jack_mildenhall's activity

edited Morgan Guitars (Norway) W 120 S CE BLK

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Morgan

May 31, 2023

edited Morgan Guitars (Norway) Morgan Sopran Ukulele UK-100

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May 31, 2023

edited Morgan RCA35R Head

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Uncategorized
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Guitar Amplifier Heads

May 31, 2023

edited Morgan Monroe Mandobass

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Acoustic & Acoustic-Electric Basses
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Electric Basses

May 31, 2023

edited Orangewood Mahogany Live Left Handed

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Morgan

May 31, 2023

edited Morgan Guitars (Norway) LP 45 83194

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May 31, 2023

edited Morgan Guitars (Norway) Legend Stratocaster HSS

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May 31, 2023

edited Morgan Amps 112 - 50-watt 1x12" Cabinet with Alnico Gold - Black

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May 31, 2023

edited Morgan Amplification SW50R 1x12 50W Tube Guitar Combo Amp with Spring Reverb

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This Celestion-loaded country-music beast now comes loaded with 3-spring reverb.

The Morgan SW50R 50W 1x12" tube combo starts with the circuit from the SW50 and then adds three-spring, tube-driven reverb pushed through a 12" Celestion G12H75 Creamback speaker. The SW50R offers the same tonality of the SW50 including its ultra-sensitive pick attack and singing sustain. The SW50R reverb is also run parallel to the original tone stack. This means when the reverb is not being used it is totally out of the circuit unlike most other guitar amp reverbs. Intentionally designed to be the loudest and cleanest it could be with two 6L6s it is still capable of producing a warm compressed natural overdrive.

The SW50R utilizes a special level control. Its job is to control the amount of gain available in the power section of the amplifier. You will notice after about 3 oclock on the level control you are adding overdrive to the power section. This allows you to use the level control at lower volumes without sacrificing your tone.

The bass, mid and treble controls interact with each other to give you a wide range of tones. The Bass Emphasis switch changes the center point of the mid frequencies allowing you to get even more bass out of the amp. The bright switch is designed to bring in enough top end for even the darkest guitar but without adding any ice picky highs. This amp was designed to be that familiar black face styled tone from the mid '60s but with added clarity and string to string definition that is unrivaled in any similar design.

The SW50R is also a stage and studio monster. Currently on tour with Kenny Chesney, Jake Owen, Chris Young and Frankie Ballard. If you listen to modern country music, chances are you have heard the SW50R.

After:
This Celestion-loaded country-music beast now comes loaded with 3-spring reverb.

The Morgan SW50R 50W 1x12" tube combo starts with the circuit from the SW50 and then adds three-spring, tube-driven reverb pushed through a 12" Celestion G12H75 Creamback speaker. The SW50R offers the same tonality of the SW50 including its ultra-sensitive pick attack and singing sustain. The SW50R reverb is also run parallel to the original tone stack. This means when the reverb is not being used it is totally out of the circuit unlike most other guitar amp reverbs. Intentionally designed to be the loudest and cleanest it could be with two 6L6s it is still capable of producing a warm compressed natural overdrive.

The SW50R utilizes a special level control. Its job is to control the amount of gain available in the power section of the amplifier. You will notice after about 3 oclock on the level control you are adding overdrive to the power section. This allows you to use the level control at lower volumes without sacrificing your tone.

The bass, mid and treble controls interact with each other to give you a wide range of tones. The Bass Emphasis switch changes the center point of the mid frequencies allowing you to get even more bass out of the amp. The bright switch is designed to bring in enough top end for even the darkest guitar but without adding any ice picky highs. This amp was designed to be that familiar black face styled tone from the mid '60s but with added clarity and string to string definition that is unrivaled in any similar design.

The SW50R is also a stage and studio monster. Currently on tour with Kenny Chesney, Jake Owen, Chris Young and Frankie Ballard. If you listen to modern country music, chances are you have heard the SW50R.

May 31, 2023

edited Morgan Amplification SW50 1x12 50W Tube Guitar Combo Amp

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Morgan
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A stage and studio monster loaded with a Celestion Creamback.

The Morgan SW50 50W 1x12" tube guitar combo produces a sweet singing sustain even on clean notes through its single G12H75 Celestion Creamback speaker. Intentionally designed to be the loudest and cleanest it could be with two 6L6s, it is still capable of producing a warm compressed natural overdrive.

The SW50 is a stage and studio monster. Currently on tour with James Taylor, Tim McGraw, Kenny Chesney, Dierks Bentley, Jake Owen, Kip Moore, Chris Young and Frankie Ballard. If you listen to modern country music chances are you have heard the SW50.

