eyeseeofficial's Activity

The heavens bleed and frail bones rattle; Sky’s electric ritual summons the Elder God of Battle.

Give rise to a crushing parallel blend of a modern high gain silicon Fuzz Face with the pummeling low end of a Green Russian Big Muff.

Based on a circuit design originally developed by Nick Williams of the mighty Dunwich Amps and Chris Couzens of Belfast-based doom overlords Slomatics.

All pedal orders ship via Fedex 2Day or Fedex International Priority and typically arrive within 1-3 business days.

The heavens bleed and frail bones rattle; Sky’s electric ritual summons the Elder God of Battle.

Give rise to a crushing parallel blend of a modern high gain silicon Fuzz Face with the pummeling low end of a Green Russian Big Muff.

Based on a circuit design originally developed by Nick Williams of the mighty Dunwich Amps and Chris Couzens of Belfast-based doom overlords Slomatics.

All pedal orders ship via Fedex 2Day or Fedex International Priority and typically arrive within 1-3 business days.

ncarnate brutality blares a pagan call… Enter the grand barbarian born of dark cloud and immortal skull.

The Elder God blends a high gain silicon Fuzz Face in parallel with a low passed Big Muff. The outputs of the two fuzz circuits are blended together and adjustable from 100% Fuzz Face to 100% low-passed Big Muff, where the overall gain of both circuits is controlled via a single fuzz setting and the post-blend volume is set via a master volume.

The silicon Fuzz Face is high gain with emphasis on the mid-range. The treble content is sufficient to provide clarity but smoothed out enough to avoid being overly harsh.

The two traditional gain stages of the low pass filtered Big Muff are based on the v7 Green Russian circuit, which is lower gain and less compressed, with more emphasis on low end. The standard muff tone control has been set to its darkest setting to maintain emphasis on bass response.

A bludgeoning fuzz on both downtuned guitar and bass, the Elder God features a buffered input so you can place it anywhere in your signal chain.

Defender of doom forever wields eternity’s endless sword; sound massacre of meat and muscle now reap the timeless reward.

Sunder, hack, pillage and plunder… Conquer all unworthy lest their blood ever drought!

Controls

Battle: Post-blend master volume.

Doom: Blends the high gain Fuzz Face and a low passed Big Muff.

Fuzz: Overall gain of both fuzz circuits.

Power

Use only a standard 9v DC power supply with a 2.1mm negative-center barrel. An isolated power supply is recommended. Power supply not included.

Specs

• Battle Doom Fuzz for guitar and bass
• Relay-based, true bypass soft switching
• Adjustable LED brightness via internal trim pot (LED)
• Premium components including Neutrik input/output jacks, Lumberg power jack, ORMAT knobs, Alpha pots, sealed relay, metal LED bezel, and mil-spec aircraft grade wire
• Powder coated finish with clear coat and high gloss textured UV printed artwork
• 4.75” x 2.625” x 2.375”
• 8.8oz

The heavens bleed and frail bones rattle; Sky’s electric ritual summons the Elder God of Battle.

Give rise to a crushing parallel blend of a modern high gain silicon Fuzz Face with the pummeling low end of a Green Russian Big Muff.

Based on a circuit design originally developed by Nick Williams of the mighty Dunwich Amps and Chris Couzens of Belfast-based doom overlords Slomatics.

All pedal orders ship via Fedex 2Day or Fedex International Priority and typically arrive within 1-3 business days.

This model combines the best of Purple and Black with more lows and volume plus the added Bias control to manipulate the fuzz saturation and structure of Soma. We’re excited for this new update and now being more pedalboard friendly we hope you can squeeze one on your board soon!

Soma is a tuned version of our Massif Fuzz with custom tonestack similar of the Doom/Sludge Metal giant The Tall Font Russian but with new adjustments for 2022.

The Massif’s circuit was adjusted with more gain and cut but still retains the open mid response to keep you above the mix. An added bonus is we added a the Bias on the in outside you decide you want a more sputtery hellacious fuzz, full clockwise is the stock setting for maximum sustain and gain.

Controls:

Volume – Adjusts the level output

Tone – The feel of your standard BMP tone control

Body – Shifts the low/mid low range in conjunction with the Tone knob

Fuzz – Adjusts the Fuzz level

Bias – Controls the fuzz saturation and structure

Heavy and Saturated :: Thick and Fuzzy

Handmade in Texas.

Modified HM2:

2 Clipping Switches:

Hard - LED/None/Si

Soft - Si/None/Schottky

4 Band EQ:

High (~1.1k Hz) , High Mid (~700 Hz), Low Mid (~400 Hz) , and Low (~100 Hz).

Gain - Much more gain on tap than the original unit.

Volume - Self explanatory.

Controls on pedal (Left to Right):

Volume, Hard Clip Switch, High, High Mid, Low Mid, Low, Soft Clip Switch Gain.

