A uniquely designed steel enclosure made with quality components throughout. My goal was to spare no expense. I realize that sometimes in the world of guitar gear, there isn’t always one answer in choosing the best components and designs, so I jus...
A uniquely designed steel enclosure made with quality components throughout. My goal was to spare no expense. I realize that sometimes in the world of guitar gear, there isn’t always one answer in choosing the best components and designs, so I just picked my favorites. This includes Switchcraft 11 open frame jacks, and a super quiet soft touch switching system via an internal relay.
The DRV is a distortion pedal, based on another pedal with a whiteface graphic. I have been working on this project for the better part of three years, as a collaboration and with engineering by Jon Ashley of Bondi Effects. I feel that the pedal is unique in design and sonically unlike anything I have ever heard, especially in the lower gain and boost settings. There is a subtlety that feels more like a vintage pedal than a modification of a classic. There are two circuits present in the pedal, one distortion and one preamp boost, running at 18v via an internal voltage regulator. I made this pedal with the idea to create a distinction for my own sound, and what I found is that it is an extremely useful tool for capturing a lot of different types of sounds. I am most proud of the lower gain side, as I feel it is the most unique section of the pedal, but I must also include that the gain section is extremely sweet sounding throughout, especially for heavy and complex chords. There is a midrange punch that I love and a warmth and thickness that reminds me a bit of a ribbon mic. When the development of this pedal turned into something new and unique, it became the catalyst to starting 1981 Inventions, so I decided to make this the first official release.
Commentary unique to this color:
DRV in vintage shell pink
Powder coated and hand screen printed in Nashville, TN
I was going for a particular vintage guitar color here. It isn’t super glossy, but has a bit of a shell feel to it. I decided to use vintage Davies style knobs, but instead of a standard issue, these are super hard phenolic plastic. I am really happy with the quality and sturdy nature of these knobs.
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