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iZotope Ozone 7

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16 Artists Use This
Morgan Page

Morgan Page mentions using Ozone for mastering several times in this AMA. Additionally, Morgan Page sent an [email to Equipboard in February 2017](http://i.imgur.com/JhWGXga.png) specifying that he uses Ozone 7.
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Charlie Clouser

Clouser, who’s become a connoisseur of mastering plug-ins in his search for a Master X5 replacement. He’s currently using Waves L3 Multimaximizer and iZotope’s Ozone 7 mastering software.
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Getter

You can see that in his Instagram livestream he is working on [Pink Guy - Fried Noodles(Getter Remix)](https://soundcloud.com/getterofficial/pinkguy-friednoodles-getterremix) . At 10:53 Tanner pulls up the iZotope Ozone 7 imager for one of the lead synths in the drop.
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Virtual Riot

At 3:59 in this video
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Darude

According to the official gear list on Darude's Website (Click on the studio tab), it says he owns a license for iZotope Ozone.
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Dat Adam

Can be seen at 7:12 in this video.
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Herobust

Herobust starts to say at 3:46 he masters his tracks with Ozone 7
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seeB

When asked about their favourite plugins, Seeb respond with "Difficult to say really but here goes: Simpler in Ableton Live. Not really a plugin but an awesome instrument. The Steven Slate package (all of them really, but FG-X, 1176 and the tape machine being the favourites) Isotope Ozone. It was good in version 5 but just got 7 and it sounds even better. Really helps you get the master right."
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Jonas Blue

At 40:08 "iZotope Ozone..." Is listed as an used Plugin by Jonas Blue. Given this video was spotted on 2016, it can be assumed that the version is the newer one (7),
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Jonas Aden

Jonas using iZotope Ozone 7 to (Finishing up some details on the 'I Took A Pill In Ibiza' remix for you guys)
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Ghastly

In answering this queation on reddit, he stated he uses Ozone 7 for mixing and mastering his music
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Paul Epworth

According to the "equipment list" found on Church Studios, owned by Epworth, one of the things listed is the iZotope Ozone 7.
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Mick Gordon

at 1:22 you can see an instance Ozone 7 open on his computer
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Jon Sine

At 2:34 you can clearly see him using izopte ozone 7
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Tennyson

In this twitter post we can see that Luke uses iZotope Ozone 7 to master his tracks.
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M-22

The Advanced Ozone 7 Dynamic EQ is seen at 9:00
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Details

Description

Glue a mix together, control dynamic range, and add rich character with the critically acclaimed music production tools in Ozone Advanced, including the new Vintage EQ, Vintage Compressor, and Vintage Tape modules. Audition masters before rendering with the new Codec Preview. Apply Ozone Advanced’s processing to mix busses, too, with individual plug-ins of all ten modules.

Plus, both versions of Ozone include the Maximizer, the Dynamic EQ, the new Vintage Limiter, Export Formats, and more. Use Ozone as a plug-in or as a standalone application.

7 iZotope Ozone 7 Reviews

holdenrodi

239

Handles all mixing and mastering!

Pretty much my go to when it comes to the technical side of music. Clean GUI and pretty straight forward use. Can't dock this any points at all.

+1

almost 3 years ago
- 0 Comments
- edited almost 3 years ago
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naartjie_official

342

Neat Package

Love the stereo imager. Love the vintage compressor, love the dynamics and professional touch this plugin gives my mixes.

Quick Tip: If you combine the SI stereo imager, and the imager from ozone 7, you can get a really wide, warm, and bright mix. My personal preference, although some engineers may have some issues with this :D

+1

about 3 years ago
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vismundcygnus

332

essential

fantastic parametric EQ, dynamic EQ, analyzer and mastering limiter. i use this at some point on every project that i work on and its well worth the price.

+1

4 days ago
- 0 Comments
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jean_martineau

100

Expander, magnetic compression, Reel to Reel machines...

This nice looking package doesn't features an expander. In olde tymes there were compressors and expanders in the studio...this is because there was no Dolby (compander) and to reduce the tape hiss that was very high because of the tapes themselves, they were needed. Note that I would try to process a tape this way...I relie on my Dolby SR and it's perfect. Also there are different kinds of compression and a tape recorder allows you to make magnetic compression...magnetic compression is said to begin at 1000 nW/m with a 50 micron tape. So you need a powerful machine that pushes at least at +12dB and there are plenty in the pro world. My Studer A-807 doesn't want to run these days ( a chemical capacity, I guess ), so I use my Revox PR99mk3 with 35 Micron tape and it's ok.
Few years ago, I wanted to buy an old Ampex Machine but the specialist told me that he couldn't give a guaranty because it was too old and he added that to get the sound of the 60's, I had better trying to find vintage mics. On his advice I purchased a pair of AKG Solitube and they are already vintage...now as long as R2R machines are concerned would I choose an ATR100, a A820, a Sony, I thing I'd choose the Studer because it calibrates automatically...well, to 'tune ' a R2R is one thing but 'detune' it is much more difficult. Still, the sound engineers could do that in the 70's when R&R was great. That's all Folks..........3BIMLAB@laposte.net

+1

4 days ago
- 0 Comments
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chacho

237

Good mastering tool

I used to use Ozone 5 then instead of going to 6 I just went to 7, it has a clean smooth look overall and in my opinion one of the best mastering tools you can purchase.

+1

over 2 years ago
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annosond

231

how to make it louder without having a clue about the mastering engineers art

Yep Im a bit Lazy when it comes to this part of the production process . I have a little formula I use that I shouldn't .... I also have ozone 5 which I find a bit too complex ...

+1

about 1 month ago
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toregualto

275

The most proffesional tool for mastering

The most proffesional tool for mastering

+0

over 3 years ago
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