Apollo is one of the world's most popular professional audio interfaces - delivering the sound, feel, and flow of analog recording to music creators everywhere. This 18 x 24 FireWire/ Thunderbolt-ready* interface combines class-leading sound quali...
In an interview with Guitar Center, Dirty South says "I love UAD stuff, so I record through a UAD interface, the Apollo."
Mick Guzauski talks about using the Apollo working on Daft Punk's "Random Access Memories" by saying, "I got that just before going to Los Angeles to work on the Daft Punk album because I had some projects that still needed recalls. I brought the Apollo with all of my UAD plug-ins, my laptop, and all of my files, so if there was anything I needed to tweak, I was ready."more
Our primary sound card for tracking vocals and doing final mixdown!
"Then! What do I have... as a sound card? Well, as a sound card, I have a UAD Apollo... '2', or whatever it's called... that's another really expensive thing, it's actually THE last thing that I bought..." (22:03) At 22:33, we see a close-up of the equipment itself. The interface is consistent with the standard-model Apollo (that is, not the 16 model) due to its two headphone ports and buttons on the left side of the interface, which are absent on the 16 model.more
“For I/O, I use the Universal Audio Apollo with Thunderbolt. I looked into a lot of interfaces, and the Apollo had everything I needed. It has a healthy amount of inputs, multiple outputs for monitors, great audio quality and extremely low latency because of the Thunderbolt connection. Another bonus are the UAD powered plugins that come built in, but I barely use them.more
Gregori Klosman's audio interface is the Universal Audio Apollo, as detailed in an article about his studio gear setup. He says, "This is my brand-new soundcard. To be honest, I've never really used the plugins in it - sometimes the Cambridge EQ, but most of the time I just use it for the nice converters." Original source [here](http://www.musicradar.com/us/news/tech/in-pictures-gregori-klosmans-paris-studio-600687/3).more
Apollo is one of the world's most popular professional audio interfaces - delivering the sound, feel, and flow of analog recording to music creators everywhere. This 18 x 24 FireWire/ Thunderbolt-ready* interface combines class-leading sound quality with Realtime UAD Processing. So you can track audio through UAD analog emulation plug-ins - from Neve, Studer, Manley, Lexicon and more - in real time, with a sleek, elegant workflow on both Mac and Windows 7.
With smart features including four ultra-transparent mic preamps, eight line inputs/ouputs, dual headphone outs, and front panel instrument inputs, Apollo has all the right tools, all in the right place.
Class-Leading 24-bit/192 kHz Sound Quality
Designed to play a central role in a modern Mac- or Windows 7-based studio, Apollo incorporates an uncompromising approach to audio quality. Building upon decades of UA hardware heritage, it offers extremely high-resolution sound, with the lowest THD and highest dynamic range in its class. Apollo's four premium mic preamps, top-end converters - and UA's meticulous attention to circuit design - translate into greater accuracy and depth in your recordings, from tracking and overdubbing, to mixing and mastering. In fact, its sound quality is on par with dedicated converters costing thousands more.
Realtime DUO Core UAD Plug-In Processing for Tracking, Mixing, and Mastering
While Apollo's "natural" sound is exceedingly open and transparent, it can quickly deliver a wide range of classic analog tones and color via its Realtime UAD Processing. With DUO Core processing onboard, Apollo's onboard DSP Acceleration allows for recording through UAD Powered Plug-Ins - with as low as sub-2ms latency - so that producers can quickly monitor, audition, and "print" audio using classic analog emulations from Ampex, Lexicon, Manley, Neve, Roland, SSL, Studer, and more.** Better still, Apollo's Realtime UAD Processing is also available during mixing and mastering, so that music producers can use UAD plug-ins (VST, RTAS, AU) throughout the creative process.
Thunderbolt Connectivity for Macs
Apollo offers compatibility with Intel's new high-bandwidth Thunderbolt technology on Macs. Available via a user-installable dual-port Thunderbolt Option Card, Thunderbolt provides greater UAD plug-in instances, improved performance at high sample rates, and reduced UAD plug-in latency in the DAW versus Apollo's standard FireWire connection.
Because Thunderbolt offers many times the bandwidth of FireWire, it allows music producers to connect numerous devices in series with the Apollo interface - including hard drives, processors, and additional computer monitors - all with fast, flawless performance. Thunderbolt also makes it easy to expand UAD plug-in processing power via a Thunderbolt-to-PCIe chassis and UAD-2 DSP Accelerator card(s).
Deeper Integration with Pro Tools, Logic, Cubase and MoreApollo's Core Audio and ASIO drivers ensure compatibility with all major DAWs, including Pro Tools, Logic Pro, Cubase, and more. The included Console application and companion Console Recall plug-in (VST/AU/RTAS) provide control and recall of all interface and Realtime UAD plug-in settings within your DAW sessions, even months and years later. A new "PT Mode" allows easier insertion of external hardware in Pro Tools, and a new Virtual I/O feature allows Realtime UAD Processing of DAW tracks and virtual instruments.
Hardware Design and Workflow
One key feature of Apollo isn't really a "feature" at all. It's the numerous design details that give you a fast, natural workflow - and better results. There are physical front-panel controls for all the most commonly used features, including Preamp and Monitor level knobs, channel selection, mic pad and low cut, phantom power, and dual headphone outs with independent level control. Smart Hi-Z inputs on the front panel detect when you've connected your guitar or bass, and automatically enable hardware and software monitoring.
Sonically, Apollo's Mic inputs and Monitor outputs are digitally controlled analog, so you don't lose audio resolution when you adjust gain. High-resolution/high-contrast metering, derived from UA's legendary 2192 interface, is designed to be viewable at nearly any angle. Finally, standalone operation means that you can use Apollo's audio connections, and last-used DSP mixer settings, even without a computer connected.
Before this I was using an Apogee Quartet. It was a great interface, but it doesn't compare to the Apollo. Amazing sound quality, by far the best plug ins on the market and so many I/O options. If you're thinking about it, do yourself a favor and get it.
I needed more than two i/o and the best RE-201 emulation so this buy was a no-brainer. The only thing I absolutely hate is that there is no easy way to unlist in your DAW the plugins you have not yet purchased. It is a real pain when you have to memorize what you bought when you are trying to get work done. Is it to make me spend literally $1000s more to buy all the pugins? I don't know. So far I have spent about $500 on plugins on top of the $2000 I paid for the hardware. It reminds you you need to spend time and get your money's worth because one day support will be gone and the unit will be obsolete.
Universal Audio is an incredible company. I love the DSP processing on my Apollo Quads (I have two daisy chained together via thunderbolt) and the plug-ins are amazing. I wish I had more UAD plug-ins but most of them are out of my budget. I treat myself to a UAD plugin here and there as a gift to self.
I love Universal Audio and I don't think I will ever look for a different interface company. UA has my full trust.
No cpu usage, low latency, world class analog gear emulation plugins, what else do you need.? I Started using only few now i can't live without them and I've expanded to octo card. Start with Apollo twin to get you started.
tranparent/awesome sound, high-end AD/DA converters and preamps, 8 line-in's. best price for a sound card, high end chips and preamps and QUAD DSP for home use