Spectrasonics Omnisphere 2

In this tweet, deadmau5 asks Spectrasonics a question about Omnisphere 2, just after stating that he bought it.

Aoki tweeted about this product in April, 2016.

Omnisphere 2 is like the music producers equivalent of the Mayweather Pacquiao fight. Seven fuckin years and it's finally here

AF: What are your preferred virtual synths? Eisen: I used to say lots of stuff but I think these days I think only Omnisphere. It’s absolutely amazing and we also have Trilian, which is really really good. We bought the whole Native Instruments pack for example, and I want to say Massive - it is an amazing synth, but it doesn’t work on Cubase properly.

''Currently my fav synth is Spire & Omnisphere 2 -ooah''

Inspired by the new and amazing Omnisphere 2, I informally captured a few clips of my sound explorations. Share it! http://facebook.com/jordanrudessofficial/videos/10152941022652989/ …

The Chainsmokers talk about some of their favorite VST plugins they use in the studio in their reddit ama. One of the ones they mention is Spectrasonics Omnisphere 2: "Studio: Ableton Live... record a lot of guitar recently on telecaster. fav vsts atm are xfer serum and omniphere 2."

“So there’s everything from, I love the Spectrasonics’ Omnisphere, I love FabFilter, their Saturn, Twin I like a lot…”

"Taking the Omnisphere 2 synth for a test drive!!"

In this Drip Q+A Eskmo says: "I'm currently loving Omnisphere 2 and Serum"

In the picture, Virtual Riot is holding a copy of Omnisphere 2.

Giuseppe just got Omnisphere 2, as seen on this photo. "Been waiting for this quite a while, finally landed in my studio."

Some exceptional patches in Omnisphere 2. Its strengths are very much in the areas of organic soundscapes, noises and ambient textures. Basically stuff you've never heard before! I haven't found much to get excited about in the 'EDM Spotlight' section yet, but maybe that'll change as I start to dig deeper. Right, back to the sounds...

"Installation time"

Come to John B! #studio #drumandbass

A lot of prests from this program can be heard in their songs

Listed on the official 311 website, http://www.311.com/band/equipment

"For sounds: @nativeinstruments and @Spectrasonics are my go-to's." Lido has also stated in multiple live streams that he used Omnisphere and has upgraded to Omnisphere 2.

Skip >>> 26:19 When asked about the programs Hillsong Young and Free use, Alexander Pappas explains which plugins are preffered by their music producers.

You can see omnisphere in his channel rack at around three minutes.

Just seen the amazing new Omnisphere 2 promo by @spectrasonics. That's the rest of my life taken care of then.

Razer Music lists Metro Boomin as using Omnisphere 2.

Key kit FabFilter Pro-R TAL-Dub Melda Production’s suite Soundtoys 5 Many UAD plug-ins iZotope Trash 2 and Mobius Filter u-he Zebra and Braille synths Numerous Spitfire libraries Numerous Soundiron libraries Omnisphere 2.5 Ohm Force Ohmicide Native Instruments Komplete

"**ArceusWafiq24:** Any go-to VST plugins you couldn't live without? **Puppettt:** Ohmicide, Space Designer, Valhalla shimmer, Omnisphere II, and the sausage fattener"

upgrading his software

At around 5:44 you can see Zaytoven has the omnisphere browser opened on his macbook pro.

At 4:24 in the video, you can see Omnisphere as the virtual instrument on channels 12, 13 & 14 of Michael Cretu's mixer in Logic.

Listed on gear page

On 29:30 you cas clearly see Omnisphere 2 in his Pro Tools session.

Spectrasonics Omnisphere 2

Spectrasonics features Anomolie using their product.

In a latest interview and night session on studio

At 7:23 he says he Omnisphere

At 0:05 you can see him loading it up in logic pro x

He mainly use "Atomic Trance/Big Berthas lead" preset of Omnisphere2.

When asked about which VST plugins they use, Seeb respond with "Our main ones are Sylenth, Massive, Diva, Kontakt 5, Omnishpere and Spire." Due to the date of the post, it can be assumed that Seeb are using the second version of Omnisphere.

