Join music gear discussions on Equipboard. Talk about guitar gear, electronic music production, get help identifying gear, ask for feedback on your music, suggest ideas to improve Equipboard and more.

Your Musical Evolution

How did you come to be where you are now musically? Who were your influences and how did you spread your wings and take your steps that helped shape the Musician/ Producer/ Artist you are today? Have you stayed within a genre, or have you followed paths that have either focussed and fine tuned, or expanded and diversified your passion in your field?

GEAR:
  • Fender MIJ Jazzmaster JM62
  • Epiphone Dot
  • Electro-Harmonix Sovtek "Green Russian" Big Muff Pi V7C

genres are for fans.... I am a 30+ year trained musician starting from classical strings as a tot. Its a linear progression with an expanding palette of instruments and a continuous incorporation of applied science as a programmer, engineer, technician etc augmenting my existing performance skills on anything with strings or keys

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

I will post to this in a day or so. I don't have time just yet, but I like the topic.

Awww c'mon Jim... come and play with us!

Surely you played music at SOME point because you liked it... and then something came along that changed the way you smiled, changed the way you tilted your head when a particular instrument poked out from the mix just enough to get you excited??? No one song that when you heard it for the first time, you had to rewind, replay and work out what it was about it that made you pause in the first place? I am not trying to tie anyone down to a style, I want to slide a couple of fingers in and find out what it is that makes people love what they do... what it is that fills your heart and gets you so damn proud of the stuff you have created that you just want to share it with the world... we learn through experience and our experiences shape us! Why do we all not share our experiences and all have opportunities and new avenues, doors and windows open before us so we can make our own creations breathe with new life? Breathe it in!

GEAR:
  • Fender MIJ Jazzmaster JM62
  • Epiphone Dot
  • Electro-Harmonix Sovtek "Green Russian" Big Muff Pi V7C

oh no, I really wanted that first viola and that first casio.... later I really wanted that 1st cheap strat so I could play it -- I always loved music and I still do. If it doesn't sound like it , its just because I dislike people.... well, a lot of people, not you, Terry. Music is great though. Much more reliable than humans.

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

Okay, here it goes.

Part 1:

I was born a poor black child.

The only musics I was exposed to at the earliest of ages (1-4) were hymnals from church. My dad owned copies of Rush tapes and the Ghostbusters OST cassette, but I didn't realize this until I was an adult. My dad was a movie buff, and with him working all night and my mother working all day, I was babysat by Arnold Schwarzenegger, Sylvester Stallone, and Michael Keaton. Movies allowed bits and pieces of music outside of church to enter my life, but this music was not memorable for me. From 4-8 I was exposed to a tiny bit of Country music along with the hymnals. Around age 9, my mother began listening to more modern stations and I became aware of Vanilla Ice, The Cranberries, Blind Melon, Snoop Dogg, etc. Let me rewind a bit though.

The first time music did something to me beyond religiously, was in in 1992 I believe. I remember being at a baby sitters house in Beaverton, Oregon. My mother moved up there for 6 months or so after her divorce. I remember the baby sitter was a homely looking woman who rested her tongue in front of her bottom teeth and into her lip. I remember being on her couch as she did house chores beyond me, listening to the radio on her entertainment system. I heard something on the radio that made me feel alive, aggressive, and excited. The song only lasted a minute before the radio switched to a commercial. I asked her what the song was but she said she had not been paying attention. I felt so downhearted and imagined that I would not ever hear that song again.

Fast forward a few months. My mother and I are living with my grandparents in Abilene. My grandparents were very strict and very religious. I owned a karaoke machine and 2 cassette tapes of children's church....stuff. One of the tapes had a big, animated Bible with a face leading children over a hill. My cousin Zane had come for a visit. I loved Zane like a brother. I looked up to him in every way. He was an athlete, a ladies man, and played guitar. Everyone seemed to love him.

While Zane visited, he told me to come with him into my bedroom. I KNOW.... the story sounds like it's about to turn horrible, but it does not. Once we get into my room, he shuts the door, opens my karaoke machine, and chucks the tape onto my bed. He said he wanted me to hear something. He took a see-through black tape out of his pocket and slammed it into the deck. He turned the volume way down as to not allow my grandparents to hear it in the living-room. After a few seconds, I exploded with excitement. it was the song I though I would never hear again. I explained to him the story of how I heard it before. He went on in his own excitement, mentioning how awesome this band was. This song revolutionized my sense of music. It was Enter Sandman by Metallica. He wouldn't let me have the tape, but it was okay because the next year or so would have every radio station playing Metallica's black album every day. I remember going to public pools, pizza places, even toy stores (KB Toys, RIP) and hearing Enter Sandman or Sad But True.

Eventually, Zane would grow tired of Metallica and move onto Pantera, but I was satisfied with Metallica. He gave me all his posters and banners he had collected to decorate my room with, but they would all be stolen by the movers we hired to load our moving truck when the time came to leave Abilene.

