Hard consonant sounds are the bane of a vocalist’s existence. An outrageous number of vocal tracks have been ruined by the signature pop of a “p” or “c” sound. Don’t let this be you! It’s so easy to avoid, and in the long run it really will not cost you much money at all.
That’s right folks, today we’re talking about pop filters. This article will give you all the information that you need to choose the best pop filter for your microphone, as well as give you five great recommendations to aid you in your search!
- Why Do I Need A Pop Filter?
- How To Use A Pop Filter
- Top Five Pop Filters
Why Do I Need A Pop Filter?
Simply put, a pop filter disperses air and sound across a wider surface area. Hard consonant sounds direct a lot of volume and air forward, which can overdrive your recording device leading to an unpleasant pop. That’s why if you ever see a video of someone recording a vocal track in a studio they always have those circular see-through discs between their mouth and the microphone.
However, pop filters are not a cure-all. You still need to use proper technique when you sing. Pop filters help, they do not always completely solve your problems. They’re a valuable asset, but if you’ve had difficulty with hard sounds or popping noises it’s likely that there’s a problem with your singing technique.
Pop filters also help keep spit off of microphones, which I’m sure most recording engineers appreciate. Like most bodily fluids, spit is pretty rough on most musical equipment. It can lead to mold growth or even corrode microphones.
How To Use A Pop Filter
Pop filters are really simple. You just adjust the tension mechanism so that it fits snugly on your microphone stand, then you simply place the circular portion of the pop filter between your vocalist’s mouth and the microphone. It’s generally advised to leave two or three inches of space between the pop filter and the microphone, but it’s best to work out your technique based off of trial and error with your recording rig. There’s a bit of variance with how different methods will react with pop filters, so you really can’t be sure until you try. A good shortcut is browsing some forums and blogs dedicated to recording as they’ll give you some universal tips that’ll help you get the most out of your equipment. Pop filters are really simple pieces of gear. In fact, some of the highest rated pop filters on the market come in as a very high value at around $20.
The only thing we would really recommend is that you consider getting a pop filter with an adjustable arm as opposed to a fixed position model. Pop filters with flexible arms are handy because you can swing them around depending on the position your singing from and the dimensions of the mic.
The Top Five Pop Filters
Since pop filters are pretty simple and rugged, for this article we selected the products that have the best overall buyer feedback off of a variety of different retailers. This was just to weed out some of the shadier off-brand stuff that pops up online.
If you’re unsure where to start, check out the recommendations below. All of the following pop filters have great reviews and have worked well for us at Equipboard, so you’re sure to fall in love with whichever one you choose.
Neewer NW B-3 6 inch Studio Microphone Mic Round Shape Wind Pop Filter
Nady MPF-6 Clamp On Microphone Pop Filter
Auphonix 6-inch Pop Filter
Mudder Recording Studio Microphone Windscreen Pop Filter
Sterling Audio STPF2 Professional Mesh Pop Filter