Sound Clips:

https://soundcloud.com/dunwichamps/sets/modded-hm2

The Myth, the Destroyer, the Apocalypse.

The Massif

New for 2021 Now in a Metallic Finish

The Massif is a 1 Knob Savage Fuzz Device. It has one purpose, to level everything in its path. This is our take on the Colorsound 1 Knob Fuzz, there are many like them, but none like the Massif. Designed after lusting for the Slomatics/Conan/Bongripper tone this pedal is very mid focused with a distortion like Fuzz quality, very smooth and articulate but with punishing lows and an aggressive tone.

Though being one knob it has a bunch of tones just in that knob depending on where it’s set, so don’t think it just has one sound to it.

*** some buffer’s (like in Boss pedals) can make the pedal brighter or react a little different than without, has the build ethos of a 70’s fuzz ***

Controls:

Volume – Beats you in the face kinda tone

(the FHM uses NOS BC109)

Handmade in Texas.

The original bolt on aluminum neck design from Robot Graves Industries. The neck is milled from a solid piece of aluminum for incredible durability, rigidity, and sustain.

It is designed to be an aftermarket fit with most Stratocasters, Telecasters, and Jazzmasters. It comes with everything you need to replace your current neck with one from RGI.

Necks are built to order with your specifications, so expect up to a two month wait before receiving your neck.

NECK SPECS:

• Material: 6061 Solid Billet Aluminum
• Scale: 25.5"
• Nut Width: 1 11/16”
• Weight: Solid Billet: 3 lbs 3 oz, Hollow Richlite: 2 lbs 2 oz
• Frets: 22 Stainless Steel Medium/Medium
• Fretboard Radius: 12”
• Tuners: 3+3 Sperzel Locking
• Nut: 6061 Aluminum (cut for heavy gauge strings)(0.013", 0.020", 0.024", 0.035", 0.046", and 0.056") or cut to your specific gauges if specified
• Heel Pocket: Fender Strat Style (5/8” deep, 2.18” heel width, 3” total length, 5” radius heel curve)
• Thickness: .700” at Nut, .725” at 7th fret, .740” at 12th fret .760” at 15th fret
• Neck Shape: Very flat U shape, maximum thinness without structural loss, no tapered heel

• Includes: 4 Stainless Steel 1 1/2 “ 10-24 mounting bolts, backplate, buffing compound, and 2 microfibre cloths

• 0.895" THICK NECK FOOTNOTE

This new thicker shape comes in at only an ounce heavier. To achieve this, the neck is machined from two pieces of solid aluminum, with hollow chambers under the fretboard and the fretboard bolted and glued into place. After testing with string tension, it is the same strength as the thinner 0.700" profile, but does limit the inlay options. Blank fretboard, Slanted blocks, and Clear options are not possible without exposing the bolts themselves; so please take that into consideration when ordering.

FREQUENTLY ASKED QUESTIONS

• WHY ALUMINUM?

When looking for a neck, there are a lot of different variables to look at. Structurally, a solid billet of aluminum will offer the most rigidity of the option possible. There is no truss rod or other materials to stress and strain during temperature or moisture changes. Additionally, that additional strength can help with the wear and tear of tour, stages, and other bumps and bruises any guitar will have to sustain during it’s lifespan.

Sonically, the density of aluminum may give you an advantage with more sustain and over tones, since the neck won’t sympathetically vibrate with the strings. This is, as with anything, certainly up for debate as to what your ears hear and your hands feel.

It’s worth noting that it will feel colder to the touch since aluminum is a better thermal conductor than wood, and it does noticeably weigh more.

• WILL THIS FIT MY GUITAR?

YES: For the most part, if you’re running a Telecaster, Stratocaster, or Jazzmaster, you should be able to bolt this neck directly onto the body.

MAYBE NOT: If you are running a T-60, Jaguar, Mustang, or 72’ Telecaster Deluxe; you cannot run this neck without modifications due to scale and bolt pattern restrictions. If you are confused and unsure, contact a local luthier to help you with your project. It’s a worthy profession to support and you’ll learn new things.

If you are considering a guitar not mentioned here, then I’m not sure.

• CAN I DO THE CHANGE OVER MYSELF?

YES: Most seasoned guitarist can probably do this, yes.

BUT READ THIS: I have pre-drilled the necks and they are tapped with machine bolts. You may have to adjust neck angle, saddle heights, and intonate your guitar afterwords. If your action is still too loose for your preference, a luthier can help you with adjusting the nut string depths to a tighter playing style. The depths are set fairly high to allow for adjustment after installation.

• WHAT IS THE 700 SERIES?

The 700 Series is the first set of necks that I designed, named after the thickness at the nut for the design. I will be continuing this convention for each style going forward, so anything with this thickness will be in the 700 Series, and further designs may be in a new series for their specific design requirements.