I LOVE LOVE LOVE this!

GEAR:
  • Fender MIJ Jazzmaster JM62
  • Epiphone Dot
  • Electro-Harmonix Sovtek "Green Russian" Big Muff Pi V7C

its a touching story.... I wish I was named Zane,though.... that's one badass name! If I were to buy another Jackson with a Floyd and join a hair band I think I would go by Zane Whiplash while I whored my waya round the sunset strip

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

I was born a poor black child.

....Have you faded?

GEAR:
  • Fender MIJ Jazzmaster JM62
  • Epiphone Dot
  • Electro-Harmonix Sovtek "Green Russian" Big Muff Pi V7C

https://www.youtube.com/watch?v=rfAvQp-Uk5I

oh god

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

https://t3.ftcdn.net/jpg/00/57/62/60/240_F_57626005_QND9rKnNsXgmB5R7Oy665iwmtAzNsUE8.jpg

Darwin's unfinished diagram of musical evolution....

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

http://cdn3.pitchfork.com/news/67681/8c167dde.jpg

Finished!...welcome to the fold.

GEAR:
  • Fender MIJ Jazzmaster JM62
  • Epiphone Dot
  • Electro-Harmonix Sovtek "Green Russian" Big Muff Pi V7C

but seriously, my evolution was a mix of formal education with bouts of excitement about certain records, some old, some new (at the time) but it really started with my mom playing me the Beatles' catalog and David Bowie's Live at the Tower album when I was a kid. I was so inspired by that music I started fucking with my dad's guitar behind his abck and I got really interested in weird keyboard sounds and begged for my 1st synthesizer.

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

Zane gave himself the stage name of N'Zane when he played for the Jagermeister band, Negative 263.

Part 2:

Waiting To Exhale

That one black tape inspired such a love for Metallica. I didn't care at the time that they might have had other albums, or that they would go on to make more. I just wanted my black album. My mother and I would end up staying the majority of my childhood in Alpine, six hours away from my grandparents, aunts, and uncles. I practically grew up on the highway. Nearly every two weeks we would take a trip back to Abilene to visit family. Alpine is a small town with very few options in the way of entertainment. We had two radio stations. One was the main FM station which featured country music and daily announcements and the lonely and often fuzzy AM station which played old westerns and show tunes. I remember hearing, "16 tons, What do'ya get? Another day older and deeper in debt..." on that station. If we didn't travel to family, we would still travel to Midland/Odessa or El Paso, 3 hours in either case, to watch the latest movies and visit friends.

These many hours on the road were both a bonding experience for me and my mother, as well as an opportunity for us to rock out to music. I had my single black album tape and this would eventually lead to my mom enjoying Metallica... just this album anyway. However, my mom would bring her own feminine taste. She had joined that BGM music service at one point. You know the one. "Get 10 CD's/Tapes for just a penny each!". She would play her music on her turn and I had no choice but to listen, and listen I did. Ace of Bass, Mariah Carey, Celine Dion, Backstreet Boys, Christina Aguilara, Ru Paul, Selina, and soundtracks to movies that featured any of these artists; her favorite being the "Waiting to Exhale" album. She loved that album and she loved the movie. She was the type of woman who had to pin each character in a film to someone she knew personally. Every movie we watched had SOMEONE in it that would cause her to laugh or cry, tap me on the arm, and tell me, "That's you. You do that. You're that guy". This movie she seemed to really identify with the single mother. Occasionally, she would want to listen to something from her childhood, and this is how I was introduced to The Eagles, E.L.O., and Creedance Clearwater Revival.

The rule of the road was that we could listen to our music, once through a single album. Once we ended up getting a CD player, I would steal the CD's that I enjoyed the most. ELO and Ace of Bass were two that I remember. I used to know every word to every song on "The Sign." I tested my memory a year or so ago and tried to sing all the words to the album after not hearing it in years. Being the shithead thief I was, I ended up stealing CD's from my cousins as well to grow my collection. Korn's Follow the Leader, Issues, and Metallica's LOAD album were some of them.

When I wasn't constantly jamming to the black album or songs from my mother's past, I tended to listen to whatever music was on MTV, (Back when they played music non-stop until 10pm when Beavis and Butt-head would start) and video games. When I was four, I would turn my NES on and just let game music run. I continued this hobby into my teens, especially with wrestling games. MTV would allow me to love songs like Mrs. Jones, Bawitdaba, The Hook, No Scrubs, and of course Weird Al when his specials would air. I wasn't too picky as a youngster. I hadn't even owned an instrument at this point yet. My mom had convinced me that Zane was going to give me his guitar when I was old enough, but this never happened, because he never knew about her plan either. I begged for a guitar for years and my only musical outlet would be playing on keyboards of friends. Around age 3, I was given an electric guitar toy for a Christmas. A 1989 Kawasaki Electronic Digital Guitar by Remco. It was enough to make noises and build rhythm, but a guitar it was not. Here's some gear porn for you all. First photo is a photo of my Granddaddy jamming on this sweet bit^# the day I got it. It had real guitar strings exposed for 4 or 5 inches, and buttons that would change the pitch of the strings. You could either play in free style, play along in freestyle to programmed music, or strum the strings and the guitar would play with pitch it decided with the music.

