In an AMA he did on reddit, in answer to the question, "How come you decided to shelve the Jekyll and Hyde? As a followup, how are you making that gorgeous crunchy but smooth sound in your recent live performances with The Strokes?" Nick Valensi replied: > "the 1st gen jekkyl & hyde was my jam. i didn't like the ones that came after. lately i've been using the JHS color box and [klon centaur](http://equipboard.com/items/klon-centaur-professional-overdrive-guitar-pedal) for all overdrive sounds"more
"Meanwhile, guitarist Drew Brown enjoyed our selection of pedals and had his eye on a JHS Colour Box and a [Soul Food](http://equipboard.com/items/electro-harmonix-soul-food-overdrive) (among others) to add to his rig." [Chicago Music Exchange](http://www.chicagomusicexchange.com/blogs/soundboard/14544613-onerepublic-visit-chicago-music-exchange).more
In 1961 a British engineer would start a company from a spare room in his England home that would permanently change the history of the Pro Audio industry. This company set a trajectory for musical tones that spanned across genres and impacted every generation that followed. We are talking about the famous piece of gear known as the Neve* recording console. From "Love Me Do" by The Beatles to the famous sounds of Led Zeppelin, U2, Spoon, Pink Floyd, Motown, Quincy Jones, Nirvana, Steely Dan, Neil Young, Tears For Fears, and Tom Petty (the list is endless), The Colour Box is our tribute to the legend and application of how a piece of gear can change music. Britt is credited by JHS as using a Colour Box, but he is rarely seen using it in a live setting.more
butchwalkerEverybody always wants me to post pics of my pedalboard. I don't. Because it isn't beautiful. It isn't organized. It isn't in order. It isn't much. It's actually very much just like me. But it is functional, easy, and awesome shit. L-R top: Keeley super modulation something something, TC electronics David Hasselhoff signature series reverb pedal, JHS superbolt (backup), JHS RubyRed ?R prototype (backup) Bottom row: Caroline kilobyte delay, JHS ?R signature pedal (soon to be released!), JHS Muffaletta sandwich fuzz, JHS colorbox, TC tuner. I don't play with a lot of gain. The amp is overdriving slightly. I play kinda hard. My fingers are caveman carrots. I can honestly say tho, if you like what to hear on the new record and live, 90% of that is my signature ?R pedal (coming out in the next week or so).more
In this 2016 Guitar World article James is quoted saying: "I like to use a lot of low-wattage, old tube amps when I record. My obsession with that actually started with the Silvertones from the mid-late Sixites. On stage, I’ve been using a [Fender] Princeton and Custom Supro Thunderbolt. Guitar wise, I have a Gibson 330 I record a lot with, and my stage guitar is a 135. I also have a Nineties SG I use as a second guitar. I also use a lot of different things for pedals. Lately, I’ve been using the JHS Colour box and Xotic EP Booster to get the amps where I need them to be."more
I have a Fender Custom Shop Telecaster based on a ’62. I also have a ’61 Gibson SG my girlfriend bought me. I string them with D’Addario NYXLs, gauged .010-.046. My amps are ’67 and ’68 blackface Fender Pro Reverbs. I have a Boss DM-2 Delay, a Wampler Ego Compressor, a Walrus Audio Plainsman for clean boosts, and, for overdrives, I currently use an Oddfellow Effects Caveman Drive and a Jetter Jetdrive. My tuner is a Sonic Research strobe.more
I purchased the JHS Colour Box to use as a preamp on my bass pedalboard in lieu of the typical Sansamp. The pedal is recreation of channel strip of the famous Neve recording desk used by such bands as The Beatles, Lenny Kravitz, Led Zeppelin, etc. Think the "fuzzed out" drive tone from the intro of The Beatles "Revolution". The Beatles achieved this tone by plugging a guitar straight into the Neve's preamp and maxing out the channel to overdrive the transformer. The Colour Box achieves this tone when the pre volume is high enough to achieve break up. The Colour Box features a Lundahl transformer to achieve this, and runs on 18volts of power. The pedal comes with its own wall power supply upon purchase, but be sure to keep this in mind when powering the pedal using an isolated power supply brick,
The pedal is simple to use, with the red knobs functioning as controls for the preamp, the blue knobs are for EQ, and the grey knob is a hi pass filter which can be turned on or off by the switch on the face of the pedal. The preamp section has a Master Volume, Pre Volume, and a six way rotary switch called "step" which changes the amount of gain the pre volume can achieve. The first notch is as clean as you can get with the pedal, while each notch ascending in gain, with the last notch achieving the most fuzzed out overdrive tones. I use the preamp section to add just enough gain to my signal to warm it up, without adding too much gain or overdrive.
The blue section of the Colour Box is a 3 band EQ that features Treble, Mid, and Bass. The EQ is powerful enough that I use it rather than the EQ on my SVT classic. This is especially useful for DI tones when recording bass. Though I do not use the Hi pass filter for bass, it is useful when recording guitars with the pedal.
For bass players, the colour box features 1/4 OR XLR input, with a -20db pad for active basses, as well as a 1/4 inch AND XLR out. This is especially useful to recording bass. In recording my bands EP, all I used was this pedal along with my four pedal pedalboard (Tuner--> JHS Lime Aid Compressor-->Fuzzrocious Demon King-->JHS Colour Box) and no amp. The pedal is that good.
In terms of guitar, the pedal is also perfect for recording guitar in that it brings amp simulators to life. Beware, however, that this pedal has a LOT of volume and power and can cause damage to your equipment if you are not careful when using the volume.
The pedal can also be used on mics, including condenser and ribbons mics (though the pedal does not provide phantom power). If you are looking for studio sound in your live sound, this is the pedal you need.