This is also basically outdated at this time; I don't think separate model numbers for neck profiles will be easy to navigate for customers; so just ignore this 700 series thing. Maybe I'll call the necks some other cool name, but in the end it's just a part for your guitar, don't worry about it.

• CAN I GET SOMETHING CUSTOM?

SHORT ANSWER, YES: I can make a neck for any project. In the recent past I’ve also made custom guitars, hand-wired tube amps, cabs, a few different pedals and even a pickup.

CUSTOM, MULTIPLE RUNS: If you are a guitar builder and are interested in ordering a batch of necks custom fit and finished for your company or brand, please reach out. I can offer discounts for custom work at scale.

FULLY CUSTOM, ONE-OFF BUILDS: If you have your sights set on something fully custom, I’d be glad to chat with you about your needs. This process is expensive. The new neck would need to be prototyped, engineered, manufactured, and then finished, all with processes and measurements outside of my normal set-up. You’d be looking at at least a handful of months and a starting price around $5,000.

• CAN I GET MINE CHEAPER? FASTER?

no

• AFFIRM ASKED ME TO ADD THIS, IF YOU USE AFFIRM PLEASE READ THIS OR SOMETHING LIKE THAT

If you finance with Affirm and if one or more items in your order has an extended ship date, your loan payment(s), including interest, may be due before the merchant ships all of the items. Please note that you may not receive a rebate of any interest that may have already accrued on an amount that later gets refunded.

The original bolt on aluminum neck design from Robot Graves Industries. The neck is milled from a solid piece of aluminum for incredible durability, rigidity, and sustain.

It is designed to be an aftermarket fit with most Stratocasters, Telecasters, and Jazzmasters. It comes with everything you need to replace your current neck with one from RGI.

Necks are built to order with your specifications, so expect up to a two month wait before receiving your neck.

NECK SPECS:

• Material: 6061 Solid Billet Aluminum
• Scale: 25.5"
• Nut Width: 1 11/16”
• Weight: Solid Billet: 3 lbs 3 oz, Hollow Richlite: 2 lbs 2 oz
• Frets: 22 Stainless Steel Medium/Medium
• Fretboard Radius: 12”
• Tuners: 3+3 Sperzel Locking
• Nut: 6061 Aluminum (cut for heavy gauge strings)(0.013", 0.020", 0.024", 0.035", 0.046", and 0.056") or cut to your specific gauges if specified
• Heel Pocket: Fender Strat Style (5/8” deep, 2.18” heel width, 3” total length, 5” radius heel curve)
• Thickness: .700” at Nut, .725” at 7th fret, .740” at 12th fret .760” at 15th fret
• Neck Shape: Very flat U shape, maximum thinness without structural loss, no tapered heel

• Includes: 4 Stainless Steel 1 1/2 “ 10-24 mounting bolts, backplate, buffing compound, and 2 microfibre cloths

• 0.895" THICK NECK FOOTNOTE

This new thicker shape comes in at only an ounce heavier. To achieve this, the neck is machined from two pieces of solid aluminum, with hollow chambers under the fretboard and the fretboard bolted and glued into place. After testing with string tension, it is the same strength as the thinner 0.700" profile, but does limit the inlay options. Blank fretboard, Slanted blocks, and Clear options are not possible without exposing the bolts themselves; so please take that into consideration when ordering.

FREQUENTLY ASKED QUESTIONS

• WHY ALUMINUM?

When looking for a neck, there are a lot of different variables to look at. Structurally, a solid billet of aluminum will offer the most rigidity of the option possible. There is no truss rod or other materials to stress and strain during temperature or moisture changes. Additionally, that additional strength can help with the wear and tear of tour, stages, and other bumps and bruises any guitar will have to sustain during it’s lifespan.

Sonically, the density of aluminum may give you an advantage with more sustain and over tones, since the neck won’t sympathetically vibrate with the strings. This is, as with anything, certainly up for debate as to what your ears hear and your hands feel.

It’s worth noting that it will feel colder to the touch since aluminum is a better thermal conductor than wood, and it does noticeably weigh more.

• WILL THIS FIT MY GUITAR?

YES: For the most part, if you’re running a Telecaster, Stratocaster, or Jazzmaster, you should be able to bolt this neck directly onto the body.

MAYBE NOT: If you are running a T-60, Jaguar, Mustang, or 72’ Telecaster Deluxe; you cannot run this neck without modifications due to scale and bolt pattern restrictions. If you are confused and unsure, contact a local luthier to help you with your project. It’s a worthy profession to support and you’ll learn new things.

If you are considering a guitar not mentioned here, then I’m not sure.

• CAN I DO THE CHANGE OVER MYSELF?

YES: Most seasoned guitarist can probably do this, yes.

BUT READ THIS: I have pre-drilled the necks and they are tapped with machine bolts. You may have to adjust neck angle, saddle heights, and intonate your guitar afterwords. If your action is still too loose for your preference, a luthier can help you with adjusting the nut string depths to a tighter playing style. The depths are set fairly high to allow for adjustment after installation.

