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The Randall Diavlo Series RD50H 50W Tube Guitar Amp Head Randall takes tube tone from mellow to blazin' with the new Diavlo Series RD50H 50W tube guitar amplifier. Perfect for blues-based rock, hard rock, and metal, the RD50H head has Clean and Overdrive channels, a 3-band EQ with Presence control, spring reverb, effects loop, and much more. The Classic Clean channel is broad, with tones from sparkling to highly overdriven. The Modern Overdrive channel takes you into full-on high-gain territory, perfect for blistering leads or dominating rhythms. A global, tube-driven Boost function takes either channel to the max.

The Diavlo is available as a 50-watt head and combo, and we've gone with the head-and-cab format here. It's an all-valve design with two channels and a global boost. Randall has also engineered the Diavlo so you can swap the power valves. It comes with a pair of EL34s, but you can install 6CA7, 6L6, 5881, 6550, KT88, KT77, or 6V6 valves without needing to rebias the amp. Sounds

The Diavlo's channels are laid out back to front compared to most amps, so your first controls on the left are for the Overdrive channel. We're going to start with the clean sounds.

Randall often gets flak for these, but we're happy to report that the Diavlo steps up with a decent array of clean and crunch sounds. Perhaps it's down to the pure-valve design, but there's more character than the surgical metal cleans Randall has become associated with. Because the Diavlo is a 50-watt amp, you can also drive it harder.

It's still louder than you'd need for rehearsal or small gigs, but it does allow for more power-amp grit on your clean/pushed sounds. With the Boost engaged, it works wonders with singlecoil and soapbar pickups for a vintage garage sound too.

Given Randall's pedigree, you'd be for given for taking the Overdrive channel to be a foregone conclusion. Not exactly. With the Boost on and Gain controls maxed, you can go after some convincing metal sounds.

But far from being just a one-trick steel-horse, this baby has soul too. Feed it humbuckers and fat rock rhythms or weeping bluesy leads are where it excels. Annoyingly, you'll need to perform a reach-around to cuff the Reverb control, and Randall's generosity runs dry before it stretches to a footswitch for changing channels.

We're glad to see a Randall that doesn't prey solely on metallers. It's not without shortcomings, though: the Diavlo is suffering from a slight identity crisis.

It starts with the name, and extends to the fact that it's too loud for home use, yet Randall only produces a 1x12 Diavlo cab. You can use two at once, but we'd like a 2x12 or 4x12 option.

That said, you've probably eyeballed the price tag. If talk of 'power reduction this' and 'valve protection that' bores you, then this could be your next amp. It's simple, solid and sounds great.

Pros: Great sound; looks beyond the metal fraternity. Cons: Basic feature set; too loud for home use.

The Randall Diavlo Series RD50H 50W Tube Guitar Amp Head Randall takes tube tone from mellow to blazin' with the new Diavlo Series RD50H 50W tube guitar amplifier. Perfect for blues-based rock, hard rock, and metal, the RD50H head has Clean and Overdrive channels, a 3-band EQ with Presence control, spring reverb, effects loop, and much more. The Classic Clean channel is broad, with tones from sparkling to highly overdriven. The Modern Overdrive channel takes you into full-on high-gain territory, perfect for blistering leads or dominating rhythms. A global, tube-driven Boost function takes either channel to the max.

The Diavlo is available as a 50-watt head and combo, and we've gone with the head-and-cab format here. It's an all-valve design with two channels and a global boost. Randall has also engineered the Diavlo so you can swap the power valves. It comes with a pair of EL34s, but you can install 6CA7, 6L6, 5881, 6550, KT88, KT77, or 6V6 valves without needing to rebias the amp. Sounds

The Diavlo's channels are laid out back to front compared to most amps, so your first controls on the left are for the Overdrive channel. We're going to start with the clean sounds.

Randall often gets flak for these, but we're happy to report that the Diavlo steps up with a decent array of clean and crunch sounds. Perhaps it's down to the pure-valve design, but there's more character than the surgical metal cleans Randall has become associated with. Because the Diavlo is a 50-watt amp, you can also drive it harder.

It's still louder than you'd need for rehearsal or small gigs, but it does allow for more power-amp grit on your clean/pushed sounds. With the Boost engaged, it works wonders with singlecoil and soapbar pickups for a vintage garage sound too.

Given Randall's pedigree, you'd be for given for taking the Overdrive channel to be a foregone conclusion. Not exactly. With the Boost on and Gain controls maxed, you can go after some convincing metal sounds.

But far from being just a one-trick steel-horse, this baby has soul too. Feed it humbuckers and fat rock rhythms or weeping bluesy leads are where it excels. Annoyingly, you'll need to perform a reach-around to cuff the Reverb control, and Randall's generosity runs dry before it stretches to a footswitch for changing channels.

We're glad to see a Randall that doesn't prey solely on metallers. It's not without shortcomings, though: the Diavlo is suffering from a slight identity crisis.

