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Digitech Holy Trinity?

Hi guys! This is my first post in this forum! I also haven't checked it out too much, so i don't know what to expect :P btw english is not my mother language sooo you get it

Recently, I discovered some pedals that follow an aesthetical pattern and I got one of those pedals before knowing it. I'm talking about the Digitech Dirty Robot, a discontinued synth pedal which was intended to be the spiritual follow up to the legendary Bass Synth Wah (also I'm a bass player, forgot to mention it) created around 2017. It literally blew my mind. I hadn't had any pedal like it, it cannot be compared to the likes of the MXR M82 or the Bassballs, it is another kind of beast. Not that it is better or sth, it always depends on your personal preferences, but still.

Sooo I figured that this pedal was unique because i couldn't find it on sale on Reverb, must be some kind of niche cult, I'm so glad i got it because it was a bargain on a local website. But then, i found out about this Digitech Holy Trinity guy in YouTube: https://youtu.be/auzYdDR87MI?is=-GZ3ue6bgItFuJW6

I noticed that this three pedals share the pots position and have a similar art style. They belong to the Digitech era when they changed owners or sth, didn't really do the proper research XD i was wondering, how good are these three pedals? Does anybody own them or tried them out in a gig or anything? Hoping to read yall soon, thx for reading me!! See u round πŸŽΈπŸŽ›οΈ

GEAR:
  • Pro Co RAT 2
  • Boss HF-2 Hi Band Flanger
  • DigiTech Dirty Robot

I recorded a soul/funk band and their guitarist used the bass synth wah for some parts (back when it was new) through a JC120, it was quite a sound compared with even a vintage mutron II (which I really prefer on clav, maybe rhodes, but is still a hella coool guitar effect, but mutron never made a bad pedal), but required different microphones to really capture it as opposed to what sounded good for his core prince-style tone, and this was a farily live in the studio thing. I wound up taking a DI off the bass synth wah and taking it straight into the desk on its own channel and we decided later whether to re-amp or tweak the DI and we muted the amp typically for those parts and would see if the live amp could blend in for the other parts with a phase adjust or we'd mute the main guitar. I'm pretty sure it was meant for a bass so that's why it was such a pill to capture, but it was cool; not a synth or a wah, but kinda part sub octave fuzz and envelope follower. It required some gymnastics to get it to sound right to everyone like it sounded in the tracking room... which was cool.

Maybe the closest vintage chain would be a mutrton octave divider or an mxr blue box and an envelope filter II, not sure in what order. Impressive cheapie. Should I get a fiithy robot? I was interested by the bsw's use on guitar, it was nutty, but amazing and perfect for the band's style.

I edited this post a bunch because I was typing it while worling on a mix and was distracted and messed it all up first try. Posted before I took a break. Fixed now. SORRY

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

First of all, thank u for your reply!! Well.. lets say that this pedal is really something, u can get lots of different textures out of it, it has two modes, the first being an envelope adjacent and the second emulates a talkbox. It has a dry signal separated from the effect, that's why some bass players find this pedal so appealing. If u keep the button pressed u will get a tremolo effect. I also find the octave/sub/square blend very interesting, it goes 360 degrees, might get messy but one of the strong points of this pedal is that it takes some time to fully master it (unless you're a full blown sound engineer which unfortunately isn't my case) so u will never get bored. Works great before drive, some even use it without one, i got it first in my main board... tbf i'm a huge fan of this pedal, i cannot recommend it enough.

I'd like to try them out with those other three pedals, the Digitech Polara - Obscura - Ventura. It is easier to find those than the Dirty Robot anyway πŸ˜… there are some reviews of the DR on yt which are worth the watch, still it seems to be pretty much unknown if you're not a "synth" fan. The DR is a real swiss army knife for those who want to get funky and/or straight up weird & experimental.

GEAR:
  • Pro Co RAT 2
  • Boss HF-2 Hi Band Flanger
  • DigiTech Dirty Robot

the polara and obscura are junk, great door stops, don't waste your money, kid.. and preamp reverb is crap anyway... you want reverberation? turn up

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

I don't know man I really think that there is something interesting about them, again i haven't tried them but as you say i can always trust old school to do the job 😁

GEAR:
  • Pro Co RAT 2
  • Boss HF-2 Hi Band Flanger
  • DigiTech Dirty Robot

I'm a pedal reverb hater as you can tell. YMMV... but I own a collection of insanely high-end (and cheap but amazing) studio reverbs from various eras so I'm hella fussy. I even own modern synths with better onboard reverb (including shimmer and sub verb stuff) than anything digitec. I guess I didn't hate the obscura, I think I hated the polara... but again YMMV. I also tend to run my tube mps into clipping so effecty reverb needs to hold up to the grime well. I usually don't use reverb live, delay? sure, no reverb.

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

ngl I had to find what YMMV stands for 😌 you are absolutely right to the t. i have little room to experiment bc i own no place to practice freely, i wish i knew more about effects and stuff, i'm relatively new to this and it just keeps getting better and better, it's hard for me to think of any effect as dull or unnecesary. I already got to know some of the classics, for example i got myself a RAT for 20€ and it is as good as i heard!! and now that we talk about classics, i also found this Boss HF2 made in taiwan year90, not the japanese one, but it is an absolute gem and it's older than me!!!

GEAR:
  • Pro Co RAT 2
  • Boss HF-2 Hi Band Flanger
  • DigiTech Dirty Robot

I love the rat with my ac30s! the new rat is fine, the vintage rat guys are deluding themselves, they sound the same in the band, the rat is killer, always was and always will be. I'm not a pedal guy though, this is my only guitar demo on youtube, I really work the amps and the guitar for tone...this is a modest ac4hw but using one of my ac30s as the cabinet.... it sounds a little boxy still from the single ended output but its got ballz anyway

https://youtu.be/Qi6UYNoCYoU?si=5nKkisquJvZozDV7

the best effect is great tube amp tone and knowing how to juice your pickups! Although a roland space echo or echoplex is nice to have too... or maybe some pitch shifting digitech toys

and also the amp I built which is gained up pete townshend hiwatt with some jimmy page hiwatt elements:

https://soundcloud.com/james-marchione-1/jim-watt-mk1-demo-solo-and-band?si=a9255588a5594160bb5dc03f521176c2&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

I like the brit high current circuits beat of all, so much zing.

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp