“I have one set to go from natural up to two octaves above in a big, long linear ‘weeeooorp’.

“And then I have the other one set to go up with zero attack, so it jumps from the natural sound to a 5th up, and I use this for this arpeggiation thing: I’m doing hammer- ons on triplets, and I’m pressing this on the beat. It makes it sound like I’m really good on the guitar.”

Submission Rating: Correct

The source and notes on this submission have been rated correct.
You may improve this submission, discuss it in the comment thread, or rate the quality.

Comments

Sign Up or Log In to comment or contribute
equipenthusiast
over 1 year ago

Changed Quality Rating to: Correct

1

Contributors

Submission Rating: Correct

The source and notes on this submission have been rated correct.
You may improve this submission, discuss it in the comment thread, or rate the quality.
Edit this submission

Contributors