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STEQ is based small format console eq from well known tape machine brand. Easy to use coloration eq with variable frequency (150Hz – 7kHz) on mid band and fixed “broad” high (10kHz) & low (80Hz) shelf. Version 2.0 – Added optical compressor – Added preamp Version 1.1 – Fixed Output knob values (GUI)

Sweet Drums are… Shape your drum tracks/busses with one knob! True Component & Circuit Modeling Not any specific model. Fully unique designs with true component and circuit modeling. Fully emulated tape saturation/compression and equalizer modules. FEATURES INPUT – Controls input signal without raising level. Adds tape saturation and compression. PROCESS – Will shape your material with unique drum specific equalizer and saturation. OUTPUT – Pure clean output knob to match sound level. LINK – Linking “Process” & “Output” knobs. OVERSAMPLE – Oversampling ON/OFF

Sweet Vox… Shape your vocal tracks/busses with one knob and extra de-esser function! True Component & Circuit Modeling Tons of character from famous units! “N Type” silky high shelf “A Type” magic low band with Proportional Q “A Type” two intelligent dynamic bands with Proportional Q to remove boxy and honky sounds from voice “Q Type” punchy microphone preamp “S Type” smooth tape FEATURES DE-ESS – Controls sibilance and annoying frequencies with shelf type de-esser. PROCESS – Will shape your material with unique voice specific static equalizer, saturation, dynamic equalizer and tape. OUTPUT – Pure clean output knob to match sound level. OVERSAMPLE – ON/OFF

Famous American console eq Low & High Band – Shelf Mid Band – Proportional Q Peak HP & LP Filter – Constant Version 2.0 – Improved circuit – Added Input gain – Gain knobs converted to stepped – Added link feature for input and output – Redesigned GUI (Freq. knobs moving horizontal) – Reduced CPU usage

Classic & Timeless Design OSS delivers every ounce of that magic, classic sound. There’s a sidechain filters (Detector). Plus, you can choose from even more colors by flipping a switch and bypassing the interstage transformer. Perfect for basses and vocals. The “Detector” filters will shape your compressor sidechain. Control low freqs, mid freqs. High Freq will control your high freq sensitivity and tame it. OSS is all about delivering that classic sound, without the classic’s limitations. Another extra feature is MIX. Now, you can mix your compressed and uncompressed sound! Fully re-designed! Now, it’s the best with extra features! Extra MIX and DETECTOR options! Better control with INPUT! Improved sensitive METER! Re-designed INTERSTAGE section!

FRANKENSTEIN Showdown of famous EQs in a box! FRANK can shape your sound with 4 EQ models plus line amp that captured from best seller plug-ins of Analog Obsession. Easy to use and get sound you want. HAMP-Type J-FET line amp HELI-Type high pass filter P-Type low band for famous low end trick A-Type punchy mid band N-Type silky high band

BritChannel is a classic type 73 analog preamp simulator / channelstrip. One of best designs in the world! Now combined the preamp and the eq in a plugin to reach all futures of this legendary unit. Re-drawing and designing original circuit carefully and emulated original fingerprint of the gear. Carefully designed transformers and tubes. Fully emulated line/mic-amp and eq. Version 5.0 – Improved circuit – Improved GUI – Lowered CPU usage – Fixed filter cut-off frequency bump – Fixed several minor bugs

PREAMP: Microphone and Line preamp gain control. Fully emulated from original design. EQ STAGE: Classic Type 73 design eq and filter with component modeling technology. OUTPUT: Clean output fader after output amp to keep original sound after processing.

BUSTERse is a classic console compressor with extra filter and transient sidechain options to dominate whole signal. Compressor Section

THRESHOLD (dB) : +15 to -15. ATTACK (ms) : 0.1, 0.3, 1, 3, 10, 30. RELEASE (sec) : 0.1, 0.3, 0.6, 1.2, Auto. RATIO : 1.5, 2, 3, 4, 5, 10. MAKE UP (dB) : 0 to 15. MIX (%) : DRY to WET.

Filter Section (Sidechain)

HPF (Hz) : 20 to 500 MID (~1500Hz) : -6dB to +6dB HF (~10kHz) : 0dB to -10dB *Will work like famous optical-tube compressor and help you to control high frequencies, better.