About half of the pads, synths and textures you hear are from Spectrasonics flagship power synth called Omnisphere. I've built a close relationship with that instrument (and its extension libraries like the Moog Tribute Expansion) since its release in 2008...to the extent that I have most of the patch names memorized and I know exactly which key words to search for when I need a specific type of emotion communicated. However, I rarely leave any of Omnisphere's patches in their natural form - specifically since 250-350Hz needs to be ducked a bit on many of their analog synth patches to avoid cluttering the mix. What I often do is set up a series of busses in Logic, each with their own personalities. One bus might have a low pass filter combined with 3-4 different delays and reverbs. Another might have punchy compression and saturation with dance-style reverbs and delays. Regardless of which bus I decide to run the synth through, I run Omnisphere's patches through one of them while I'm working out melodies so I can carefully fit each layer into the prior one. Delay and reverb changes everything for me because of the way I set up my signal chain (see screenshot below - I've got the high frequencies passed out and I've followed some gentle compression with Reverb and two independent insertions of my favorite delay). I am ridiculously meticulous about what tones I allow into my songs, which is why I write less content than other composers, but I am absolutely indebted to Eric and his team at Spectrasonics for providing such a powerful cinematic tool. It's more than worth its weight in gold.

What software are you using in Logic? "I love what Native Instruments do and you can't go wrong with Komplete. I love using Massive and Kontakt, they get used every single day. Omnisphere is massive for me as well, but the only other thing I'll use is Logic's built-in EXS24 sampler, which is a godsend for programming all my drums."

NRX use this library for a better sound

Seen used in Hoodboi's Instagram story.

According to the "equipment list" found on Church Studios, owned by Epworth, one of the things listed is Spectrasonics Omnisphere 2.

He talks about the variety of sounds omnisphere offers

Nicola Lerra has used Spectrasonics Omnisphere 2 for "In The Name of a God" film.

On one of the tracks, you can see the words 'Omnisphere' on some of them.

This Plugin can be seen in this Instagram picture, uploaded by the artist himself. Quote: > So excited! #omnisphere

Lauv's response to a fan asking his favorite plugin was "omnisphere".

In his tumblr ama Acea said that he used Omnisphere in Yung Lean's song "Hennessy And Sailor Moon" he has also responded to question "top3 vst plugins?" with "Ableton Operator,Omnisphere,Anything within Kontakt".

"I think I'm going to experiment with some different sounds". Sunny Lax can be seen using Omnisphere 2 in his live stream. https://youtu.be/lj8Y7AJbucU?t=33m7s

At the beggining of the video he briefly states that he uses this plugin

> En complément d’Ableton, j’utilise beaucoup de plug-ins comme ceux de chez Soundtoys qui ont des effets super intéressants. Il y a aussi **l'Omnisphere, un synthé fantastique**, peut-être l'un de mes plugs préférés. Puis évidement Reaktor de Native Instruments (ainsi tous les instruments et effets qui vont avec), les possibilités sont tellement nombreuses, j’adore me perdre dans la recherche et la création de sons originaux avec.

The patch from 00:29 is "Distant Memories"

Persing is the founder of Spectrasonics, a company specializing in developing World Class software 'virtual instruments' since 1994. He has produced dozens of the sampling industry's top selling titles and gone on to create the award-winning Omnisphere, Keyscape, Stylus RMX, Trilian, Atmosphere and Trilogy software virtual instruments. Eric's ground-breaking instruments and sound libraries are the best selling and most widely used in the world. Spectrasonics products are in constant use on thousands of major film, television, music, game and multimedia productions. In addition to being the Creative Director of Spectrasonics, Eric was a longtime consultant and the Chief Sound Designer for Roland Corporation Japan from 1984-2005, creating the key sounds for many popular Roland synthesizers, samplers, CD-ROMs, expansion boards, processors and groove devices - from the vintage Jupiter and JX series, to the legendary D-50, D-70, JD-800/990, R8, S-series samplers, JV-880/1080/2080, the Sound Canvas, JP-8000/8080, MC-505/909, The V-Drums, XV-5080, Fantom series, the V-Synth and many more.

At 0:28 we can see the Spactrasonics Omnisphere 2 interface

"i love this it has many various type of sounds and the library is pretty f**king big!"

Oh omnisphere my good friend, i use it for EVERY little thing. atmosphere, pads, everything.

> OMNISPHERE. But really it’s Geist but the reason I don’t say Geist first is that 99% of people who download Geist hit me not understanding how dope it is

(25:26) Said The Sky takes us through his project "Over Getting Over You" in an episode of the Youtube series "In The Daw with" by Multiplier.