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Mark Hoppus uses Boss TU-12 Chromatic Tuner
This Boss TU-12 Chromatic Tuner was Owned By Mark Hoppus Of blink-182
Submission status:
Needs Review9 minutes ago
Submitted by
evensteven2120
Submitted by
evensteven2120
9 minutes ago
via reverb.com
D Dušan Kojić uses Gibson Ripper Bass
Dušan Kojić can be seen holding a Gibson Ripper Bass in the provided image.
Submission status:
Needs Review11 minutes ago
Submitted by
francis_fernandes
Submitted by
francis_fernandes
11 minutes ago
via Photo
Mark Hoppus uses DigiTech Bass Driver Overdrive/Distortion Pedal
This DigiTech Bass Overdrive / Distortion was Owned By Mark Hoppus Of blink-182.
Submission status:
Correct32 minutes ago
Submitted by
evensteven2120
Submitted by
evensteven2120
32 minutes ago
via reverb.com
Mark Hoppus uses Fender Rumble 500
This Fender Rumble 500 Amplifier was Owned By Mark Hoppus Of blink-182.
Submission status:
Correct42 minutes ago
Submitted by
evensteven2120
Submitted by
evensteven2120
42 minutes ago
via reverb.com
Mark Hoppus uses Chandler Limited LTD-2
This Chandler Limited LTD-2 was Owned By Mark Hoppus Of blink-182.
Submission status:
Correctabout 1 hour ago
Submitted by
evensteven2120
Submitted by
evensteven2120
about 1 hour ago
via reverb.com
Mark Hoppus uses Moog Source Monophonic Analog Synthesizer with Patch Memory
This Moog Source was Owned By Mark Hoppus Of blink-182.
A killer piece from Mark's private collection.
Submission status:
Correctabout 1 hour ago
Submitted by
evensteven2120
Submitted by
evensteven2120
about 1 hour ago
via reverb.com
ludwik_jahn reviewed Drunk Beaver XR Series OD-1
Drunk Beaver, one of Europe's best boutique pedal builders, is launching its budget-friendly XR pedal series with this TS-9-inspired overdrive. More specifically, the XR series aims to revive the spirit of the old Exar pedal line. Exar was well known in Poland for producing affordable pedals at a time when brands like Boss, DOD, and MXR were difficult to find in Eastern Europe. The OD-1 is essentially a Tube Screamer, but like the Boss SD-1 it uses asymmetrical clipping instead of the original green pedal's symmetrical clipping. The other key difference is the tone control. Turning it clockwise adds bass, resulting in a fuller sound than a traditional Tube Screamer, which can sometimes feel a little thin. That said, fuller isn't always better when you're trying to cut through a band mix. For that reason, I think it's best to keep the tone control fairly low when using the OD-1 as a boost, which, in my opinion, is exactly what this pedal excels at. It may not be the greatest standalone overdrive, but I don't think it was designed with that purpose in mind. It's meant to push an already overdriven amp or pedal, and that's how I've been using it. It pairs particularly well with my GupTech Donut, a Crowther Hot Cake clone, adding a pleasing extra layer of grit without overwhelming the core tone. It's also dirt cheap and built like a tank. I love the knobs, which are fairly original, as well as the fact that it has top-mounted jacks, making it more pedalboard friendly than Ibanez and Boss pedals. Also, it comes with an additional circuit (if you want to try to do it yourself) and with a barefoot button. What more could you ask for?
2 hours ago
ralphkj reviewed Caline CP-20 Crazy Cacti Overdrive
Is it the best drive in the world? No, however, you can pick these up for as little at £20, so really you can’t complain for that. It’s nothing to go crazy for but it is a decent pedal. I have a soft spot for pedals that aren’t a one trick pony. The crazy cacti has a bunch of tonal options to suit different, players, music and rigs. I particularly liked how it had the addition of the boost circuit. Wish we could see more of that on other drive pedals. For me the boost meant that when money was tight I only needed the one overdrive pedal, which saved time, weight, money, and space.
2 hours ago
shok reviewed Squier FSR Limited Edition Classic Vibe Bass VI Black Bass with Matching Headstock
For many years I desired this connecting link from guitar & bass.
In the short few months of having this, I have used it on several client jobs as well as it sparking sundry ideas!
These are notorious for coming with horrible setups, bridges and just ok pickups though for the price, it is great and you can find a decent luthier or tech or friend to get you sorted unless you are adept at this art.
I paid about $400 for mine and am glad I held out for so long as this one is magical.
2 hours ago
cruniscavits reviewed Cockos REAPER
Pros: - super cheap licenses ($60 for personal $225 for commercial which is only necessary if you make 20k+ yearly off of the music you produce with Reaper) - super customizable and compatible with Windows, Apple, AND Linux. - has all the industry standard features that any producer would need, just doesn't come with all the pretty plugins that other DAWs come with. - can look a lot better than it does stock if you're willing to spend 5-15 minutes installing a theme (check out ReaperTips) - super low CPU useage, barely takes up any storage on your hard drive, and has very low latency, so it can run on older computers just fine.
Cons: - does not come with actual instrument plugins - can be difficult to learn because of how much customization is possible
2 hours ago
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Internal server error trying to add new gear
I have having the same problem adding a Fender Ultimate Chorus DSP amp (distinct from the earlier, non-DSP model).
This is the Reverb URL I am trying to use when adding it:
https://reverb.com/p/fender-ultimate-chorus-dsp-2-channel-2-x-65-watt-2x12-stereo-solid-state-guitar-combo-with-onboard-effects-2000-2004
This occurs immediately after submitting the Reverb URL in Edge and Chrome on a Windows 10 PC enrolled in Microsoft's Extended Security Updates (ESU) program and it happens consistently.
Thank you for looking into this.
-JDC
Incorrect gear listing for jamie rhoden (ibanez ts9).
could you share some links to the issues you've mentioned?
Update: nevermind, I found the submission:
https://equipboard.com/submissions/446251
I went ahead and rated this submission incorrect.
In the future, if you don't have any information to add that would improve the submission, don't edit the submission itself. Changing the submission notes/details to essentially say "this submission is wrong" just makes it harder for everyone else to figure out what happened.
In cases like this, just rate the submission as "needs improvement", and explain what needs to be improved in your rating notes -- or rate it as "completely incorrect" if it's just plain wrong.
Once a submission is rated as incorrect it will be filtered out of that artist's profile when others visit.
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Alex Ball kills it again:
Yeah, I'd have to agree. I didn't think there was more to know about the MiniMoog. I was wrong. Beatifully recorded too, by YT standards at least.
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