Crank up the 'verb and get swept away in the classic Fender tone.
The Fender '65 Twin Reverb Amp is an authentic all-tube reproduction of the original classic! It has earned a reputation of being one of the cleanest tube amps ever, but it deliver...
When asked about his The Dead Weather rig, Jack white says "the amp is a Fender Twin Reverb—no Silvertone, like in the White Stripes." In the Northern Lights DVD, Jack White uses the amp combo and says "that’s so I get the crunch and the reverb at the same time. The Silvertone’s reverb is horrible, so I just use it for the thick, Jensen-speaker crunch that only a Silvertone can produce. No other amp can sound like that. I use the Fender for the reverb. It’s the best. A Silvertone and a Fender make a great combination."more
A Fender Facebook post talks about Jonny Greenwood using multiple Fender '65 Twin Reverb amps when playing with the London Contemporary Orchestra. The post reads: "When Jonny Greenwood joined the London Contemporary Orchestra on July 28, 2014, the Radiohead guitarist used 12 Fender '65 Twin Reverb amps, sending live guitar loops to individual amps for a true surround-sound experience! #thisisthesound" (post from September 2014)more
Daniel Kessler's touring guitar amp is a Fender Vintage Reissue '65 Twin Reverb Guitar Amp, as seen in this photo of his live rig. He says, "I’ve always liked reverb but with a slightly dirty, almost throwback 60s sound. Ideally, if I could tour with my old Fender Princeton 60s amp that I use for recording I would, but unfortunately it’s too fragile and not tour sturdy." (original source [here](http://www.musicradar.com/news/guitars/rig-tour-interpol-618675), article dated March 31, 2015)more
In this Gibson guide how to get the tone of Nuno Bettencourt, it was mentioned that he used more Twin Reverbs. "Of course, being a rocker in the ’80s and ’90s, Bettencourt had a nice complement of Marshall amps backing him up on stage every night. But Marshall wasn’t the only amp he relied on; he also had some Fender Twin Reverbs for those softer moments."more
from Music Radar: "Contrary to popular belief, he was constantly looking for ways to brighten the sound. His strings were, in the words of Russell Malone, "cables!" - 0.014 to 0.058. His choice of amp fluctuated between Fender Super Reverbs and Twins, before he switched to a Standel Super Custom in the mid 60s."more
Brian's used a pair of Fender Twin Reverbs since at least the early 2000's They appear to have been refinished in white around the Battle For The Sun tours. He'd used Marshalls before then but it seems to have been just the Twin Reverbs since and he's used his pedals to get his gain sounds. His rig is stage right in the video.more
"Armed with little more than a Fender Jaguar, an MXR Distortion +, a reputably broken MXR Blue Box, and a Fender Twin, Howard strangled sounds out of his guitar that few listeners had heard before, both as a solo artist, and with his Birthday partner in crime, Nick Cave." - Alex Maiolo, premierguitar.commore
Strand of Oaks posts a photo of his Fender Vintage Reissue '65 Twin Reverb Guitar Amplifier. He says: "Officially the proud owner of my dream amp, the majestic queen of tone zone. I've never had something this nice before. Endless thanks to @fenderguitar for believing in this band." In the comment thread, he goes on to specify the model of amp it is: "Yeah it's a Silverface reissue. Super clean super powerful! Just amazing" And in another comment, he talks about how it sounds: "So far I've played three shows with it. And just realized that it's two amps in one. First channel is essentially a [59 Bassman](http://equipboard.com/items/fender-vintage-reissue-59-bassman-ltd-4x10-guitar-combo) and second channel is all [twin](http://equipboard.com/items/1950s-fender-twin) and you can run BOTH CHANNELS! The tone nerd in me just can't stop smiling."more
T.K. makes heavy use of pedals, but his core setup of a Schecter Telecaster copy run into a blackface Fender Twin Reverb (whether it's a reissue or not is unclear) seems to remain largely unchanged in his various activities. At the Japan Night event in London in July 2015 he used a pair of (apparently identical) Twin Reverbs, though whether this is standard practice in his performances is not apparent since there are not very many photos of him (or Ling tosite sigure) playing live.more
In [this interview with Premier Guitar magazine](http://www.premierguitar.com/articles/22907-metz-alex-edkins-relentless-aggression?page=2), Edkins explains his love for the Twin Reverb. "I’ve used a bunch of the vintage ones, but I tour with a reissue because the reverb sounds different, and actually I like it better than the vintage reverb," he says. "It’s a little less rounded and soft around the edges, and somehow a little more clear. If we need to get a backline, I actually request the new ones. The funny thing is, I’ve had my own Twin for maybe 15 years, and I’ve never even changed a tube. I think it’s just completely blown out."more
This is the only picture I have been able to find where the model label on the amp that Trevor uses can be seen clearly. This amp seems to match the amp that I have seen him use in several pictures and videos, but those pictures and videos don't show clearly what the model is. This picture is from October 2015.more
Crank up the 'verb and get swept away in the classic Fender tone.
