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“In addition to a Fender Rhodes, there was the [Access] Virus, the Moog Little Phatty, and the ARP 2600. Those were the center points, because you could get poly synthesizer stuff from the Virus, and then get really great, thick, monophonic stuff from the ARP. Then the Little Phatty, through the tape delay, and all this really nice, mushy, organic processing."
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