you can get lost in how cool smack's dynamics processing sounds, however its a pretty extreme effect and easy to overuse and for that reason I recommend it only to old-heads with mad compression skills. I actually leave this one alone a lot of the time because its just so potentially destructive on a bus. I almost always audition it on a mix bus or on a parallel bus though. I mean, you cans et it up to be mellow but it gets more generic if you do sow hat's the point? Oh yeah, it has pretty tweakable saturation, its nice to be able to vary the harmonic content but again, tis pretty extreme.... like if you are dicking with smack on a mix one night when you listen the next morning you are going to want to take it off or dial it back substantially.... its easy to overdo this one.