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Used on Electric Ladyland, as stated by recording engineer Eddie Kramer in this November 2005 Sound on Sound interview.
While Hendrix's amp was screened off in the studio and miked with Neumann U67s, Mitch Mitchell's kit was positioned on a riser within a roofed, open-sided booth to give it depth and miked with a combination of U67s and AKG C12s.
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