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Non-Destructive Acoustic Guitar Pickup Option

Alright, I want a top-notch, absolutely cream of the crop acoustic pickup, but I do not want to make any modifications to the guitar, outside possibly endpin replacement. No drilling out under the saddle, no removal of wood, etc., though if there's a very strong case to be made for something like the LR Baggs Anthem, for instance, like, why it's superior in every way to every other offering on the market that justifies me taking a drillbit to my guitar, I will take that under advisement, but that does not mean I'll pull the trigger on it.

What are my options? I'm looking at the LR Baggs iBeam, the ToneWood Amp system, and the DiMarzio Super Natural, to name a handful.

The guitar in question is a 1970s-era Kay KDG70. I love this guitar, and I want the pickup to be able to capture the sound it puts out and do it well. It's the middle guitar in the three pictures on the side there.

While we're on the subject, a decent acoustic preamp, and acoustic amplifier would also be good suggestions. I know little and less of the acoustic world outside of "I have an acoustic guitar, I know how to play it pretty damn well, but it's always been mic'd through a PA heretofore, so the tech side baffles me."

Anyroad, yeah. There we go. Pickup, preamp, amp.

GEAR:
  • Vox V241 Bulldog
  • Kay KDG 70
  • Lotus/Morris L-400 Falcon Guitar

I am interested in knowing the reason for your request. You indicate that your acoustic guitar has always been mic’d. Have you had issues such as feedback or mobility that have prompted you to seek an alternative solution?

In my experience, I have always found that microphones provide the most realistic acoustic tone for both recording and live performance. Notwithstanding, I have experimented with other options in my quest for tone, though sadly with limitations:

undersaddle piezo transducer = quack

microphone mounted inside the guitar's sound chamber = boom and feedback

magnetic acoustic guitar soundhole pickup = electrified acoustic tone

These options can be useful in certain recording situations, such as when using outboard effects processing. So, if pure tone is the most important factor, none of these options capture the natural sound of the unamplified acoustic guitar.

When mobility or feedback are issues complicating the use of stationary microphones and perfect reproduction of the natural acoustic tone is secondary, I use the DiMarzio Super Natural Plus magnetic soundhole pickup. I have had far greater success with this than with the factory-installed piezos and internal mics that I have used.

What I like best is that its temporary installation does not require drilling, chiseling, or other alterations to the guitar. It is easily removable and transferrable to another acoustic guitar with a circular soundhole. The integrated cord is not by any means robust, so I would be careful of tension or stepping on the cord. I would recommend plugging into a wireless system to minimize wear and tear on the cord, especially if you intend to move freely about the stage.

For me it’s mics-preamps-mixer.

I used to use a L.R. Baggs M1 during my short adult contemporary/country sideman phase. I really am not into acoustic pickups but needs must when you're hired to play for someone else. It wasn't EXACTLY non-destructive. If your guitar isn't electrimified already odds are to fit the jack you will have to expand the strap button hole. I went with a used guitar that already had a piezo. I hate piezos. It had the strap button jack already so I just removed that, put in the baggs one, removed the saddle and piezo and put in a regular saddle. I also sold the guitar in question with the LR baggs pickup for more than I paid if I recall correctly. The pickup just clamped onto the soundhole. It sounds VERY VERY good. tried it because Keef uses it live.

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

Abigail: Right, so, my own experimentation is why. Sound textures I can't otherwise achieve, layering I'd not be able to do, things like that. Looping, delay, percussive things. Tone is kind of a big deal (it's why I use the guitar I use), but it's looking more like I'm going to have to take a hit on that and probably adjust via preamps and via the effects themselves to clean up any added bass/treble.

So the Dimarzio Super Natural Plus, that's one of the ones I was looking at, recommendation for it.

Jim: Strap Button is the one bit of destruction I am semi OK with. Not super crazy about shaving out parts of the bridge (required on the LR Baggs Anthem series). Will have to look into this M1 pickup, see what it sounds like vs the DiMarzio.

Whatever I end up going with, I know I'll be upgrading my tube preamp situation from the ART Tube MP I'm using now.

Thanks to you both for taking the time to reply, sorry it took me a bit to get back to it, been under the weather, health is kindly shot these days.

GEAR:
  • Vox V241 Bulldog
  • Kay KDG 70
  • Lotus/Morris L-400 Falcon Guitar

Thanks to you both for taking the time to reply, sorry it took me a bit to get back to it, been under the weather, health is kindly shot these days.

anyluck?

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

I'll be going with the DiMarzio. Again, sorry for the long delay in replies, it's not the COVID, but I have been in and out of the Hospital (broken ribs, inexplicable chest pain, and a solid week of migraine at one point).

I'll also be getting a Boss Acoustic Live wotsits amp for whenever life gets back to normal for the coffee shop gigging.

GEAR:
  • Vox V241 Bulldog
  • Kay KDG 70
  • Lotus/Morris L-400 Falcon Guitar

I'll be going with the DiMarzio. Again, sorry for the long delay in replies, it's not the COVID, but I have been in and out of the Hospital (broken ribs, inexplicable chest pain, and a solid week of migraine at one point).

feel better, my friend

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp