In his [My Studio feature for Attack Magazine](http://www.attackmagazine.com/features/my-studio/mathew-jonson/), Mathew Jonson writes: "The Yamaha CS-30 is from outer space. I don’t know how anyone could use this for making normal sounds really because the tuning is so bad… or maybe I just have to open it up and recalibrate it. I got it for nothing on eBay and when I opened up the case it was filled with dirt. Maybe it was a leftover from a flood or something. Anyways, it actually works – I’m just not sure what it’s been doing the last 20 years."
more"Oh, and I also got an 808, a Yamaha CS-30, an E-MU sampler and, eventually, a Juno-106."
more"I also used a bunch of different modules as well as the René. I've got lots of Intellijel modules, and I put a lot of parts through the Korgasmatron for shaping and stereo filtering or phasing effects. I also use both my Prophets, the 5 and the 8, just because they're the best pad machines out there. They're so rich. I use the [Roland] Juno and the [Korg] MS20s a lot, and I used the Siel Orchestra quite a bit and my [Yamaha] CS30s. I use everything. I just kind of sit there and everything's in arm's reach. I have a little bit of a preference towards the more recent stuff, but seeing as everything's there, I will use it."
more"Can you run us through your synth collection and pick out your favourites and tell us why you prefer them? Jordan: Roland Juno 60 Korg Polysix Yamaha CS-30"
morea big monster, a classic synth from end of 70s
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