“Michael [Stipe] wanted to do all his vocals in the control room; we liked the immediacy of being able to work next to each other,” confides Candiloro. “So I put up a straight mic stand and an Audio-Technica AE5400 with no pop filter and ran that into the John Hardy M-1 mic pre. Although we did the basic tracks on 2-inch 24-track analog, by the time we were recording vocals we dumped everything into Pro Tools.”more
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