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Brace Paine
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Fender Twin Reverb Head
Ampwise, Howdeshell bounced around from a ’60s Vox AC30, Fender Twin, Fender Blues Junior, and Orange amp. “We always took the dry signal of the guitar so we could send back through another amp if, for instance, Brian wanted to try the same part but with a more driven amp sound,” Scott says. “On occasion we tried sending the amped signal back through an amp a second time if we wanted an especially distorted sound.” And in addition to guitar, Scott also amped up Moog Minimoog and Korg microKORG synths.
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