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The Stagecoach by Cactus Ampworks ..... is an Audio Power Soak and Boost. To get the tone of a cranked amp at a lower volume Click the foot switch and get full volume immediately Set the Attenuator Pot as a Rythm guitar volume, press the switch and now you have a loud lead tone for solos. For Maxium at 60 Watt and 8 Ohm.

The Liquid Sky Deluxe Dual Chorus by BMF Effects USA, .... is combing two Liquid Sky Chorus circuits in one unit, the Liquid Sky Deluxe Dual Chorus offers the same warm, lush and 100% analog classic modulated sound with the added flexibility of a toggle switch gives you the option of running the two sides as A/B or A+B.

Slow, atmospheric swirl on one side and a deep, fast spin on the other? Check. Stacking them to create Leslie sounds with one side set as the drum, and the other the rotor? Oh yes. The Liquid Sky Deluxe Dual Chorus will bring you to modulation nirvana.

As with all BMF Effects pedals, the Liquid Sky Chorus features true bypass switching and a DC jack.

Dimensions - 5.4" W x 4.5" L (137.2mm x 114.3mm)

Operating DC - 9v

Current Draw - 15mA

The Harp Delay by the Lone Wolf Blues Company is a Digital Slap Back and Echo Delay specially for blues, jazz, folk, country, classical music.

This is not a tone-sucking modded guitar delay, but a tone-enhancing harp delay. In V3 we have created a versatile and unique delay. The dry portion of the signal passes through a buffered input and high-value coupling capacitors, assuring maximum bass response. The echo portion is tone adjustable, allowing for a broader range of sound, from deep warmth to a cutting tone. This is a digital delay that has all of the tone of an analog delay and then some.

The circuit is centered around a chip that has a low noise rating at < -90dBV, low distortion, < 0.5% THD, 44k digital processing, and is capable of up to 300ms delay. The input is FET buffered for high impedance to provide proper loading for your favorite crystal or CM mic. The gain has been reduced to prevent solid state distortion and is balanced to have an overall gain of 1x so that the level is the same when bypassed. The warmth comes from the superior bass response, distortion-free performance, and the echo tone control. The LED is ON when the delay is in, and is OFF when the delay is in bypass. The mic "IN" jack acts as the ON/OFF switch, and the bypass is a true bypass. The Harp Delay is guaranteed to please even the most diehard analog delay fan.

SETTINGS The settings are very basic. For a reverb type effect, set the DELAY at 10:00, REPEATS at 3:00, and BLEND from 10:00 to 4:00. To achieve a slap-back, set the DELAY from 9:00 to 5:00, REPEATS at 7:00, and BLEND from 10:00 to 4:00. To achieve an echo effect, set the DELAY from 8:00 to 5:00, REPEATS from 9:00 to 5:00, and BLEND from 10:00 to 4:00. This will get you started, but ultimately whatever setting you like is the right setting. The ECHO TONE only changes the tone of the echo, the dry signal is unchanged.

POWER The pedal requires a 9vdc power adapter. The AC adapter requirements are 9vdc with a minimum 100mA output and a 2.1mm x 5.5mm connector with a negative center and positive outside. Current draw is 57ma. Power adapter is not included.

FEATURES

DELAY control REPEATS control BLEND control ECHO TONE control Analog warmth 9V DC input (barrel with a negative center) True bypass with LED indicator Reverse polarity protection 10 year warranty on parts and labor If not satisfied, return within 60 days for a refund

The Harp Attack by the Lone Wolf Blues Company is a Power Tube Distortion / Overdrive Pedal. The Pedal does use a subminiature beam power tube, which is the same type tube as a 6V6 or a 6L6 to provide the tone of an overdriven tube amp.

The Harp Attack operates with two 9 volt batteries or one 18vdc power adapter. The DC adapter requirements are a regulated 18vdc with a minimum 100mA output and a 2.1mm x 5.5mm connector with a negative center. Current draw is 41ma. The battery is switched OFF when an external power supply is used, and the "IN" jack acts as the pedal ON/OFF switch. Battery life is estimated at 15 hours of playing time. Power adapter is sold separately.

FEATURES

DRIVE control TONE control VOLUME control Actual power tube distortion 18V DC input (barrel with a negative center) True bypass with LED indicator High impedance input Reverse polarity protection 10 year warranty on parts and labor If not satisfied, return within 60 days for a refund

The Harp Attack by the Lone Wolf Blues Company is a Power Tube Distortion / Overdrive Pedal. The Pedal does use a subminiature beam power tube, which is the same type tube as a 6V6 or a 6L6 to provide the tone of an overdriven tube amp.

The Harp Attack is designed to provide true power tube distortion in a pedal. This pedal is not your typical tube preamp that uses a triode; this pedal uses a subminiature beam power tube, which is the same type tube as a 6V6 or a 6L6 to provide the tone of an overdriven tube amp. It produces a fat punchy tone that can be set with the exact amount of overdrive desired. You can certainly tell there is a tube inside of this pedal. The pedal is designed with a high impedance input buffer providing 1M ohms of resistance to get the best tone from your crystal, CM, or other high impedance microphones. The pedal features a DRIVE control to set the amount of power tube saturation desired, an active tone control with a 20dB range that is tuned for harp frequencies, and an output VOLUME control to set the output level.

The Harp Attack fills several needs of harp players. For instance, it provides true power tube overdrive distortion in a pedal, it allows you to plug straight into a PA and get an over-driven 6V6 sound or dirty-up an amp that is otherwise too clean. The Harp Attack gives an excellent tube sound to a solid state amp, and it makes a great, easy to bring-along, back-up harp amp. The pedal does not produce massive distortion, but a smooth over-driven tone.