The SW50 utilizes a special level control. Its job is to control the amount of gain available in the power section of the amplifier. You will notice after about 3 o™clock on the level control you are adding overdrive to the power section. This allows you to use the level control at lower volumes without sacrificing your tone.

The bass and treble controls interact with each other to give you a wide range of tones. The Bass Emphasis switch changes the center point of the mid frequencies allowing you to get even more bass out of the amp. The bright switch is designed to bring in enough top end for even the darkest guitar but without adding any ice picky highs. This amp was designed to be that familiar black face styled tone from the mid '60s but with added clarity and string to string definition that is unrivaled in any similar design.

Handwired in the USA.

MORGAN HISTORY
Joe Morgan has been building, modifying and repairing amplifiers since 1996. His designs are seen in stadiums and arenas all over the world. It is hard to turn on a music awards show without seeing his products. Joe designs for the working musician, whether that means a Sunday morning church gig or touring the world with James Taylor.

Joe will be the first to tell you that tube amps are not rocket science (Joe was part of the engineering team that developed the first GPS satellites). Tube amps are only as good as their components and Morgan chooses the best of the best. Engineered with custom designed Mercury Magnetics transformers to provide the best possible sonic signature they also provide him with the confidence to offer a limited lifetime warranty.

After:
A stage and studio monster loaded with a Celestion Creamback.

The Morgan SW50 50W 1x12" tube guitar combo produces a sweet singing sustain even on clean notes through its single G12H75 Celestion Creamback speaker. Intentionally designed to be the loudest and cleanest it could be with two 6L6s, it is still capable of producing a warm compressed natural overdrive.

The SW50 is a stage and studio monster. Currently on tour with James Taylor, Tim McGraw, Kenny Chesney, Dierks Bentley, Jake Owen, Kip Moore, Chris Young and Frankie Ballard. If you listen to modern country music chances are you have heard the SW50.

The SW50 utilizes a special level control. Its job is to control the amount of gain available in the power section of the amplifier. You will notice after about 3 o™clock on the level control you are adding overdrive to the power section. This allows you to use the level control at lower volumes without sacrificing your tone.

The bass and treble controls interact with each other to give you a wide range of tones. The Bass Emphasis switch changes the center point of the mid frequencies allowing you to get even more bass out of the amp. The bright switch is designed to bring in enough top end for even the darkest guitar but without adding any ice picky highs. This amp was designed to be that familiar black face styled tone from the mid '60s but with added clarity and string to string definition that is unrivaled in any similar design.

Handwired in the USA.

MORGAN HISTORY
Joe Morgan has been building, modifying and repairing amplifiers since 1996. His designs are seen in stadiums and arenas all over the world. It is hard to turn on a music awards show without seeing his products. Joe designs for the working musician, whether that means a Sunday morning church gig or touring the world with James Taylor.

Joe will be the first to tell you that tube amps are not rocket science (Joe was part of the engineering team that developed the first GPS satellites). Tube amps are only as good as their components and Morgan chooses the best of the best. Engineered with custom designed Mercury Magnetics transformers to provide the best possible sonic signature they also provide him with the confidence to offer a limited lifetime warranty.

May 31, 2023

edited Morgan Amplification SW22R 22w Tube Guitar Head

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May 31, 2023

edited Morgan Amplification SW22 22W Tube Guitar Head

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May 31, 2023

edited Morgan Amplification MVP23 Head

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May 31, 2023

edited Morgan Amplification Abbey C 1x12 20W Tube Guitar Combo Amp

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Morgan
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Incredible Morgan tone through a legendary Celestion G12H75 Creamback.

The Morgan Abbey C 20W 1x12" guitar combo is a classic Class A cathode biased EL84 amplifier in the style of the old British œtop boost design, and pushing all that sweet tone out of a single 12" Celestion G12H75 speaker. The design has been updated to the 21st century with some player comforts that make the amplifier easier to use with any pedal board and at any venue. The Abbey was created to solve modern guitar player amplifier issues with the ability to stay true to vintage tonality. The Abbey is a no-compromise, top-boost amplifier designed for the gigging professional player as well as the casual home player.

Distinctly different from the AC20 Deluxe, the Abbey offers slightly more gain and compression. It still maintains all of the classic tones that a Class A EL84 amp can deliver but with added tone shaping with individual treble and bass controls as well as a bright switch for even more chime. The Abbey also utilizes the revolutionary Power Level control.