http://img.photobucket.com/albums/v321/KaiNHooD/Granddaddy.jpg

https://upload.wikimedia.org/wikipedia/commons/a/ad/1989_Kawasaki_Electronic_Digital_Guitar_by_Remco_circuit_bend_2.jpg

http://www.auctiva.com/hostedimages/showimage.aspx?gid=720445&ppid=1122&image=909148570&images=909148569,909148570,909148574,909148576,909148580,909148585,909148588&formats=0,0,0,0,0,0,0&format=0

One Christmas, when I was around 13, my mother and her friend Marilyn took a trip into Mexico to go Christmas shopping. On Christmas Day, I opened my gifts and stayed hanging out in the living room. My mom claimed that I had my real present in another room and that I would have to close my eyes to get it. I closed my eyes and soon after had something heavy on my lap. I had a classical guitar of my own. It was poorly crafted, but I didn't know any better. I used it every day for a very long time. I found out a year or so later that my mom had sold her blood a few times to try and save up enough money to have a Mexican build it. I still own it, though it is not playable. It's a husk with a split around the entire body, but it's my first guitar, and I can't forget what had to be done to get it to me.

you called it 'waiting to exhale', huh huh

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

How do musicians evolve?

In 1985, Dire Straits took me out of listening to radio friendly pop and made me pick up a tennis racquet, pretending I could play a guitar. This practice got me interested in music, and gave me an understanding of the sensibilities of tone, pitch and timbre... learning how to identify what instruments are playing what parts by ear alone. There was a music library a short ride from my house and you could hire cassette tapes from there. Dire Straits, INXS, Paul Simon, Genesis, Talking Heads... the library was free and the range was not large. But this led to The Cure.

While Dire Straits made me think about music and learn to isolate instruments in my head, The Cure made me fall in love with music. MTV gave them exposure and their rich soundscapes, smothered in effects were too hard to resist. My neighbour showed me some basics and I started playing guitar.

I listened and learned. I switched to bass and played a lot of covers for a lot of local bands. But I practiced guitar at home. The Cure led to other Goth staples, Bauhaus, Sisters of Mercy/ The Mission and modulated delayed guitar riffs became my zone, with the occasional guitar solo dropped into the mix. All songs were learned by ear, as I could not read or write music. I became Lead vocalist and Lead guitarist for almost every incantation to follow. I started songwriting using two cassette decks to lay guitar, bass, keyboard and vocal parts in continually deteriorating quality with each additional take.

One day I walked into a record shop in 1987 and heard a cover of a Cure song called Just Like Heaven. It was a twisted cover, stripped and rearranged into a brutal aural assault that was as abrasive and wailing as it was melodic and jilting. The band was Dinosaur Jr. This taught me to push myself and let the guitar take over...

The following year, Sweet Child o mine was released and Slash taught the world how to feel through guitar solos, playing what feels right and telling his own story. Dinosaur Jr released their third album at about the same time and I felt so much more in his music than the Roses could deliver.

Through Dinosaur came Sonic Youth, Nirvana and Mudhoney, then through grunge and out the other side again, the movie The Crow grabbed me and dragged me back into the darker corners of music, bringing me to create a band of puppet musicians, teaching them how to play their instruments, so that they could only play what I showed them became a populated series of solo projects (with live playback band).

Nine Inch Nails, Helmet and Machines of Loving Grace brought me into the Industrial Evolution, With Ministry and Klute awakening a need for more electric engagement in my tracks. The Spawn Soundtrack revisited Filter and Stabbing Westward.

Every evolution brought a change and a constant. For each twist I took musically, a female vocalist provided a counterbalance to my everyday. From Bananarama to Jewel, Transvision Vamp to Juliana Hatfield, Letters To Cleo to Sophie Ellis Bextor, the female band offered a shift in what I was hearing and brought new light.

My current musical evolution is an amalgamation of all the styles I have experienced. My goal is to challenge my writing style and reinvent my playing technique with each track, in an attempt to create a diverse collection of tunes that do not conform to genre and meet people from many paths on many layers. My writing process attempts a new direction with each song. Sometimes the songs are written around a technique, or a playing concept.

GEAR:
  • Fender MIJ Jazzmaster JM62
  • Epiphone Dot
  • Electro-Harmonix Sovtek "Green Russian" Big Muff Pi V7C

you ever going to sing that song you said you were going to sing for me?

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

Absolutely. My delivery window is still February. No music til then.

GEAR:
  • Fender MIJ Jazzmaster JM62
  • Epiphone Dot
  • Electro-Harmonix Sovtek "Green Russian" Big Muff Pi V7C

"I love ya babay, but all I can think about is, kielbasa sausage. Your buttcheeks is warm."