• WHAT IS THE 700 SERIES?

The 700 Series is the first set of necks that I designed, named after the thickness at the nut for the design. I will be continuing this convention for each style going forward, so anything with this thickness will be in the 700 Series, and further designs may be in a new series for their specific design requirements.

This is also basically outdated at this time; I don't think separate model numbers for neck profiles will be easy to navigate for customers; so just ignore this 700 series thing. Maybe I'll call the necks some other cool name, but in the end it's just a part for your guitar, don't worry about it.

• CAN I GET SOMETHING CUSTOM?

SHORT ANSWER, YES: I can make a neck for any project. In the recent past I’ve also made custom guitars, hand-wired tube amps, cabs, a few different pedals and even a pickup.

CUSTOM, MULTIPLE RUNS: If you are a guitar builder and are interested in ordering a batch of necks custom fit and finished for your company or brand, please reach out. I can offer discounts for custom work at scale.

FULLY CUSTOM, ONE-OFF BUILDS: If you have your sights set on something fully custom, I’d be glad to chat with you about your needs. This process is expensive. The new neck would need to be prototyped, engineered, manufactured, and then finished, all with processes and measurements outside of my normal set-up. You’d be looking at at least a handful of months and a starting price around $5,000.

• CAN I GET MINE CHEAPER? FASTER?

no

• AFFIRM ASKED ME TO ADD THIS, IF YOU USE AFFIRM PLEASE READ THIS OR SOMETHING LIKE THAT

If you finance with Affirm and if one or more items in your order has an extended ship date, your loan payment(s), including interest, may be due before the merchant ships all of the items. Please note that you may not receive a rebate of any interest that may have already accrued on an amount that later gets refunded.

The original bolt on aluminum neck design from Robot Graves Industries. The neck is milled from a solid piece of aluminum for incredible durability, rigidity, and sustain.

It is designed to be an aftermarket fit with most Stratocasters, Telecasters, and Jazzmasters. It comes with everything you need to replace your current neck with one from RGI.

Necks are built to order with your specifications, so expect up to a two month wait before receiving your neck.

NECK SPECS:

• Material: 6061 Solid Billet Aluminum
• Scale: 25.5"
• Nut Width: 1 11/16”
• Weight: Solid Billet: 3 lbs 3 oz, Hollow Richlite: 2 lbs 2 oz
• Frets: 22 Stainless Steel Medium/Medium
• Fretboard Radius: 12”
• Tuners: 3+3 Sperzel Locking
• Nut: 6061 Aluminum (cut for heavy gauge strings)(0.013", 0.020", 0.024", 0.035", 0.046", and 0.056") or cut to your specific gauges if specified
• Heel Pocket: Fender Strat Style (5/8” deep, 2.18” heel width, 3” total length, 5” radius heel curve)
• Thickness: .700” at Nut, .725” at 7th fret, .740” at 12th fret .760” at 15th fret
• Neck Shape: Very flat U shape, maximum thinness without structural loss, no tapered heel

• Includes: 4 Stainless Steel 1 1/2 “ 10-24 mounting bolts, backplate, buffing compound, and 2 microfibre cloths

• 0.895" THICK NECK FOOTNOTE

This new thicker shape comes in at only an ounce heavier. To achieve this, the neck is machined from two pieces of solid aluminum, with hollow chambers under the fretboard and the fretboard bolted and glued into place. After testing with string tension, it is the same strength as the thinner 0.700" profile, but does limit the inlay options. Blank fretboard, Slanted blocks, and Clear options are not possible without exposing the bolts themselves; so please take that into consideration when ordering.

FREQUENTLY ASKED QUESTIONS

• WHY ALUMINUM?

When looking for a neck, there are a lot of different variables to look at. Structurally, a solid billet of aluminum will offer the most rigidity of the option possible. There is no truss rod or other materials to stress and strain during temperature or moisture changes. Additionally, that additional strength can help with the wear and tear of tour, stages, and other bumps and bruises any guitar will have to sustain during it’s lifespan.

Sonically, the density of aluminum may give you an advantage with more sustain and over tones, since the neck won’t sympathetically vibrate with the strings. This is, as with anything, certainly up for debate as to what your ears hear and your hands feel.

It’s worth noting that it will feel colder to the touch since aluminum is a better thermal conductor than wood, and it does noticeably weigh more.

• WILL THIS FIT MY GUITAR?

YES: For the most part, if you’re running a Telecaster, Stratocaster, or Jazzmaster, you should be able to bolt this neck directly onto the body.

MAYBE NOT: If you are running a T-60, Jaguar, Mustang, or 72’ Telecaster Deluxe; you cannot run this neck without modifications due to scale and bolt pattern restrictions. If you are confused and unsure, contact a local luthier to help you with your project. It’s a worthy profession to support and you’ll learn new things.