The Power Level control is a big part of the magic. Most guitarists today have spent large sums of money and even more amounts of time working on their pedal boards. Most pedals are not designed to be used with a tube amp on œ1." They were designed to interact with the amplifier at or near the point at which it begins to break up. That is why an overdrive pedal is called an œover drive. It is driving the amp over that point. Unfortunately that volume can be too loud for most live applications. The Power Level control on the Abbey solves this. Think of conventional master volumes as a spigot on a garden hose, they choke off the signal to the power section of the amp to a usable level. Most conventional master volumes also affect the way your pedals interact with your amp. The Power Level control behaves like a zoom lens. It limits the size of the output signal that can be produced by the output tubes. It does NOT choke the signal down and therefore behaves identical as if the amp were running at full volume. This means that you can choose the power that you need, anything from 1/4 of a watt to 20 watts.

Handwired in the U.S.A.

MORGAN HISTORY
Joe Morgan has been building, modifying and repairing amplifiers since 1996. His designs are seen in stadiums and arenas all over the world. It is hard to turn on a music awards show without seeing his products. Joe designs for the working musician, whether that means a Sunday morning church gig or touring the world with James Taylor.
Joe will be the first to tell you that tube amps are not rocket science (Joe was part of the engineering team that developed the first GPS satellites). Tube amps are only as good as their components and Morgan chooses the best of the best. Engineered with custom designed Mercury Magnetics transformers to provide the best possible sonic signature they also provide him with the confidence to offer a limited lifetime warranty.

After:
Incredible Morgan tone through a legendary Celestion G12H75 Creamback.

The Morgan Abbey C 20W 1x12" guitar combo is a classic Class A cathode biased EL84 amplifier in the style of the old British œtop boost design, and pushing all that sweet tone out of a single 12" Celestion G12H75 speaker. The design has been updated to the 21st century with some player comforts that make the amplifier easier to use with any pedal board and at any venue. The Abbey was created to solve modern guitar player amplifier issues with the ability to stay true to vintage tonality. The Abbey is a no-compromise, top-boost amplifier designed for the gigging professional player as well as the casual home player.

Distinctly different from the AC20 Deluxe, the Abbey offers slightly more gain and compression. It still maintains all of the classic tones that a Class A EL84 amp can deliver but with added tone shaping with individual treble and bass controls as well as a bright switch for even more chime. The Abbey also utilizes the revolutionary Power Level control.

The Power Level control is a big part of the magic. Most guitarists today have spent large sums of money and even more amounts of time working on their pedal boards. Most pedals are not designed to be used with a tube amp on œ1." They were designed to interact with the amplifier at or near the point at which it begins to break up. That is why an overdrive pedal is called an œover drive. It is driving the amp over that point. Unfortunately that volume can be too loud for most live applications. The Power Level control on the Abbey solves this. Think of conventional master volumes as a spigot on a garden hose, they choke off the signal to the power section of the amp to a usable level. Most conventional master volumes also affect the way your pedals interact with your amp. The Power Level control behaves like a zoom lens. It limits the size of the output signal that can be produced by the output tubes. It does NOT choke the signal down and therefore behaves identical as if the amp were running at full volume. This means that you can choose the power that you need, anything from 1/4 of a watt to 20 watts.

Handwired in the U.S.A.

MORGAN HISTORY
Joe Morgan has been building, modifying and repairing amplifiers since 1996. His designs are seen in stadiums and arenas all over the world. It is hard to turn on a music awards show without seeing his products. Joe designs for the working musician, whether that means a Sunday morning church gig or touring the world with James Taylor.
Joe will be the first to tell you that tube amps are not rocket science (Joe was part of the engineering team that developed the first GPS satellites). Tube amps are only as good as their components and Morgan chooses the best of the best. Engineered with custom designed Mercury Magnetics transformers to provide the best possible sonic signature they also provide him with the confidence to offer a limited lifetime warranty.

May 31, 2023

edited Morgan AC40 Deluxe 1 x 12

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Morgan
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A streamlined tone machine with Celestion Creamback flavor.

The Morgan AC40 Deluxe is a deceptively simple amplifier that is capable of producing a myriad of early '60s British tones through a 12" Celestion G12H75 Creamback, but that is just the beginning. The switchable EF86 tube helps to make the range of tones from the cleanest of EL84 chime to ferocious high-gain growl. The power level control allows you to dial in just the right amount of volume without sacrificing your tone the way some master volumes do.

The AC40 Deluxe was created to solve modern guitar player amplifier issues with the ability to stay true to vintage tonality. It is equally at home in the studio or on the stage. It can be seen on the stages of superstars like Jeff Tweedy, Mike Landau, Josh Smith and Kirk Fletcher.

