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Alan Moulder who worked with Kevin during the recording of Loveless says- “The sampling was uncharted territory. We didn’t know the gear properly – we had just gone from the S900 to the S1000 which was a massive jump – and there were lots of possibilities to explore. I remember there was what sounded like a blur of notes to me, but Kevin could hear that some were cutting off and weren’t playing properly, and we couldn’t understand why. Now it is obvious: we had overused the polyphony, but at the time we couldn’t work out why it wasn’t playing back. I don’t remember solving it but we managed to get it so he liked it.”?
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