"For that, there’s a whole host of layering going on. The main analog, sort of organic, envelope sound you’re hearing is a phaser. I think it is a Mu-Tron Bi-Phase. It’s a classic phaser pedal that I don’t own—Mike Crossey has one. It’s a ludicrously expensive, sought-after phaser pedal."more
"After the delay is the Mu-Tron Phasor II. That’s the mother of all phasers - all the others seem one-dimensional to me. It’s the better half of the Mu-Tron Bi-Phase, which is a must for home-studio filter nerds! I’ve got one of those, too. You can hear it all over every record since [2004’s] The Eye Of Every Storm. There are entire parts where I play one note over two minutes using this phaser at a slow speed because I can disappear in it; it’s the perfect sweep. It’s hard to find and really expensive - I’ve got three and only one sounds right. That’s the one that goes out!"more
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