This unique pedal design captures the lush, muscular power amp distortions of both Class A and Class A/B tube amps. The tones can be used individually or you can feed one into the other for massive ‘cascading’ distortion and limitless tonal varia...
"When 1998 rolled around, I encountered the now-discontinued (but new at the time) Tech 21 Comptortion pedal. As my pal Glenn Phillips recently pointed out, this pedal sounds like it was designed to sound like me. To this day the CompTortion is a must-have for me anytime and anyplace that I play. Frequently, I use it direct with nothing else in the studio. One thing I love about it is that it is gated, but with the gate detection before the distortion, thus a listener never hears the gating. (I first heard this idea of gating in the old ADA MP-1 rack preamp.) The CompTortion is also the only really fuzzy distortion pedal that I know of that seems to find unique sounds from whatever guitar I plug into it. I have way too many guitars, and this pedal makes me sound like I have twice the actual quantity…" says Henry Kaiser, in [this article](http://www.premierguitar.com/articles/Henry_Kaisers_5_Essential_Effects).more
This unique pedal design captures the lush, muscular power amp distortions of both Class A and Class A/B tube amps. The tones can be used individually or you can feed one into the other for massive ‘cascading’ distortion and limitless tonal variation. The 100% analog Double Drive 3X is a 3-channel, fully programmable version of its single channel predecessor and features active 3-band EQ. The expanded tone section gives you even greater flexibility to create incredible and original tones. You can store three custom sounds, even on the fly, by simply tweaking the knobs and double-tapping on a footswitch. How easy is that? And, with both Drives at minimum, you can program a clean boost up to 10dB for blazing solos.
Sometimes more is more.
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