The Legenday and classic original POG won top awards from every major magazine on every continent for its flawless polyphonic tracking and musical flexibility. The Micro POG delivers the same perfect tracking and smooth polyphony in a simplified d...
This photo of Jonny Buckland's effects can be found in an interview, [Coldplay Live - How It's Done](http://www.audiotechnology.com.au/wp/index.php/coldplay-live-how-its-done/) from March 2014. The EHX Micro POG can be seen in Jonny Buckland's pedalboard in the upper left. It can be seen in [this photo of Buckland's pedalboard](http://images.equipboard.com/uploads/source/image/5926/coldplay-jonny-buckland-328-p.jpg) as well.more
An Electro-Harmonix Micro POG pedal can be seen in the top-left corner of this pedalboard belonging to Paul Banks of Interpol. The "MICRO POG" writing is covered up by tape with diagrams of what the positions of the 3 knobs should be. (original source [here](http://www.musicradar.com/news/guitars/rig-tour-interpol-618675), article dated March 31, 2015)more
This is an image taken from the August issue of Bass Guitar Magazine, in which Nick O'Malley was the cover story. You can find a pdf of the interview [here](http://ashdownmusic.com/files/news/file/doc_20140806094426_15493.pdf). The picture is of his current pedalboard set up, and the Micro POG can be seen in the middle.more
[This photo-article from MusicRadar/*Guitarist* magazine](http://www.musicradar.com/guitarist/manic-street-preachers-james-dean-bradfields-gear-280353) details all of the gear Bradfield used during the making of the Manic Street Preacher's 2010 album *Postcards From a Young Man.* The Micro POG is depicted in James' pedal collection.more
At 20:00 you can clearly see the Micro Pog sitting on Jesse's pedalboard, he has the Dry Out all the way up, Sub Octave off (because he "doesn't need a sub octave"). Jesse says he uses it "very seldom" and only "to elevate a moment in a song". In the [accompanying article](http://www.premierguitar.com/articles/21712-rig-rundown-death-from-above-1979) from *Premier Guitar*, they write: "Keeler’s aggressive, distorted bass tone comes mostly from his amps. His pedals are relatively straightforward, and he uses them sparingly. The signal chain starts with a Dunlop Wah, then into an [MXR M80 Bass D.I.+](http://equipboard.com/items/mxr-m80-bass-di), which sends a bass signal to the FOH engineer. From there, the signal goes to an [MXR Ten-Band EQ](http://equipboard.com/items/mxr-m-108-ten-band-graphic-equalizer-pedal), an [MXR Carbon Copy Analog Delay](http://equipboard.com/items/mxr-m169-carbon-copy-analog-delay-guitar-effects-pedal), [Morley A/B switcher](http://equipboard.com/items/morley-aby-footswitch), then off to the [Ibanez CS9 Stereo Chorus](http://equipboard.com/items/ibanez-cs9), which splits the signal between his two amps. Before hitting the amps, one signal is run through an Electro-Harmonix Micro POG. The last stop in the signal chain is a [Dunlop Kerry King KFK Q Zone](http://equipboard.com/items/mxr-cry-baby-kfk-q-zone)."more
In this photo of Keith Murray's pedalboard, the pedal in the middle is the Electro-Harmonix Micro POG. In [this interview from August 2010](http://images.equipboard.com/uploads/source/image/34972/uhXGb4d.png) originally found on wearescientists.wordpress.com, he talks about first getting the full size [EHX POG](http://equipboard.com/items/electro-harmonix-pog-polyphonic-octave-generator-guitar-effects-pedal), and then the smaller Micro POG: Keith: I’ll try to give you the signal chain in order: Boss tuning pedal, into an Electro-Harmonix Polyphonic Octave Generator Micro– Mahsa Borhani: Which, you said that you found this pedal recently while you were record–writing songs in [Athens]? Keith: No, well, I bought it in the middle of the Brain Thrust Mastery tour, Mahsa: Ok. Keith: I bought the, not the micro, the full, like, you know, theatre, full, Chris Cain: The home appliance. Keith: The home appliance, yeah. I bought it and had it on my pedal board for about six months–it’s a gigantic pedal–um, and it really made me angry, for a long time. But yeah, didn’t come into play until [Barbara](https://en.wikipedia.org/wiki/Barbara_(album)).more
