As I mentioned, I think gear tends to choose us. I was doing a NAMM show back in the mid 80s with Steve Smith’s Vital Information. Tim Landers was the bassist at that time and a Peavey endorser, so Peavey supplied the back line for the performances. They brought in a Peavey Stereo Chorus 400 2×12 combo for me to play through and it was love at first sound! Peavey was nice enough to supply me with two of them and up until last year I have used those amps on most of my gigs and recording sessions. There are always times when you are going for a particular thing in the studio where you need to use an special amp to get it, but for the most part, I used the Peavey in the studio as well. After many years, my battle worn Peaveys spend as much time in the shop as they do on the road. Don’t get me wrong, they are very durable, but also very old. The amp is also very heavy, so I cut one up to use as a head for the road, but it’s still 70 lbs in the case. Fast forward to NAMM 2010. I was there to do a performance for TC Electronic with Minh Doky and I ran into Hadrien Feraud, who is a Mark Bass endorser. He asked me to come and play with him at Mark’s booth. So, I plugged into their new DV Mark 2×12 40 watt combo. Again, love at first sound! This is a tube amp that weighs 35 lbs., but I don’t want you to think the weight is the big thing for me, it’s all about the sound. I have been using this amp on tour and in the studio ever since. It has a very warm, smooth sound for a tube amp and some really cool features, such as a tube driven spring reverb, and continuous power control which allows you to actually reduce the wattage of the amp. I’m not a big fan of overly distorting the preamp, so this is a great feature to help you control your overall levels. So, you see, it’s all about the relationship between the amp, guitar, and me. The Peavey is old technology solid state (which I far prefer to newer solid state amps, many of which are designed to be cost effective) and the DV Mark is a tube amp. The problem I have found with “high end” tube amps is that it’s hard to control the high end. Pun intended. Most guitarists I know get great sounds from them. They just don’t work as well for me. One last thing about one of my Peaveys. I was touring europe with Marcus Miller back in 2005. I used to keep one of my amps at a studio in Bonn, Germany, so when I went to Europe I would have my sound. A year later, I called the studio and told them that I would be needing it and they told me that it never made it back. These things happen to gear on the road. Things sometimes get lost , misplaced , or stolen. It’s in a silver case with my name on it, so if you are in Europe and you happen to see it, give me a shout!more
You can make any sound/tone you want with this amp. Its super clean and shapeable. I love jazz and this amp has amazing sound detail and range, base mid and high. If you get a chance to get one, grab it. The chorus is cool and works well but I don't play with effects or pedals. If I suck I want to hear it so that I can improve. Distortion not great, but again I don't care. Some people say these amps have an 80's tone, but I don't. It is so shapeable you can get any tone you want from it. Sounds great at low volume for practice and it has more than enough power to play out. I had a red knob twin that had no low volume capabilties. Its a real spring tank reverb and its superb. Build quality is great and its made in the usa.