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"Jean-Michel’s plan was to follow as closely as possible the original recording process, using the same synths and effects wherever possible, but replacing the Scully eight–track with a Mac–based Pro Tools HD3 system, recording at 24–bit, 96KHz via a Summit Audio TPA 200B Dual Tube preamp and Neve and API processors. “I put almost everything through the Summit,” he says, “and I got this good, fat, analogue sound."more
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