The following is his signal path, as explained by Andy Othling to Strymon: this1smyne buffer Walrus Audio Deep Six Electro Harmonix Micro POG Walrus Audio Mayflower Earthquaker Devices Bit Commander Xotic EP Booster Ernie Ball MVP (with Boss TU-3 on tuner output) Electro Harmonix Superego Malekko Ekko 616 Dr. Scientist Tremolessence Strymon El Capistan Boss DD-5 (in hold mode for stutter/glitch effects) ZVex Instant Lo-fi Junky Strymon TimeLine Strymon BigSky Disaster Area DMC-3 XL controller is connected to both the Timeline and BigSky via MIDI Two this1smyne mini expression knobs are also controlling different parameters on the Timeline and Bigskymore
As the de-facto lead guitarist, er mando-man, Kang bounces between his Ron Oates Custom 5-string Octave Mandolin or Walker Electric 5-string Octave Mandolin. To amplify his custom 5-strings, he cranks up a Two-Rock Custom Reverb and Groove Tubes D75 Power Amp through a Bogner 2x12 cab. His two-board setup boasts a DigiTech XP100 Whammy Wah, a Electro-Harmonix Micro Metal Muff, a Electro-Harmonix Micro POG, a Electro-Harmonix Micro Synth, a Electro-Harmonix Q-Tron, a Line 6 DL4, a Keeley Phaser, a Fulltone Full-Drive 2, a Keeley-modded Ibanez TS808 Tube Screamer, a Keeley Katana Clean Boost, a Boss TU-2 Chromatic Tuner, a Maxon Compressor, a Ernie Ball Volume Pedal, a Roland GR-33 Guitar Synth, a TC Electronic G-Force, a Sarno Music Solutions Steel Guitar Black Box, and the boxes are powered by a Voodoo Lab Ground Control and a Voodoo Lab Pedal Power 2+. And his uses various Elixir strings and Fender Extra Heavy picks.more
> "Then I have an Electro-Harmonix Micro POG and a POG 2. The Micro POG is set for one octave down, while the POG 2 I use strictly for my octave up. I stack them. That’s the holy grail of kick-you-in-your-face tone. When I want to get heavy and knock someone’s balls off, I put that Fuzz Factory on with that sub-octave from my POG." - Chris Bishop; [Vintage Guitar Magazine](http://www.vintageguitar.com/22147/chris-bishop/) interview Due to circumstances with the POG2 breaking, Chris has told [Ultimate Guitar](https://www.ultimate-guitar.com/interviews/interviews/crobot_feel_playing_is_about_not_trying_to_play_notes_but_playing_noises.html) that he now uses two Micro POGs for the octave low and high.more
The Legenday and classic original POG won top awards from every major magazine on every continent for its flawless polyphonic tracking and musical flexibility. The Micro POG delivers the same perfect tracking and smooth polyphony in a simplified design. Now in a small pedalboard-friendly diecast chassis, the Micro POG delivers and will blow you away the first time you use it.
This pedal can add so much color to your tones in so many ways. From bass-like fat tones, to organ-esque and sitar effects, this thing is pretty much the bees-knees of octave pedals.
It does what everyone knows it does and it does it well. Electro Harmonix can do no wrong it seems as this pedal is one of the most popular octave pedals on boards of many musicians across the globe.
It's an easy-to-use pedal that has only 3 knobs. It helps my guitar sounds like a bass plus it can split the signal into 2 different amps. I use this to get the bass tone.
I think that it sounds nicer than its family (HOG, HOG2, POG, POG2, Nano POG) though is still digital and therefore it doesn't sound (not even nearly) as organic as MI Audio's Pollyanna Octave but fits my needs more precisely as it just handles the original voice while synths the additional lower and upper octaves clearly.
right now Im not sure weather to get this or the digitech whammy but so far all of the EHX pedals i've tried have been awesome and the digitech ones have been good but not that great but from what ive heard the whammy is freaking awesome but i dont really need the whammy function i just need a good pitch shifter
This is an amazing octave pedal that is very easy to use. The settings are simple and it is a very good addition to many songs and can go from being a subtle effect to a very prominent one
A fairly essential part of my sound that takes wiry strat tones and makes them lovely and thick. Tracks reliably, even after a ton of distortion and a ramp up from the Boss OC2