A legendary setup with deep tone.
The Hot Rod DeVille 212 III is a 60-watt guitar amp combo with the classic 2 x 12 speaker configuration borrowed from the legendary Twin Reverb amp, the bottom end headroom characteristic of 6L6 tubes, and a vers...
This photo showing Paul Banks' guitar amps reveals he uses a Fender Hot Rod DeVille 212 III 60W 2x12 Tube Guitar Combo Amp (on the right). He comments, "I've been using Fender amps ever sinceI started playing. But for live playing, we discovered that we had to disengage our amp reverb early on because it makes a fucking racket on shaky stages so we switched to reverb pedals instead. But there are plenty of good reverbs out there." (original source [here](http://www.musicradar.com/news/guitars/rig-tour-interpol-618675), article dated March 31, 2015)more
Chris Martin listed "2x Fender Hot Rod DeVille Combos" amongst his equipment in Coldplay's self published E-Zine in 2003. Both he and guitarist Jonny Buckland have used them since the band's formation. It can also be seen behind Chris in [this] photo. (http://www.coldplay.com/uploads/_DSC6970.jpg)more
According to Band of Skulls guitarist Russell Marsden, "My main amp for recording was a Fender Hot Rod DeVille 212, which I absolutely love but it's been breaking down a lot. So I just got a Fender Vibro-King, and I think I'm probably going to go to Hell for using it because it sounds so good." Full article [here.](http://www.musicradar.com/news/guitars/how-band-of-skulls-got-their-buzz-225151)more
A legendary setup with deep tone.
The Hot Rod DeVille 212 III is a 60-watt guitar amp combo with the classic 2 x 12 speaker configuration borrowed from the legendary Twin Reverb amp, the bottom end headroom characteristic of 6L6 tubes, and a versatile all-12AX7 tube preamp, with amazing clean and overdriven tones, luscious Fender spring reverb, effects loop, and more. A 4 ohm extension speaker output even lets you add a cabinet for additional stage coverage.
The new Hot Rod Deville 212 III guitar amp also includes these upgrades: Easier reading black control panel with front reading text; New badge; Streamlined footswitch; Graduated volume and treble pot tapers; Two Celestion G12P-80 speakers.
I bought this my senior year of high school for 350 bucks off a guy trying to get rid of it. Didn't realize how good of a deal I was getting for it. I've played on a lot of amps since then, and I just can't find one I like better than this.
A great amp with a perfect and clean sound, excellent to use with your pedals and not change the sound of the effects you have. The clean channel is really clean and works perfect with the effects in my board and the drive channel has a very unique sound, having two kind of distortions, soft and hard. The power of this amp is awesome, for concerts this is a very good option.
When i got this amp, i was under the impression that your amp could never be 'too powerful'. Wrong. this thing is dead until you hit 2 then 2.5 is uncomfortably loud. i was never able to feasibly go past 5 and at that point the paint was peeling off the walls. The thing goes to 12. The amp itself sounds amazing and works great with pedals but it's just too powerful and loud for my and most players' i know's purposes.
Simply one of the best amps I've ever used for live gigs. It has great cleans. Even the dirty channels are usefull! I currently just use it clean and run everything from my pedalboard. Only downside is that it goes really loud. Hard to handle!
This has been my road for the past six years, it has plenty of booty and low end for anything you plug into it, and it cuts nice too. I run it hot on the clean channel and never use the dirty channel. But, the 60 watts allow plenty of headroom if I need more volume for outdoor festival gigs or shows with a bigger stage. Love this amp, it's not going anywhere.
Um amplificador forte, 60w de potencia valvulada, geralmente uso para lugares grandes ou quando vou tocar em um lugar externo, responde muito bem. Dificilmente eu uso com volume mais do que 3, pois o som vem alto, 2 falantes de 12. Em minha percepção o falante de baixo (pois eles ficam na diagonal) tem a tendencia a ser mais grave, ja o outro tende para o médio agudo.