The Fender '65 Twin Reverb Amp is an authentic all-tube reproduction of the original classic! It has earned a reputation of being one of the cleanest tube amps ever, but it delivers a taste of the trademark Fender crunch when cranked up high. Delivers 85W through two Jensen 12" speakers. It has two channels, tube vibrato, tube spring reverb, tilt-back legs and Blackface cosmetics. Includes two-button footswitch to control reverb and vibrato effects. Order the optional Fender amp cover to protect your investment (see accessory box on this page).
Designed to sound as close to the original as possible, the ˜65 Reissues are assembled in Corona, California and feature Jensen speakers (One C12K for the Deluxe and two C12Ks for the Twin, four P10Rs for the Super and one C10R for the Princeton), Schumacher transformers, traditional tremolo and tube-driven reverb to create that classic, "Blackface" sound so many players desire. They do have PCBs (Printed Curcuit Boards), as opposed to the original's "hand-wired" circuitry, but the components (capacitors and resistors) are the same values as amps from that period. They also have hand-wired tube sockets and other parts for added strength.
Tonal Characteristics: Bright, scooped midrange that is known as the "Blackface" sound, pronounced "Wine Glass" highs from the Jensen speakers and a slightly more polite power amp for crystal cleans that can also be cranked for great overdriven tones.
Who's it for: Players that love the original versions but are priced out of owning vintage amps, blues players, country players, rock players, guitarists trying to get classic "Blackface" sounds (a la Stevie Ray Vaughan, Jimi Hendrix, John Mayer), American-made amp enthusiasts, traditionalists, avid Fender collectors.
I wouldn't be found without a twin around Me somewhere. Although today the one I have is a 65' reissue but it works just as great as My first one. Maybe that is why they are on every stage in the world.... ~Pepper~
I used to have a silver face(early to mid-70s) Fender Vibrosonic Reverb, which was basically a Twin Reverb with one 15" speaker. I gave it away when I was cleaning house, and I should have held on to it. It needed some work, and I just didn't want to deal with it, but in it's heyday, it sounded amazing.
The Fender Twin reverb can pretty much handle every genre depending on what effects you put in front of it. I think the best platform is a good clean sound. Also, plenty of headroom.
The mighty Fender Vintage Reissue '65 Twin Reverb Guitar Amplifier is a powerful and sharp amp. This Fender amp is mostly used when i play with a backtrack just cause how consistent it is.
...and all those wolves had a mega ass-ton of vintage Fender gear in the house so when I grew up and moved to the big city, I had to get me one of these '65 reissues. Run in conjunction with my Orange Tiny Terror/Marshall cab, this is the ultimate clean tone to compliment my raging gain bastard. And when I want total destruction, I stomp the Big Muff Pi through the Twin. Holy balls.