Eats Everything

Per this Nov 11, 2020 Attack Magazine feature:

This track is almost entirely sample-based, apart from one element – the drums. They came from the TR8S, played in one take and then chopped up,

Per this feature in Attack Magazine:

"A lot of the tracks on this release (8 Cubed) are run through the WA76 compressors, after its complete, or one or more of the elements, say the kick, are driven through it."

Per the Attack Magazine feature on the making of 8 Cubed:

I use Infected Mushrooms (Pusher) on a lot of the elements in different ways, it’s really helpful and adds something different. It provides warmth, depth and also a harmonic element to the low end which is really helpful when making techno.

Per the Attack Magazine feature on the making of 8 Cubed:

I run all my outboard gear through the Strymon El Capistan delay & the Strymon Deco pedals, even if it’s just on dry, running it through gives it a little something extra. For any delay elements on the tracks, they are all through the Strymon.

The artist was photographed with this keyboard for a Nov 11, 2020 feature in Attack Magazine

Per Attack Magazine Nov 11, 2020:

The drums are something I haven’t done in techno yet, using the Spectrasonics Stylus RMX on everything but the kick. I put it into the single hits setting folder and then add a sequencer.

Per this Nov 11, 2020 Attack Magazine feature:

The lovely bleepy sounding riff is from the Arturia Matrix 12, which is a really cool soft synth and makes a lot of lovely noises.

He uses the BOSS RV-6 reverb as an external fx in his dj setup.

he mainly uses 4 cdj 2000

the item can be seen from start of video

In the YouTube video "DJM-V10 Artist Insights Part 1: Sound and Set-ups" by AlphaTheta / Pioneer DJ Global, Eats Everything discusses his use of the Pioneer DJ DJM-V10 mixer, highlighting its role in his DJ setups.

Per this Attack Magazine feature on the making of his 8 Cubed EP:

My Moog Voyager is my go-to synth & it’s used on the riffs in this.

The voyager is also visible in several photos within this feature.

Mentioned in this November 11, 2020 Attack Magazine feature on the making of 8 Cubed:

I run all my outboard gear through the Strymon El Capistan delay & the Strymon Deco pedals, even if it’s just on dry, running it through gives it a little something extra. For any delay elements on the tracks, they are all through the Strymon.

As photographed for this Nov 11, 2020 feature in Attack Magazine

The pervasive green accents and the position of the 16-step buttons on the lower right are what clearly identify this as the System 8, specifically.

The artist was photographed with these monitors for a Nov 11, 2020 feature in Attack Magazine

Per Attack Magazine Nov 11, 2020, re: recording of 8 Cubed EP:

I use the fab filter Saturn as well on that, its a really great saturator & really lifts elements.

Per this Nov 11, 2020 Attack Magazine feature:

Nearly every track that I do, I bounce the pre-mastered stems from Ableton, put them in ProTools, put a plug-in called Heat on the master a couple of ticks to the right and one to the left and it just gives it that extra 10% on the crunchiness and brightness.

Per this Nov 11, 2020 Attack Magazine feature:

Nearly every track that I do, I bounce the pre-mastered stems from Ableton, put them in ProTools, put a plug-in called Heat on the master a couple of ticks to the right and one to the left and it just gives it that extra 10% on the crunchiness and brightness.

Per this Nov 11, 2020 feature in Attack Magazine:

The delay I used with the vocal in the break is the Fab Filter Timeless 2, which I think is a really great delay. I love the way it moves when it’s finished, and the effect it gives for the end product sounds wicked.

As seen the the upper left of the first photo in this Attack Magazine feature from Nov 11, 2020

Per this Nov 11, 2020 Attack Magazine feature:

The very last track I made for this EP was ‘Wreckage’. Processed in a similar way, using the IMPusher, Fab Filter Saturn and also Izotope Trash on a lot of things. Strymon El Capistan and Deco also were used, but this time with the main lines I used Arturia Buchla Easel

note: the first version of iZotope Trash is so old, that one can only assume, given all other software mentioned is recent, that the artist must be using v2 of Trash

Per this Nov 11, 2020 Attack Magazine feature:

The very last track I made for this EP was ‘Wreckage’. Processed in a similar way, using the IMPusher, Fab Filter Saturn and also Izotope Trash on a lot of things. Strymon El Capistan and Deco also were used, but this time with the main lines I used Arturia Buchla Easel

Per this Nov 11, 2020 Attack Magazine feature, a Roland GR-1 Guitar Synth can be seen in the first photo of the article, lefthand side on the floor, underneath the Roland System-8 keyboard.

In this video with MusicRadar Tech, Vicoustic Super Bass Extreme acoustical treatments in white can be seen in Eats Everything's studio.

In the video "Eats Everything breaks down his track We Lost Ourselves and Found a Family – In The Studio," Dan Pearce, aka Eats Everything demonstrates the use of the Sugar Bytes Effectrix plugin at 35:41.

At 34:13 in this YouTube video titled "Eats Everything breaks down his track We Lost Ourselves and Found a Family – In The Studio," Dan Pearce, known as Eats Everything, is seen using the oeksound soothe2 plugin.

In the video titled "Eats Everything breaks down his track We Lost Ourselves and Found a Family – In The Studio" by MusicRadar Tech on YouTube, at 33:13, Dan Pearce, also known as Eats Everything, can be seen using the Output THERMAL plugin.

At 30:27 in the video, "Eats Everything breaks down his track We Lost Ourselves and Found a Family – In The Studio," Dan Pearce, also known as Eats Everything, is seen using the Aberrant DSP SketchCassette II plugin.

At 21:13 in the video titled "Eats Everything breaks down his track We Lost Ourselves and Found a Family – In The Studio", Dan Pearce, also known as Eats Everything, is seen using the iZotope Neutron 4 Compressor plugin.

At 18:49 in the video titled "Eats Everything breaks down his track We Lost Ourselves and Found a Family – In The Studio," Dan Pearce, known as Eats Everything, is observed using the FabFilter Pro-C 2 plugin.