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"There really wasn’t any live playing in terms of being a band recording in a room together. I stuck with a pretty consistent guitar tone compared to the other records. I played a ’67 Harmony Bobkat through a Death by Audio Interstellar Overdriver Supreme pedal, usually straight into a late-’70s Fender Princeton— not lots of pedals, more driving the amp pretty hard".
– St. Vincent, via an interview with Guitar Player, about the recording process of her record 'Strange Mercy'
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