"The next thing must have been the Solina. I got that around 1978, and it was the string machine to beat all string machines. At that time, on sessions, I was using that, the Clavinet D6 (bear in mind that when I got that in the late '70s, funky disco music was in demand), the Hammond, the Rhodes and the Minimoog."more
In this Sound on Sound Article it says Mark Ronson uses a Hohner Clavinet D6 Exerpt: As far as hardware instrumentation at Allido goes, Ronson has a collection of synths and vintage keyboards that are constantly in use, including a Moog Voyager, a Roland Juno 106, a Nord Electro and a Hohner Clavinet D6, alongside his trusty Wurlitzer, Rhodes and upright pianos. "It's cool when you have a keyboard that nobody has or isn't using much any more," he says. "One of them I put all over Robbie Williams' 'Lovelight' is the Roland String Ensemble. It comes in with the second chorus and phases through the whole thing doing the big string line. Then there's the gated sound at the beginning of the track, which is me just scratching a synth sound on a [Pioneer] CDJ1000."more
> Well, I have this system where if I've heard of a new instrument, I hire it for a session in the studio. Then we make a decision on whether it's worth getting one or not. I hired a Clavinet for something in The Power and The Glory. I liked it because it was so clear. I didn’t know how the pins were then. I mean, the Clavinet works on the principle of hammering the strings down on a pad, and the things between the keys and the strings are made of thin metal. They can bend very easily. This can cause you to get some very dull notes because the string isn’t being struck right. So before each gig I have to do a complete overhaul on the instrument. It's a bit of a nuisance, but it's the clearest of all the keyboards. It can cut through the worst row on stage, which is something I've always wanted as a keyboard player. Early keyboards have suffered from mediocre tone, especially at high volume. You get swallowed up by everybody's overtones. The Clavinet will cut through that, though. I tend to use it as a harpsichord, rather than in the funky fashion. What I'm taking to lately is duplicating what I play on the piano, which is situated just under the Clavinet, to get a combination of the two. There's a tuning discrepancy that thickens things out a bit too, which I like.more
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