If you are considering a guitar not mentioned here, then I’m not sure.

• CAN I DO THE CHANGE OVER MYSELF?

YES: Most seasoned guitarist can probably do this, yes.

BUT READ THIS: I have pre-drilled the necks and they are tapped with machine bolts. You may have to adjust neck angle, saddle heights, and intonate your guitar afterwords. If your action is still too loose for your preference, a luthier can help you with adjusting the nut string depths to a tighter playing style. The depths are set fairly high to allow for adjustment after installation.

• WHAT IS THE 700 SERIES?

The 700 Series is the first set of necks that I designed, named after the thickness at the nut for the design. I will be continuing this convention for each style going forward, so anything with this thickness will be in the 700 Series, and further designs may be in a new series for their specific design requirements.

This is also basically outdated at this time; I don't think separate model numbers for neck profiles will be easy to navigate for customers; so just ignore this 700 series thing. Maybe I'll call the necks some other cool name, but in the end it's just a part for your guitar, don't worry about it.

• CAN I GET SOMETHING CUSTOM?

SHORT ANSWER, YES: I can make a neck for any project. In the recent past I’ve also made custom guitars, hand-wired tube amps, cabs, a few different pedals and even a pickup.

CUSTOM, MULTIPLE RUNS: If you are a guitar builder and are interested in ordering a batch of necks custom fit and finished for your company or brand, please reach out. I can offer discounts for custom work at scale.

FULLY CUSTOM, ONE-OFF BUILDS: If you have your sights set on something fully custom, I’d be glad to chat with you about your needs. This process is expensive. The new neck would need to be prototyped, engineered, manufactured, and then finished, all with processes and measurements outside of my normal set-up. You’d be looking at at least a handful of months and a starting price around $5,000.

• CAN I GET MINE CHEAPER? FASTER?

no

• AFFIRM ASKED ME TO ADD THIS, IF YOU USE AFFIRM PLEASE READ THIS OR SOMETHING LIKE THAT

If you finance with Affirm and if one or more items in your order has an extended ship date, your loan payment(s), including interest, may be due before the merchant ships all of the items. Please note that you may not receive a rebate of any interest that may have already accrued on an amount that later gets refunded.

Introducing the Harmony H22, a classic gem from the golden era of electric basses. Loved by bassists worldwide, this hollowbody bass comes with a flat back and front, providing a warm, resonant tone that's truly unique. Crafted meticulously, this model was indeed a game-changer when it was first introduced in 1961. Its popularity soared with the introduction of the double cutaway version, the H22/1, in 1969. The H22 continues to be a testament to Harmony's commitment to producing top-quality musical instruments.

Key Features:

• Hollowbody bass with flat back and front
• Produced from 1961 to 1968
• Double cutaway version (H22/1) introduced in 1969
• Known for its warm, resonant tone.
• Testimony to Harmony's superior craftsmanship.

Introducing the Harmony H22, a classic gem from the golden era of electric basses. Loved by bassists worldwide, this hollowbody bass comes with a flat back and front, providing a warm, resonant tone that's truly unique. Crafted meticulously, this model was indeed a game-changer when it was first introduced in 1961. Its popularity soared with the introduction of the double cutaway version, the H22/1, in 1969. The H22 continues to be a testament to Harmony's commitment to producing top-quality musical instruments.

Key Features:

• Hollowbody bass with flat back and front
• Produced from 1961 to 1968
• Double cutaway version (H22/1) introduced in 1969
• Known for its warm, resonant tone.
• Testimony to Harmony's superior craftsmanship.

The double-braced Stage Master hi-hat stand features a direct pull action and a swivel foot feature which allows the foot pedal to rotate around the tripod base. This feature greatly enhances set up flexibility and increases comfort behind your kit.

To commemorate the 20th anniversary of John Mayer’s popular OM-28JM model, Martin collaborated again with John Mayer to offer this gorgeous high-end anniversary model. On John’s first signature model with Martin, he chose to include an aluminum border around the headplate and bridge. For this anniversary model, the border is expanded to the fingerboard and pickguard, and the border has been upgraded to a fine silver that will look amazing for the life of the guitar. Like Mayer’s previous models, it includes a thinner 1 11/16th width at the nut for comfort and speed. It also includes stunning satin nickel Waverly tuners. This edition includes a unique label with Mayer’s signature, and will only be available through August 2024, so make sure to check it out soon! If you’re looking for something more affordable, check out the OMJM John Mayer 20th Anniversary model, which is also new for 2023.

To commemorate the 20th anniversary of John Mayer’s popular OM-28JM model, Martin collaborated again with John Mayer to offer this tasteful anniversary Orchestra Model. It exhibits the same versatility for today’s diverse contemporary musical styles and includes a unique label with Mayer’s electronic signature. This model will only be available through August 2024, so make sure to check it out soon! If you’re looking for something with a little more bling, check out the OM-45 John Mayer 20th Anniversary, which is also new for 2023.