Plug into the AC40 Deluxe and you will instantly notice the familiar chime and compression of the Class A EL84 driven output section. The amplifier' extreme touch-sensitivity will allow you to coax clean tones even at the highest of gain settings. To quote Keith Armstrong (Chief Engineer at Mix LA) œIt is impossible to get a bad sound out of this amp!

The Power Level control is a big part of the magic. Most guitarists today have spent large sums of money and even more amounts of time working on their pedal boards. Most pedals are not designed to be used with a tube amp on œ1. They were designed to interact with the amplifier at or near the point at which it begins to break up. That is why an overdrive pedal is called an œover drive. It is driving the amp over that point. Unfortunately that volume can be too loud for most live applications. The Power Level control on the AC40 Deluxe solves this. Think of conventional master volumes as a spigot on a garden hose, they choke off the signal to the power section of the amp to a usable level. Most conventional master volumes also affect the way your pedals interact with your amp. The Power Level control behaves like a zoom lens. It limits the size of the output signal that can be produced by the output tubes. It does NOT choke the signal down and therefore behaves identical as if the amp were running at full volume. This means that you can choose the power that you need, anything from 1/2 of a watt to 40 watts.

The AC40 Deluxe uses 3 separate switches to give you all of the original early '60s EL84 tonalities, Normal, Brilliant and EF86. Never has such a deceptively simple amp had so many tonal options.

Handwired in the USA.

MORGAN HISTORY:
Joe Morgan has been building, modifying and repairing amplifiers since 1996. His designs are seen in stadiums and arenas all over the world. It is hard to turn on a music awards show without seeing his products. Joe designs for the working musician, whether that means a Sunday morning church gig or touring the world with James Taylor.
Joe will be the first to tell you that tube amps are not rocket science (Joe was part of the engineering team that developed the first GPS satellites). Tube amps are only as good as their components and Morgan chooses the best of the best. Engineered with custom designed Mercury Magnetics transformers to provide the best possible sonic signature they also provide him with the confidence to offer a limited lifetime warranty.

After:
A streamlined tone machine with Celestion Creamback flavor.

The Morgan AC40 Deluxe is a deceptively simple amplifier that is capable of producing a myriad of early '60s British tones through a 12" Celestion G12H75 Creamback, but that is just the beginning. The switchable EF86 tube helps to make the range of tones from the cleanest of EL84 chime to ferocious high-gain growl. The power level control allows you to dial in just the right amount of volume without sacrificing your tone the way some master volumes do.

The AC40 Deluxe was created to solve modern guitar player amplifier issues with the ability to stay true to vintage tonality. It is equally at home in the studio or on the stage. It can be seen on the stages of superstars like Jeff Tweedy, Mike Landau, Josh Smith and Kirk Fletcher.

Plug into the AC40 Deluxe and you will instantly notice the familiar chime and compression of the Class A EL84 driven output section. The amplifier' extreme touch-sensitivity will allow you to coax clean tones even at the highest of gain settings. To quote Keith Armstrong (Chief Engineer at Mix LA) œIt is impossible to get a bad sound out of this amp!

The Power Level control is a big part of the magic. Most guitarists today have spent large sums of money and even more amounts of time working on their pedal boards. Most pedals are not designed to be used with a tube amp on œ1. They were designed to interact with the amplifier at or near the point at which it begins to break up. That is why an overdrive pedal is called an œover drive. It is driving the amp over that point. Unfortunately that volume can be too loud for most live applications. The Power Level control on the AC40 Deluxe solves this. Think of conventional master volumes as a spigot on a garden hose, they choke off the signal to the power section of the amp to a usable level. Most conventional master volumes also affect the way your pedals interact with your amp. The Power Level control behaves like a zoom lens. It limits the size of the output signal that can be produced by the output tubes. It does NOT choke the signal down and therefore behaves identical as if the amp were running at full volume. This means that you can choose the power that you need, anything from 1/2 of a watt to 40 watts.

The AC40 Deluxe uses 3 separate switches to give you all of the original early '60s EL84 tonalities, Normal, Brilliant and EF86. Never has such a deceptively simple amp had so many tonal options.

Handwired in the USA.

MORGAN HISTORY:
Joe Morgan has been building, modifying and repairing amplifiers since 1996. His designs are seen in stadiums and arenas all over the world. It is hard to turn on a music awards show without seeing his products. Joe designs for the working musician, whether that means a Sunday morning church gig or touring the world with James Taylor.
Joe will be the first to tell you that tube amps are not rocket science (Joe was part of the engineering team that developed the first GPS satellites). Tube amps are only as good as their components and Morgan chooses the best of the best. Engineered with custom designed Mercury Magnetics transformers to provide the best possible sonic signature they also provide him with the confidence to offer a limited lifetime warranty.