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“The Universal Audio plug-ins are my bread and butter,” he says. “I use the UAD EMT 140 [Classic Plate Reverb], the Lexicon  Digital Reverb, and the Roland [RE-201] Space Echo. If drums or bass sound boring, UAD’s Fairchild 670 Compressor beefs stuff up and gives them character. Or the [Teletronix] LA2A plug-in on bass. Synths go straight to Pro Tools. Guitars and piano go to outboard effects like the hardware Space Echo, which I love for its unpredictability. I used a Manley Massive Passive EQ a lot too. The TubeTech CL-1B was the main vocal compressor. And I have a set of Lucas Limiting Amplifiers into a pair of Amtek Pultec PEQ-1A clones. That is a dummy-proof signal path. It’s hard to botch that.”
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