It starts with the name, and extends to the fact that it's too loud for home use, yet Randall only produces a 1x12 Diavlo cab. You can use two at once, but we'd like a 2x12 or 4x12 option.

That said, you've probably eyeballed the price tag. If talk of 'power reduction this' and 'valve protection that' bores you, then this could be your next amp. It's simple, solid and sounds great.

Pros: Great sound; looks beyond the metal fraternity. Cons: Basic feature set; too loud for home use. 1. 1/4” Guitar Input 2. Overdrive Channel Gain 3. Overdrive Channel Volume 4. Channel Selector Switch (Footswitchable) 5. Clean Channel Volume 6. Boost - Adds layer of tube overdrive to both channels (Footswitchable) 7. Bass EQ Response 8. Midrange EQ Response 9. Treble EQ Response 10. Presence Response 11. Master volume controls overall output 12. Standby/Play switch- Wait 5 seconds after powering amp on before switching from Standby to Play and -visa/versa. 13. Power switch turns unit on and off 14. Power cable input for mains connection. 15. Fuse socket 16. Speaker Outputs: MINIMUM 4Ω LOAD !!!! - RD50C has internal 50w 8Ω Diavlo speaker already plugged in. - RD50C can accommodate RD112 Extension plugged into 2nd Speaker output > This is a very cool setup as you get both a open and closed back blend - RD50H - plug in (1) or (2) RD112 8Ω Extension speaker cabs - RD50 will run with 16Ω load , but will not have %100 full output volume/wattage 17. REVERB LEVEL KNOB- controls amount of Spring Reverb 18. Effects loop return- the output from external effects are inserted here. This is also the power amp input. 19. Effects loop send -the input from external effects are inserted here. This is also the preamp output. 20. Footswitch jack- Standard 1/4” TRS controls Channel and boost (Randall Model RF2T2C not included)

The Randall Diavlo Series RD50H 50W Tube Guitar Amp Head Randall takes tube tone from mellow to blazin' with the new Diavlo Series RD50H 50W tube guitar amplifier. Perfect for blues-based rock, hard rock, and metal, the RD50H head has Clean and Overdrive channels, a 3-band EQ with Presence control, spring reverb, effects loop, and much more. The Classic Clean channel is broad, with tones from sparkling to highly overdriven. The Modern Overdrive channel takes you into full-on high-gain territory, perfect for blistering leads or dominating rhythms. A global, tube-driven Boost function takes either channel to the max.

The Randall Diavlo Series RD50H 50W Tube Guitar Amp Head Randall takes tube tone from mellow to blazin' with the new Diavlo Series RD50H 50W tube guitar amplifier. Perfect for blues-based rock, hard rock, and metal, the RD50H head has Clean and Overdrive channels, a 3-band EQ with Presence control, spring reverb, effects loop, and much more. The Classic Clean channel is broad, with tones from sparkling to highly overdriven. The Modern Overdrive channel takes you into full-on high-gain territory, perfect for blistering leads or dominating rhythms. A global, tube-driven Boost function takes either channel to the max.

The Diavlo is available as a 50-watt head and combo, and we've gone with the head-and-cab format here. It's an all-valve design with two channels and a global boost. Randall has also engineered the Diavlo so you can swap the power valves. It comes with a pair of EL34s, but you can install 6CA7, 6L6, 5881, 6550, KT88, KT77, or 6V6 valves without needing to rebias the amp. Sounds

The Diavlo's channels are laid out back to front compared to most amps, so your first controls on the left are for the Overdrive channel. We're going to start with the clean sounds.

Randall often gets flak for these, but we're happy to report that the Diavlo steps up with a decent array of clean and crunch sounds. Perhaps it's down to the pure-valve design, but there's more character than the surgical metal cleans Randall has become associated with. Because the Diavlo is a 50-watt amp, you can also drive it harder.

It's still louder than you'd need for rehearsal or small gigs, but it does allow for more power-amp grit on your clean/pushed sounds. With the Boost engaged, it works wonders with singlecoil and soapbar pickups for a vintage garage sound too.

Given Randall's pedigree, you'd be for given for taking the Overdrive channel to be a foregone conclusion. Not exactly. With the Boost on and Gain controls maxed, you can go after some convincing metal sounds.

But far from being just a one-trick steel-horse, this baby has soul too. Feed it humbuckers and fat rock rhythms or weeping bluesy leads are where it excels. Annoyingly, you'll need to perform a reach-around to cuff the Reverb control, and Randall's generosity runs dry before it stretches to a footswitch for changing channels.

We're glad to see a Randall that doesn't prey solely on metallers. It's not without shortcomings, though: the Diavlo is suffering from a slight identity crisis.

It starts with the name, and extends to the fact that it's too loud for home use, yet Randall only produces a 1x12 Diavlo cab. You can use two at once, but we'd like a 2x12 or 4x12 option.

That said, you've probably eyeballed the price tag. If talk of 'power reduction this' and 'valve protection that' bores you, then this could be your next amp. It's simple, solid and sounds great.

Pros: Great sound; looks beyond the metal fraternity. Cons: Basic feature set; too loud for home use.

The Randall Diavlo Series RD50H 50W Tube Guitar Amp Head Randall takes tube tone from mellow to blazin' with the new Diavlo Series RD50H 50W tube guitar amplifier. Perfect for blues-based rock, hard rock, and metal, the RD50H head has Clean and Overdrive channels, a 3-band EQ with Presence control, spring reverb, effects loop, and much more. The Classic Clean channel is broad, with tones from sparkling to highly overdriven. The Modern Overdrive channel takes you into full-on high-gain territory, perfect for blistering leads or dominating rhythms. A global, tube-driven Boost function takes either channel to the max.

Stereo Cassette Deck RS-B29R Technics (brand) Country: Japan Manufacturer / Brand: Technics (brand) Year: 1986/1987 Category: Sound/image storage device or player Stereo Cassette Deck RS-B29R; Technics brand (ID = 2422238) Sound Technical data: Number of transistors: Semiconductors present. Semiconductors Main principle: NF amplification Wave ranges: none Specialties: Cassette recorder or player Operating mode / Volt: AC power supply Speaker: For headphones or NF amplifier Material: Metal design Frontloading 2-Head Auto Reverse Stereo Cassette Deck with Dolby B + C and Metal Tape Capability. 3-Digit Mechanical Counter, Digital Peak-Reading Meters, Multi Color Peak-Reading Meters. 2-Position Direction Selector, Music Scan. Record Level Balance and Master Record Level Control. Specifications: Type: auto reverse, 2-head, single compact cassette deck Track System: 4-track, 2-channel stereo Tape Speed: 4.8 cm/s Heads: 1 x record/playback, 1 x erase Tape Type: type I, CrO2, Metal Noise Reduction: B, C Frequency Response: 20Hz to 17kHz (Metal tape) Signal to Noise Ratio: 72dB (dolby C) Wow and ter: 0.08% Input: 60mV (line), 0.25mV (mic) Output: 0.4V (line) Dimensions: 430 x 100.5 x 229.5mm Weight: 3.6kg

Kazumoto Endo's Custom Joystick Switcher A Switcher build by Kazumoto Endo , to switich between effects, it has 8 knobs and a Joystick to switch Channels and turn Effects on/off.

Kazumoto Endo's Custom Joystick Switcher A Switcher build by Kazumoto Endo , to switich between effects, it has 8 knobs and a Joystick to switch Channels and turn Effects on/off, to create psychedelic electro noises.

Kazumoto Endo's Custom Joystick Switcher A Switcher build by Kazumoto Endo , to switich between effects, it has 8 knobs and an Joystick to switch and turn effects on and off.

Kazumoto Endo's Custom Joystick Switcher A Switcher build by Kazumoto Endo , to switich between effects, it has 8 knobs and a Joystick to switch Channels and turn Effects on/off.

Kazumoto Endo's Custom Joystick Switcher A Switcher build by Kazumoto Endo , to switich between effects, it has 8 knobs and an Joystick to switch and turn effects on and off.

The Ibanez Gio GS130 neck type GRGMaple neck top/back/body Poplar body fretboard Bound Purpleheart fretboardRed Sharktooth inlay fret Medium frets number of frets 24 bridge F106 bridge string space 10.5mm neck pickup Infinity R (H) neck pickupPassive/Ceramic bridge pickup Infinity R (H) bridge pickupPassive/Ceramic string gauge .010/.013/.017/.026/.036/.046 hardware color Black NECK DIMENSIONS Scale : 648mm/25.5" a : Width 43mm at NUT b : Width 58mm at 24F c : Thickness 19.5mm at 1F d : Thickness 21.5mm at 12F Radius : 400mmR

Studiomaster Powerhouse 12-2 Mixer Mixing Console 12-channel power mixer, mixing console with integrated power amplifier and numerous setting options and built-in graphic equalizer. Power 2x 250 watts. One control knob not original.

The Pioneer Monitor 10 Headphones Manufacturer: Pioneer Model: Monitor 10 Type: Headphones Years of manufacture: 1975 - 1980 Made in: Japan Color: Synthetic leather, black Dimensions (W/H/D): Weight: 530 g New price approx.: 170 DM Connections Stereo jack plug 6.3 mm with 5 m cable Technical data Principle: Electrodynamic Connection to the ear: Ear pads, open Speaker: 57 mm Nominal impedance: 8 ohms Nominal load capacity: 0.7 W Pressure force: Frequency response: 20 - 20,000 Hz Distortion factor: Sound pressure level: 100 dB Connector: 6.3 mm jack plug Cable length: 5 m cable Special features Electrodynamic system

4-String Custon P-Bass by Johnson Instruments