"I have a ’67 Gibson ES-330, which is just like an ES-335 but the neck goes farther into the body. It’s more of a true hollowbody than the ES-335 because of that construction. I bought that ’66 Fender Electric XII from Craigslist and it is one of my favorite guitars of all time. I also recently got a ’75 Telecaster Deluxe from eBay. Come to think of it, I don’t think I’ve ever bought a new new guita"more
“I fell in love with the ES-330,” says Dickinson, “so what I wanted to do was combine the two. If we can get the P-90 sound and response of a 330 on a 335 semi-hollow that can handle the rock ‘n’ roll environment — now we’re really getting somewhere." - excerpt from his Gibson interview.more
Back to Lonnie, here are a two more pictures I took of him in 1960—he is playing a Gibson that I bought for him (on time payment that I thought would never end!). Christiern Dr. Funkenstein http://www.organissimo.org/forum/index.php?/topic/66787-lonnie-johnson-the-great-bluesjazz-guitarists-last-years/more
"You’d be guessing all this chocolatey tone issues from a deep-bodied acoustic-electric Gibson archtop … and you’d be wrong. From his arrival in New York City in 1960 until the mid ’60s, Grant Green played a Gibson ES-330. It’s hollow-bodied, but a thinline double-cutaway model with the body lines of the ES-335 and a rim depth of just around 1 3/4 inches. Gibson had introduced its first thinline archtops in 1955, in the form of the ES-350T and the Byrdland, and brought the radical new ES-335 to the line in 1958. With a solid block through the center of the body to combat feedback and aid sustain and a neck joint around the 20th fret, the ES-335 was an instrument with jazz roots, but employed new features that would appeal even more to rock, country, and blues players." http://www.gibson.com/News-Lifestyle/Features/en-us/Get-That-Tone_-Green-Street-er.aspxmore
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