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TC Electronic D-Two Multi-Tap Rhythm Delay is based on the TC 2290. The D-Two can provide up to 10 seconds of delay, features 24-bit A/D-D/A conversion and 24-bit internal processing, comes with 50 factory presets and 100 user, and provides S/PDIF digital I/O at 44.1kHz and 48kHz. 6 unique direct-access features include Spatial (provides extra-wide delay at a single keystroke), Ping-Pong (pick any 5 patterns and set the relationship between panning speed and delay tempo), Reverse (reverse delay with the flick of a key), Dynamic (sets the release time and threshold to let the input signal control level of delay), Chorus (hit a single key to instantly add chorus or flange to your delay), and Filter (increases filtering as repeats decay). With the D-Two you are able to tap actual rhythm patterns consisting of up to 10 taps directly into the unit. On the below picture you can see the rack of delays as used on The Wall tour in 2012. The rack includes Samson PowerBrite PB10 power conditioner and Korg DTR-2000 tuner.more
Summers also incorporated Marshall amps and a Roland guitar synthesizer into his rig. Of course, times have changed and so has Summers’ gear. For the ’07/’08 Police reunion tour, he used an elaborate two-piece Bob Bradshaw switching system, the right wing of which includes three Boss FV-500H Volume/Expression pedals, one used to control a rack-mounted Lexicon PCM 70 and two for an Eventide Eclipse, a Moogerfooger Analog Delay, and a Boss Loop Station and Chromatic Tuner. The left wing houses the main Bradshaw switching unit, plus another FV-500H and a Dunlop Cry Baby wah. Summers’ off-stage rack also contains his main Custom Audio OD100 amp and a Carvin DCM150 used to power stereo effects (each amp feeds two Mesa/Boogie Rectifier 2x12 speaker cabs), plus additional signal processors, including a T.C. Electronic TC1210 Spatial Expander/Stereo Chorus/Flanger, Bob Bradshaw V-Comp Tube Compressor, D-Two Multi-tap Rhythm Delay…more
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