Please be aware that the subminiature tube, like all tubes, can be microphonic and make a ringing noise when the bypass buttons are hit, any noise should be of low volume and subside quickly. Because this pedal is intended to be an "always on" pedal, this issue is not a factor when performing.

The Harp Attack operates with two 9 volt batteries or one 18vdc power adapter. The DC adapter requirements are a regulated 18vdc with a minimum 100mA output and a 2.1mm x 5.5mm connector with a negative center. Current draw is 41ma. The battery is switched OFF when an external power supply is used, and the "IN" jack acts as the pedal ON/OFF switch. Battery life is estimated at 15 hours of playing time. Power adapter is sold separately.

FEATURES

DRIVE control TONE control VOLUME control Actual power tube distortion 18V DC input (barrel with a negative center) True bypass with LED indicator High impedance input Reverse polarity protection 10 year warranty on parts and labor If not satisfied, return within 60 days for a refund

The Harp Attack by the Lone Wolf Blues Company is a Power Tube Distortion / Overdrive Pedal. The Pedal does use a subminiature beam power tube, which is the same type tube as a 6V6 or a 6L6 to provide the tone of an overdriven tube amp.

The Harp Attack operates with two 9 volt batteries or one 18vdc power adapter. The DC adapter requirements are a regulated 18vdc with a minimum 100mA output and a 2.1mm x 5.5mm connector with a negative center. Current draw is 41ma. The battery is switched OFF when an external power supply is used, and the "IN" jack acts as the pedal ON/OFF switch. Battery life is estimated at 15 hours of playing time. Power adapter is sold separately.

FEATURES

DRIVE control TONE control VOLUME control Actual power tube distortion 18V DC input (barrel with a negative center) True bypass with LED indicator High impedance input Reverse polarity protection 10 year warranty on parts and labor If not satisfied, return within 60 days for a refund

The Fanclub by Freqscene Effects Co. is a 4 in 1 Boost Effect Pedal.

The 4 Boosts are ..... Echoplex Preamp: Classic tone-thickener and sweetener. Cascading FET circuitry. Lowest output of the bunch. Secret weapon of your favourite guitarist.

Transparent Boost: Famous op-amp linear clean boost based on the MXR Micro Amp. Super transparent and full sounding. The sound of your setup already, just louder! Perfect for leads, or as a permanent boost to increase signal in a long effects chain.

Treble Booster: My modern pedalboard friendly take on the classic treble booster circuit made famous by Brian May, Mick Ronson, Marc Bolan, Tony Iommi etc. Perfect for brightening up a dark amp and cutting through the mix.

Electra Overdrive: A dirty/fuzzy boost/overdrive/distortion that has the most amount of breakup of the bunch. Very dynamic and cleans up really well with the guitar volume knob. EQD used a similar circuit topology for the Speaker/Special Cranker, Mythos used it for the Golden Fleece, Lovepedal used it on almost of their drives. A classic for a reason.

Details:

All analog circuity Uses standard 9V power adapter (no battery clips on any of my pedals) Silent and durable soft-touch relay footswitch

The Sentura II by Sunn is a 60 Watt Tupe Guitar Amplifier made in the late 60ties USA.

60 Watt RMS , 140 Watt Peak

Controls: Volume , Treble , Bass , Contour, Rate , Depth, Reverb

Switches: Standby , Polarity , Power

Footswitch for Vibrato and Reverb

Output for 16 Ohm Speakers

Head/Combo/Cabinet: Heads

Head/Combo/Cabinet: Tube Amp

Wattage Range: 40-99 Watts

Power Tubes: 6550

Tube Details: 12AX7 (3), 6550 (2), 5AR4 (1)

The Sentura II by Sunn is a 60 Watt Tupe Guitar Amplifier made in the late 60ties USA.

60 Watt RMS , 140 Watt Peak

Controls: Volume , Treble , Bass , Contour, Rate , Depth, Reverb

Switches: Standby , Polarity , Power

Footswitch for Vibrato and Reverb

Imputs: 2 Chanels Normal and 2 Chanels Bright

Output for 16 Ohm Speakers

Head/Combo/Cabinet: Heads

Head/Combo/Cabinet: Tube Amp

Wattage Range: 40-99 Watts

Power Tubes: 6550

Tube Details: 12AX7 (3), 6550 (2), 5AR4 (1)

The Sentura II by Sunn is a 60 Watt Tupe Guitar Amplifier made in the late 60ties USA.

60 Watt RMS , 140 Watt Peak

Controls: Volume , Treble , Bass , Contour, Rate , Depth, Reverb

Switches: Standby , Polarity , Power

Footswitch for Vibrato and Reverb

Output for 16 Ohm Speakers

Head/Combo/Cabinet: Heads

Head/Combo/Cabinet: Tube Amp

Wattage Range: 40-99 Watts

Power Tubes: 6550

Tube Details: 12AX7 (3), 6550 (2), 5AR4 (1)

The A-450 is Top Loading Stereo Casette Tape Deck by TEAC made in Japan from 70ties. On Top of the Deck you can Load the Deck for 6 More Tape Cassettes on the Extra Slots. The Deck comes with Dolby Licence Japan.

Type: 2-head, single compact cassette deck

Track System: 4-track, 2-channel stereo

Tape Speed: 4.8 cm/s

Heads: 1 x record/playback, 1 x erase

Motor: hysteresis synchronous

Tape Type: type I, FeCr, CrO2

Dolby System on Board

Noise Reduction: B

Frequency Response: 30Hz to 16kHz (Cr02 tape)

Signal to Noise Ratio: 58dB (dolby B)

Wow and Flutter: 0.07%

Total Harmonic Distortion: 2.5%

Input: 100mV (line), 0.25mV (mic)

Output: 0.3V (line)

Dimensions: 445 x 176 x 270mm

Weight: 9.5kg