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70s and 80s MIJ guitars

Got a Japanese guitar from pre 1990? Post about it here.

Right now I have a mid 70s Yamaha SA1000 in heritage cherry, a '77 Greco MR1000 in classic LP sunburst cosmetics (awesome doublecut that rivals most gibsons since the mid 60s) and an '83 Washburn Falcon on the way tomorrow that's like a Hamer sunburst but a bit cheaper.

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

Just picked up a Fender MIJ 86 Strat. White has faded to a nice cream colour.

I've owned 3 and still own 2. Trying to sell one.

Takamine GX-100TB

A black explorer with a tremolo. I won't likely ever sell this one. It's really beat up looking paint wise and because most people aren't aware of these Takamine's 80's history with lawsuits and changing locations and such don't think it's worth much without GuitarCenter telling them it is. Super tiny little neck, good tuners, and the pickups sound so thick and modern. It's just a passive dimarzio that was made for the series but they sound great to me.

Takamine GX-200

Strat style version of the GX-100. Same hardware and such as the first. I just traded this guitar and a Peavey Firenza JX for an Epiphone Sheritan II.... so.... I regret that obviously. I at least could use the GX-200. I despise the Sheritan and it really killed any chances of me ever giving Gibson products another shot.

Takamine GE-400 GT (Double P Bass)

Detailed explore shape almost with more cutouts. One of the most metal looking bass guitars ever. I'm in the works of selling this one. It was the first electric instrument I ever got and it was so destiny that I did. I was visiting my grandparents in Abilene, TX and during one of those nights I had just 1 long dream. It was a solid black guitar and solid black bass, both crazy sharp bodies and they were spinning through clouds and lasers at me. The next day I asked my mother to take me to a pawn shop and the very first one we hit had 2 basses in it. 1 was just some Fender style bass and next to it was the Tak. I always hated round, boring bodies on guitars and the Tak had pretty much the same shape as the bass in my dream.

The Tak was twice the price as the other one and my mother was always super broke. I tried my hand at talking the price down on the Takamine and the manager said they couldn't do it by policy. They said before they can haggle, the item must be in the store for 30 days and that bass had just gotten in the night before. My mom gave in and I was able to walk away with it. Those were awesome days for pawn shopping. Now they all use price checking over the internet and mark everything in the store near what it's worth brand new. My cousin was a musician in a Jagermeister backed band and I took it over to him to show it off. He tried scratching off the label from the head stock claiming Takamine only made acoustics and that someone must have just stuck a sticker on it.

I spent years, literally years, hunting down what I could from this series of guitars. I collected every image I came across on the web as they slowly started getting posted. Even Takamine used to not be of help. They would send you a short e-mail from an advertisement that named all 6 guitars. It gave me enough information to look for other models. Takamine changed ownership after a major lawsuit and during the move they lost nearly all their paperwork on multiple series' of guitars including their new and experimental walk into solid-body electrics. I started cataloging the owners of my bass even. Keith in Hawaii is the Takamine GURU. He has nearly 100 Takamines from this rare 80's series. David Vincent of Morbid Angel of course. Anytime I found another owner, their information was saved and an e-mail was sent.

At one time I meant to collect the whole series but It's just not worth it to me anymore. I have a special place in my heart for the GE-400 GT as it was my first real instrument and I will always own my GX-100TB because its just the perfect guitar for my hand size. I would like to someday have the GX-100 refurbished to brand new looks. I used to be really strict on "EVERY SCREW MUST BE ORIGINAL!" but these days, I've changed my mind and I think it would just be nice to have the Tak brought back to it's former glory.

I would like to have an 80's Japanese Ibanez RG models.

I have some videos done with the Takamine GE-400 on my YouTube channel. https://www.youtube.com/watch?v=gKDDNsMcjMI

cool collection! Those takamine electrics are rare...

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

sweet, is it a JV?

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

http://images.equipboard.com/uploads/gear_photo/image/2588/xl_20150707_103808.jpg

the 2 bursty doublecuts are MIJ and the red 335 is also MIJ, all OLD

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

https://youtu.be/Qi6UYNoCYoU

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

I have this really old Aria Pro II guitar. It's an RS Ina-Zuma V. I had to replace a lot from it, though. It's been falling apart so I'm rebuilding it. The old catalogs are incorrect in the info for this guitar, so I can't don't know anything except the following.

It had two double-coil humbuckers that you could split, but one of them was broken. I've had to replace them, but the pickups I'm using now are crap, which is why I'll need to buy a new guitar. Thge tremolo says ACT-3. I've never heard of it, but it seems to be some sort of Floyd Rose knock-off that became a fixed bridge with a hole in it. It doesn't even move, and the tremolo arm is missing.

The whole thing is black, and I don't even know what woods were used to make it. It looks like a $400 guitar, but I can't even be sure.

I think it was pre-80's, but I can't be sure.

Its tough to know what's up with early Aria guitars. They were like the oldest Ibanez's, all jobbed out to different factories. Pre-80s Aria Pros have a really huge fluctuation of quality and specs year to year within the same models. Aria is one of those companies that gave Japanese guitars such a mixed rep.

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

Don't people say you can tell the age of a guitar by its serial number? I just remembered and I checked the number: 4082784. I think 82' would be the year it was made...?

depends on Aria's serial #ing.... could be... or it could be an 84? I don't know the Aria system. You could also date it by the codes on the pots and pickups.

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

Wait here it is: http://i.imgur.com/r5Ssq5L.jpg

The switch was for splitting, but It's on kill, and the tremolo bridge is the same. Messed up to hell.

Given its looks and the Floyd copy I would guess its mid-80s at the earliest. Its got a real Charvel/Jackson thing going on. The switch may have been rewired by a previous owner or it may just have gone bad. When the switch is on do you get any single-coil humming? If so it means that the switch is only getting 1 coil of the pickup giving you the slug coil only in full humbucker operation and nothing at all when you tap to just the screw coil. This is a common problem with cheap, old toggles.

Is it a bolt-on, set-neck or neck-thru?

If you live anywhere near Philadelphia I would be happy to take a look at this guitar for you and fix her up. Rewire with quality components and some nice sounding 'shredder voiced' humbuckers, full set -up including neck adjust and servicing the Floyd to work perfectly, etc etc.

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

The switch is a coil-splitter that was used on the previous pickups. The splitter worked for one pickup, but the pickup's sound would lower significantly when splitting. When I got the pickups changed, they just rewired it as a killswitch.

"Accurate Bolt-On System"

I live in California, which is a shame. I had thought about rebuilding this guitar, but everyone tells me it would be better to simply buy a new one.

If it were my guitar I would do a Duncan Custom/Custom or 59/Custom hybrid in the bridge and something unconventional but tamer in the neck slot (like one of those dual blade type of things), make both tappable via some alpha push-push pots, put in a oaks grigsby 3 way switch and turn the toggle into a phase switch for one of the pickups... or a master series/parallel. Its a shred guitar so you need to keep it high-output and maintain the cock-rock cheese factor!

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

If you like it, then its worth working on it. If it doesn't have a lot of sentimental value then hang it on the wall or sell it on flea-bay and get something that is more to your liking. There are some guitars I can never bring myself to sell, but many have passed through my hands the minute they gave me any hassle.

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp