to this article.

Seen in the setup used to add guitar tracks to their new album

Circa 2007: Effects on the disc include a Fuzz Face, Octavia, and a wah.

I use a pedalboard, but I can never really decide on the pedals I want to put on it. The pedals I use most are a Strymon Flint, a Creepy Fingers fuzz, a ZVEX Fuzz Factory, a vintage Fuzz Face, and some others. I have a lot more from people who build me stuff that don’t always make it on the board. I have a lot of fuzz pedals, boost pedals, and preamp-type things. Normally, I always use my old Fuzz Face and just a Cry Baby wah. A new find is this Carlin compressor pedal, which is one of the most radical pedals I’ve ever stumbled upon. There’s actually a clone made now by a guy named Moodysound, and it’s really good.

In this batch of pedals, one of the pedals visible is the Dunlop Arbiter Fuzz Face.

According to Marc Dorendorf himself, he uses a silver Vox Wah Wah as well as a limited edition golden Vox Wah Wah alongside a pair of original Uni-Vibe effects and Dunlop Fuzz Faces when playing Hendrix songs through his Marshall setup. The golden Wah Wah is also used with the big Soldano/Cornish system of Dorendorf's.