The Tetra-Fet Drive is a Unique 100% Hand-wired Discreet Class A Design that uses Hand Selected High Quality Low Noise FETs!! This design was something Gary (Overtones Works) and I talked about for a while to continue the path our Annex Bass Channel has created..pedals that sound and respond like amps...Tube Amps.

Once the first Tetra-Fet proto was completed the comparison, shootouts, and personal opinions began. We were committed to Gary's initial intention: a pedal that allows players that don't have time to alter their sound via a device when switching between rhythm and lead while performing, so we set out to create a tool a variety of players could count on. With numerous EQ revisions and elaborate testing to meet a multitude of requirements/demands for this application we finally had grins...especially after the "Shift" switch was added (for those of us who like to move some serious air).

With an intuitive and familiar EQ layout players will find it easy to dial in and refine the sound they can only hear in their heads. The Tetra-Fet can cure an anemic amp with ease, provide vibrant Tone to a dull amp or guitar, as well as create the full and thick sound that grips your cab's or combo's speakers!

The EQ design provides an exciting deep tonal array of options making it an elixir for players that feel stuck, limited, or find themselves treading over the same sonic spaces time and time again. The thick full body Lows, the detailed tone shaping capabilities of the Mids, and the vibrant smooth full sound of the Highs have transformed combos and stacks countless times surpassing the capabilities of numerous amps preamp sections and players expectations.

Further shaping can be achieved with the "Shift" switch bringing the Thunder when in the up position, or tighten your tone for shredding in the down position.

At any level of Gain whether the Tetra-Fet is set to slight breakup or Insane high gain it's character is revealing of not only the instrument being used but the players style and technique. There is no tonal haze, cloudy or interference compromising your signal just a responsive tube amp tone rendering and feel via the Class A Design! The Tetra-Fet provides fantastic low noise performance, even at High Gain, which is great for Rich harmonic sustain without awkward signal drops or overpowering volume swells of noise.

Extensive tests where done with the Tetra-Fet plugging it directly into the FX Loop Return of some of the most popular tube amps available, test after test revealed that the tube preamps (some with NOS preamp tubes) could not compete with the depth, low noise, gain, and huge sound the Tetra-Fet was providing in place of those amp's preamp sections. Yes..we were shocked and thrilled!

The Tetra-Fet is a true testimony to the unparalleled sonic quality of pure audio paths, hand wired traces, high quality components, and a relentless commitment to true Full Range and Versatility!!

Specs:

• Unique Discreet Class A Design
• True Bypass
• Hand-wired Point to Point Build using High Quality Components
• Powerful and Musical 3 Band EQ
• "Shift" switch allows players to have Extended Range (up position), or a musical HPF (down position)
• Versatile Gain from very low to extremely high with no loss of body or tone
• Low Noise
• Handmade in the USA

Please contact [email protected] for non-U.S. sales

Unleash your inner rockstar with our Fender Vibro-Champ Combo Guitar Amplifier, a harmonious blend of vintage charm and modern versatility. Reminiscent of the iconic black panel models from the 1960s, this amplifier is equipped with added features designed specifically for pedal enthusiasts. The Vibro-Champ includes a unique tube tremolo circuit, complete with adjustable speed and intensity controls, expanding its utility without compromising the original tone that Fender fans know and love. This combo amplifier is a reliable addition to any rig, consistently delivering rich, high-quality sound that's hard to beat.

Key Features:

• Born from the classic black panel models of the 60s
• Added features designed for pedal enthusiasts
• Tube tremolo circuit with adjustable speed and intensity controls
• Maintains the original Fender tone
• Versatile and reliable, suitable for all types of rigs
• Delivers consistently high-quality sound.

Unleash your inner rockstar with our Fender Vibro-Champ Combo Guitar Amplifier, a harmonious blend of vintage charm and modern versatility. Reminiscent of the iconic black panel models from the 1960s, this amplifier is equipped with added features designed specifically for pedal enthusiasts. The Vibro-Champ includes a unique tube tremolo circuit, complete with adjustable speed and intensity controls, expanding its utility without compromising the original tone that Fender fans know and love. This combo amplifier is a reliable addition to any rig, consistently delivering rich, high-quality sound that's hard to beat.

Key Features:

• Born from the classic black panel models of the 60s
• Added features designed for pedal enthusiasts
• Tube tremolo circuit with adjustable speed and intensity controls
• Maintains the original Fender tone
• Versatile and reliable, suitable for all types of rigs
• Delivers consistently high-quality sound.

Cast from aluminum, this musical effect produces a soft, bright and sustaining sound.

