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"So when I started on Max I felt like I’d got past all that, and didn’t have to use someone else’s idea of what a delay, or a reverb, or a sequencer should do, or should sound like – I could start from the ground, and think in terms of sound and maths. It was like coming off the rails. Before there was all this padding between the computer and me. Now there was a blank screen as a starting point…" (Excerpt from Jonny's "Mini Interview" with Cycling 74, the makers of Max)more