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Modern Overdrive Pedals: Are They Really That Modern?

As primarily a metal guitarist, I see my fellow players almost always using some kind of OD "in front" of an amp. Whether it be used as a clean boost in front of a high gain amp or as a gain boost in front of a medium to high gain amp (I'm guilty of the second scenario), there sure are what seems to be a million different options nowadays. Going back to the 70's, from there came the start of the OD808 and later the OD-9, both by Maxon, and the array of Tube Screamers by Ibanez. Are modern OD options really that different and/or better than these originals, or are they an oversaturation of the modern market by products that just put a different look on the same thing? I'm not a TOTAL gearhead, might be if I could afford to, and I haven't gone around looking for the "next best thing" in overdrives (Got a Mesa Flux Drive and haven't even wanted to look elsewhere since). For some of you that have tried a large array of OD's/Boosts, what has your experience been?

GEAR:
  • Mojotone PW Hornet
  • Mesa/Boogie Flux-Drive
  • D'Addario NYXL Nickelwound Guitar Strings 10-52

"Better" is purely a subjective term here, as what I like may not be a tone you enjoy. I will say that it's my experience that there are a lot of different flavours out there now, as opposed to your bogbasic 70s stompbox sounds, with the ability to craft your tone to how you want it to sound far greater than you've had before.

Even the much-loved/hated/cloned Klon Centaur "transparent" overdrive has been "improved" upon with the Wampler Tumnus Deluxe, giving you the ability to shape almost every aspect of the tonal quality in it.

It really comes down to what you're looking for, what kind of sound you want, and how you want to shape it. And as to "Are they really that modern," I mean, the basic circuits are roughly the same, if that's what you're asking. The basic way they function is roughly similar. Just the components and how they clip have been changed to give it different flavour, if that makes sense?

GEAR:
  • Vox V241 Bulldog
  • Kay KDG 70
  • Lotus/Morris L-400 Falcon Guitar

Theres really only a handful of circuit topologies. I've gone over the many times in the past if you look over old guitar forum posts.

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

I would recommend a boss ds-2 or a fuzzface

GEAR:
  • Gibson Firebird Electric Guitar
  • Ignite Amps Emissary
  • JPTR FX Bleach Seattle Guitar Destroyer

better is definately sunjective, especially with me being the guy pushing the ds1 as the best distortion / drive there is

GEAR:
  • Fender Precision Bass
  • Boss DS-1 Distortion
  • Blank slot

unpopular opinion but ds1 is the way

GEAR:
  • Fender Precision Bass
  • Boss DS-1 Distortion
  • Blank slot

In a word... no

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

lol

GEAR:
  • Fender Precision Bass
  • Boss DS-1 Distortion
  • Blank slot

I've been over this ad nauseam on this forum. Almost every boutique overdrive is based on an older design. There are only a handful of topologies and some riffs of those topologies.

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

I regard them all as part of the marketing merry-go-round. As a purely recreational guitarist I don't feel any pressure to innovate my own sound since my idols all made their noise using 'classic' drives, distortions and modulations. As far as I can tell most modern overdrives just seem to regurgitate the same ol' circuits, on a budget or offer tweaked specs and/or alternative control options. I was interested to see Kelley and Josephine of the Breeders' Premier Guitar Rig Rundown - they play pretty much the exact same gear as they did in their 90's heyday. That does motivate me to master what I own already, rather than chasing 🌈 after 'better' gear.

GEAR:
  • Epiphone Casino Coupe
  • Pignose "Legendary" 7-100
  • Hohner Marine Band 1896 Diatonic Harmonica