The Double Knot v3 is a small generative synthesizer with two voices and corresponding sequencers. This instrument has a simple architecture which is capable of a wide variety of sounds, including rhythms and drum patterns or textural and grating noise sounds. The interface is made up of knobs, switches, and banana plugs for patching. The two voices of this device each consist of a triangle/square wave oscillator, a shift register sequencer, an enveloper, and a voltage controlled amplifier. A clock sets the tempo of the shift registers.

The voices of the Double Knot are pre-wired, in a linear chain of functional blocks. The patch points are available to route modulations, influencing the simple linear voices. The game of this device is to investigate the relationships between the elements of the synth using the knobs, switches and patch-points.

FAQ

How many banana cables do I need? and what length?

8 or 10 cables around 12" long is a great start.

Can I patch this with my other synth?

I can only say what is safe for this synth. The banana ports of this device can handle max +/- 8V at all inputs and outputs assuming at least a 1k output impedance in the other device. The response range of the voltage inputs is ~1.2v - 8V (range of a TL07x powered by 9V).

Is this synth good by itself, or does it rely on other devices to be useful?

I think some good sounds can be had using this device and a handful of banana cables.

The Keyed Mosstone is a one voice synthesizer. The voice of the synth is a triangle wave oscillator with a moss effect and wave folder. The envelope is a rise and fall type generator with sustain mode on or off. Inputs on the back are for CV and gate, and the unit is powered by a 12v adapter. A micro-keyboard of touch pads in the shapes of three dots and four rectangles allows the playing of notes and modulations. Pressing one or some of the three circle keys with your fingers selects a note and triggers the envelope. Top and bottom long bars are to offset the pitches of the three circle keys. The left bar is envelope loop, which patches end out and trigger in of the envelope. The right bar is a sample and hold key which outputs two random voltages. This is a stand-alone game about flavors of noise mixing with pure pitch, envelope modulations, and binary melody addressing. And if you don't feel like playing the game you can always just control the voice with your sequencer or keyboard from the CV and gate input.

Moss Oscillator

The Moss oscillator is a triangle vco with a noise source which can be sprinkled in with the oscillator before the wave folder. There is a knob control and a cv input for the amount of moss.

The noise mixes with the oscillator before the saturated OTA and wave folder... This kind of mix means the noise is only heard during the rise or fall portions of the wave. On the oscilloscope I think it looks like Spanish moss on a tree branch.

The oscillator has coarse tune knob, exponential pitch input, linear pitch input with attenuator.

There is a lockhart wavefolder of two transistors with knob and cv as well.

A pure triangle and pure noise output are presented

v/oct tuning trimpot

Envelope Function Generator

Rise and fall type function generator with Knobs and CV ins for both rise and fall.

There are outputs for rise gate, fall gate, end of function, and output of the envelope itself

trigger input

Sustain mode on or off

Keyboard

The Keyboard is an array of touch pads for controlling some parts of the instrument

Three circles are for selecting one of eight voltages tuned by trimpots across the top of the keyboard section. These keys work in combination in a binary way to provide 8 options.

The top and bottom bars are offsets for the binary pitch keyboard, these can be tuned to octaves, two octaves, or whatever you want...

Rectangle on the left loops the function generator

Rectangle on the right gives two noise outputs, one sample and hold type and one track and hold type.

Two outputs for the randoms, three inputs for each key, two outputs for CV from keyboard and a trigger voltage spike

There is also a gate out for the the bottom long bar.

Other stuff in between

VCA CV input is in between the envelope generator and the oscillator

Jacks across the back go power input (12v >=300ma center positive 5.5mm X 2.1mm), audio output, CV IN jack, Gate IN jack

There is a voltage inverter with an input, an output and LEDs for each

ground jack banana on the back

Taking your music-making gear on the road used to be a challenge, but not anymore. Now you're finally free to have a mini studio on-the-go with Bastl's battery-operated audio mixer Dude.

As GearNews’ Robin Vincent summed up in his review of Dude: “Even small mixers tend to be a bit on the chunky side and usually require power – why not have something simple, something useful, battery-powered and much much cooler. Enter, Dude.”

The Dude has the option of running on four AA batteries or an external power supply, and it's almost as small as its battery pack, making it easy to fit inside a pocket. The mixer is monophonic, but it can drive your headphones, making it the best choice for small portable rigs or sub-mixes on stage.

Its mini-jack input and output offer the ability to mix 5 audio channels. Each channel has a dedicated mute button and up to +20dB gain to boost weak signals and saturate line-level signals.

Unleash the feedback beast

Because each channel provides enough gain, the Dude can also be transformed from an audio mixer into a tone generator by feeding the output back to the input through a passive EQ and other simple circuits. You can finally get that valuable feedback you've been yearning for!

