This is it, folks; the fabled “green box” that’s been igniting creativity, passion and sheer awe since Line 6 first released its digitally modeled marvels on the world in 2000. Containing 16 models based on legendary echo and delay boxes from the ... read more
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I bought this more for the looping capabilities than the delay (14 seconds of loop memory). Gotta admit, I saw Howie Day several years ago making heavy use of it and I loved the looping bits he did with it. It's just a very fun box, price isn't bad either for all you get.
EDIT: here it is in action http://youtu.be/LdqM8-gc4vo?t=6m2s
edited over 2 years ago
Pretty awesome delay pedal & looper
The Line 6 DL4 is one of those pedals you almost have to go out and try simply because of it's popularity amongst guitarists. To be honest, I'm not much of a delay pedal snob. I haven't owned or tried enough delays to really understand the nuances. Maybe for that reason, the fact that this pedal models 16 echo and delay boxes is perfect for me. The guitar sound I really like to emulate is a Editors/Coldplay/Bloc Party sort of sound, and this pedal has plenty of options for that.
I'm a fan of looper pedals, so the onboard 14-second looper is really what sold me on this one. I saw it as a way to get a good looper and a variety of delays all in one box... at least until I build out my pedal collection and go deep on some delays. The loop function is super easy to use, and 14 seconds is plenty of time to record a substantial loop and jam on top of it - it's pretty satisfying sounding like a one man band!
The build quality is great, I've gigged with it and have had no issues. Admittedly the price is a little steep, but I've had this thing for so long and it has brought me so much enjoyment that I don't really think about what I paid for it.
I'd say an easy 4 or 4.5 stars out of 5 for the DL4. Even if you're a delay pedal purist or collector, try this one out, it might still have something to offer you.
From Gear Setup:
What can I say that everyone else hasn't?
This is a beautiful delay pedal that I use mainly for swells since I lack a volume pedal, but I also use it for extending copies of my tape and analog delay repeats since I like how the copies degrade with time. I used to own a DD-500, but it was stolen and I used to think that this was a piece of shit pedal just because of the way that it looked, but as you can see I was so wrong and it is now crucial to my overall sound.
Complete and very useful
A pedal with endless possibilities! It is very well build. Some people complain about a volumedrop or about the switches. I don't experience any problems with it. I used the regular flashback of TC Electronic, but I was missing the opportunity of presets. Especially the looper is very useful. The pedal is quite big and maybe expensive for some, but for its sound and possibilities it isn't expensive at all.
So many options and great looper!
This pedal has served me so well. I'll admit it, if i had the extra money, I would have bought myself a TimeLine a long time ago. I picked up my DL4 used quite a while ago and it has been a valuable part of my board ever since then. Although it doesn't have quite as many options as some of it's competitors (few can keep up with Strymon), it still has more effects and combinations than I have ever been able to put together and there has never been a delay lick that I haven't been able to replicate with this guy. It's also very easy to use and figure out and the controls are straight forward and logical. On top of all that the looper in it works great and gives you even more options with stop/play button, a "play once" button, and even some settings that allow half speed and backwards playing of your loop. I love this pedal and I have a hard time seeing myself let it go after all we've been through.
Hours of fun. From simple analogy delay to faithful reproductions of effects that are now veritable antiques & impossible to obtain -it can be a complex pedal but great to have this array of options in one stomp box thought it does take up a lot of real estate.
Have owned mine since 2000, no issues but I believe some people are not faring so well w/ older version of theirs.
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This is it, folks; the fabled “green box” that’s been igniting creativity, passion and sheer awe since Line 6 first released its digitally modeled marvels on the world in 2000. Containing 16 models based on legendary echo and delay boxes from the storied Maestro® EP-1 Echoplex to the awesome T.C. Electronic® 2290, the DL4 has in turn become a classic in its own right, as popular with guitarists as it is with singers, drummers, bassists, keyboardists, and anyone who wants a pure 24-bit true stereo signal path in the service of delays that run the gamut from gritty and psychedelic to pristine and heavenly.
You’d be insane to pack an original Roland® RE-101 Space Echo or Electro-Harmonix® Deluxe Memory Man into the back of your van for a club tour, but the DL4 packs models of those sounds and many more into a rugged, road-tested steel housing that can run for up to 30 hours on four “C” batteries or with the optional PX-2G power adaptor. Models of classic delay boxes—and the sweet choruses and vibratos that accompany many of them—are just the beginning; the DL4 also boasts innovative sounds like its “Auto-Volume Echo,” which combines a volume swell with a tweakable tape-style echo; or the outstanding “Reverse Delay,” which allows you to play stunning backwards guitar solos on the fly.
You also get those U2-style “Rhythmic Delays” in several metric flavors, super-cool “Ping-Pong Delay” effects, and outrageous stereo panned repeats. Look, if it ain’t in the DL4, it probably doesn’t exist . . . until you create it. What’s more, with its onboard 14-second looper, the DL4 is both the perfect practice tool and the ultimate creative canvas for crafting overdubs and creating textures, with its ½ speed and reverse modes ideal for sonic adventurers and arrangement-minded recordists alike.
Like all Line 6 stompbox Modelers, the DL4 boasts a simple and sturdy front panel design, with four footswitches for saving and recalling your sounds, and six knobs for selecting models and tweaking parameters, with distinct assignments for each knob depending on the delay model you’ve chosen. Paired with the optional EX-1 expression pedal, which lets you morph between two radically different settings for each of your sounds, the DL4 is truly the ultimate delay pedal, making the history of echo and delay available to your creative future.
- 16 vintage delay and echo effects including Tube Echoplex, Space Echo, Deluxe Memory Man, and more
- Provides for 3 programmable presets
- Tap tempo control
- 14 seconds of sample-loop memory
- True bypass switching
- Expression pedal input