Features * 5 channel monophonic mixer * up to +20dB (10x) gain knob for each channel * dedicated mute button switch per channel (not click less) * dual mono output for driving headphones

Technical details

• dimensions: 75 x 70 x 45 mm
• powered by 4x AA battery or external adaptor 9-12VDC
• user manual pdf

Dive into the creative abyss with the Electro-Harmonix Random Tone Generator, a modern homage to the quirky and distinctive sounds of the 1980s. Not just another piece in your setup, this tabletop synthesizer brings a splash of serendipity and unpredictable tonal landscapes to your musical endeavors. Whether you're crafting atmospheric tracks or looking to add a unique twist to live performances, its switchable glide function allows for seamless transitions between notes, creating an auditory experience that's as bewildering as it is captivating. Designed for the adventurous musician, it’s your ticket to exploring new sonic territories.

Key Features:

• True to the original 1980s design
• Produces random tones with adjustable speed
• Switchable glide function for smooth note transitions
• Ideal for adding unique sounds to music production or live performances

Dive into the creative abyss with the Electro-Harmonix Random Tone Generator, a modern homage to the quirky and distinctive sounds of the 1980s. Not just another piece in your setup, this tabletop synthesizer brings a splash of serendipity and unpredictable tonal landscapes to your musical endeavors. Whether you're crafting atmospheric tracks or looking to add a unique twist to live performances, its switchable glide function allows for seamless transitions between notes, creating an auditory experience that's as bewildering as it is captivating. Designed for the adventurous musician, it’s your ticket to exploring new sonic territories.

Key Features:

• True to the original 1980s design
• Produces random tones with adjustable speed
• Switchable glide function for smooth note transitions
• Ideal for adding unique sounds to music production or live performances

Elevate your sonic landscape with the Electro-Harmonix Chill Switch Momentary Line Selector, a compact yet powerful tool that effortlessly integrates into your pedalboard. Designed for the musician who craves versatility, this device offers seamless switching between an effects loop and a dry signal, granting unparalleled control over your guitar's voice. Whether you're looking to add depth to your solos or clarity to your chords, this pedal provides the flexibility needed to express your unique sound. Its intuitive two-knob interface ensures easy manipulation of your tone on the fly, making it an essential companion for both studio recordings and live performances.

Key Features:

• Momentary Line Selector for quick switching between effects and dry signal
• Two-knob interface for adjusting effects loop and dry signal balance
• Includes Guitar Input, Effects Send, Effects Return, and Amp Send jacks for comprehensive connectivity
• Compact design easily fits into any pedalboard setup
• Ideal for adding versatility and dynamic expression to guitar performances

Elevate your sonic landscape with the Electro-Harmonix Chill Switch Momentary Line Selector, a compact yet powerful tool that effortlessly integrates into your pedalboard. Designed for the musician who craves versatility, this device offers seamless switching between an effects loop and a dry signal, granting unparalleled control over your guitar's voice. Whether you're looking to add depth to your solos or clarity to your chords, this pedal provides the flexibility needed to express your unique sound. Its intuitive two-knob interface ensures easy manipulation of your tone on the fly, making it an essential companion for both studio recordings and live performances.

Key Features:

• Momentary Line Selector for quick switching between effects and dry signal
• Two-knob interface for adjusting effects loop and dry signal balance
• Includes Guitar Input, Effects Send, Effects Return, and Amp Send jacks for comprehensive connectivity
• Compact design easily fits into any pedalboard setup
• Ideal for adding versatility and dynamic expression to guitar performances

Dive into the sonic exploration with the Electro-Harmonix Enigma, a bass envelope filter that pushes the boundaries of your bass guitar's tone. From subtle sweeps to funky quacks, the Enigma invites you to sculpt your sound with unparalleled precision. Whether you're adding a touch of warmth or aiming for aggressive growls, its intuitive controls and added analog distortion footswitch unlock a spectrum of possibilities. Perfect for the bassist who seeks to stand out, the Enigma is your ticket to distinctiveness in a pedalboard-friendly package.

Key Features:

• Analog distortion footswitch for adding character and grit.
• Comprehensive control over your tone with Blend, Filter Mode, Attack, Decay, Start, Stop, and Q (Resonance).
• Sensitivity adjustment to tailor the pedal's response to your playing dynamics.
• Bypass footswitch for seamless integration into any setup.

Dive into the sonic exploration with the Electro-Harmonix Enigma, a bass envelope filter that pushes the boundaries of your bass guitar's tone. From subtle sweeps to funky quacks, the Enigma invites you to sculpt your sound with unparalleled precision. Whether you're adding a touch of warmth or aiming for aggressive growls, its intuitive controls and added analog distortion footswitch unlock a spectrum of possibilities. Perfect for the bassist who seeks to stand out, the Enigma is your ticket to distinctiveness in a pedalboard-friendly package.

Key Features:

• Analog distortion footswitch for adding character and grit.
• Comprehensive control over your tone with Blend, Filter Mode, Attack, Decay, Start, Stop, and Q (Resonance).
• Sensitivity adjustment to tailor the pedal's response to your playing dynamics.
• Bypass footswitch for seamless integration into any setup.