Transient Section (Sidechain)

BOOST (dB) : 0 to 10 *While boosting attack, it will reduce decay/release of signal to make compressor more sensitive with only attacks/peaks. TILT (~1kHz Center) : -6dB to 6 dB *It’s placed before BOOST to send only dedicated range to BOOST. So, BOOST will affect only given frequency range and will boost only this range’s transients. If TILT is default, BOOST will affect overall transients. MIX (%) : DRY to WET *Will blend DRY and WET signal. After boosting transients, you can blend with DRY signal to keep reduced release of signal. When MIX in default position, TR is off. So, you can turn MIX knob to all the way up to engage TR section. EXT (External Sidechain) : When you engage EXT, sidechain circuit will listen incoming signal and you can stil use Filter and Transient sections on incoming signal.

Control Section

MAIN : General Bypass TURBO : Turbo Mod *Turbo mod will help to compressor to affect whole signal range. Otherwise, compressor will focus on mid frequencies. This mod added to keep original sign of hardware. XFORMER : In/Out Transformers *If you engage XFORMER, in/out ICs will be replaced with transformer to balance it. This will affect to impedance, character, overall sound.

LOADED is a custom 500 series channel strip with 5 different units plus main control unit.

Fully custom Solid State design. Easyto use GUI. All processors have their own bypass button. Also, main control section has main bypass button to bypass allunits at the same time. Preamp. De-esser. Noise-gate. EQ section. Compressor.

KABIN is a universal guitar cabinet modeler. You can create different spiker/cabinet models with SIZE and CHARACTER options and shape tone with microphone placement.

SIZE : You can set spiker and cabinet size and response with SIZE knob. Spiker/Cabinet size can be changed battery-powered guitar amp cab to 1×12. While your spiker size goes to smaller, cabinet size will go smaller, too.

CHARACTER : Will set character of spiker and cabinet. Soft to Punch. Soft will give smoother mid response (mostly low mid) and Punch will give fuller mid response. Not only frequency changes. Also, dynamic response.

MICROPHONE : There is a mic (Modeled Tube Mic) in front of cabinet. You can move it left to right. In default, it’s placed center. You can move mic to right to get off-axis placement.

OUTPUT : Will set main output. Inf to +12dB.

KABIN : It’s also bypass button. Red is active, white is bypassed.

BritPre is a classic british Mic/Line preamp with Lowpass and Highpass filters.

It has two modules with independent bypass. Also, it has phase invert button.

GAIN: Preamp gain -20 to 40dB with 5dB steps. OUTPUT: Final output control of plugins. If you bypass preamp section, you can still use output control with filter section. HPF: OFF, 45, 70, 160, 360Hz. LPF: OFF, 8, 6, 4, 2kHz. MIC: Mic Preamp switch. Default position is Line amp. PHASE: Phase invert button. ANALOG OBSESSION: This label is clickable. It will turn to red and engage Oversampling (4x).

VariMoon is a Fairchild 660 style vari-mu limiting amplifier. Holy & Simple Famous 660 compressor/limiter’s limited version with easy to use layout. True Component & Circuit Modeling Re-drawing and designing original circuit carefully and emulated original fingerprint of gear with our technology. Carefully designed transformers and tubes. FEATURES Input & Output Controlling input & output signals of plugins.Input knob will affect to compression and harmonic distortion and also character of plugin. Release Controls compression time of plugin.6 position stepped knob to control release time. 4 fixed and 2 automatic control. DC Threshold Controls compression character.Changing character compressor to limiter. (Smooth compression to hard limination) AC Threshold Controls compression level. When it’s at default position,level is around -4dB.

N492ME is a dual mono, stereo, mid/side Neumann style equalizer.

Colorful four-band eq with M/S and L/R functions! True Component & Circuit Modeling.

Re-drawing and designing original circuit carefully and emulated original fingerprint of gear with our technology. Carefully designed op-amps. Fully emulated line-amps, eq and Mid/Side functions. Four-bands with variable gain and sweepable frequency. It has internal Q with its own special design. Very musical with even with highest boost! Low and High bands are working like shelf but actually they are really wide bells. And that’s why this eq sounding really great! With this feature,you can boost super-lows!

YALA is a vintage Vari-Mu tube limiting amplifier.

Yet Another Limiting Amplifier! Burn it with YALA! Famous Vari-Mu Limiting Amplifier in your DAW! Add shine to your mixes. Level vocals and basses especially but it’s good for all purposes! Even without compressor use it as line amp or summing amp.

True Component & Circuit Modeling.

Re-drawing and designing original circuit carefully and emulated original fingerprint of gear with our technology. Carefully designed transformers and tubes. Fully emulated vari-mu limiting amplifier.

TREQ is a Trident 500 Series 4-band console equalizer.

Four Band Eq Sweepable Mid Bands Lo Freq can be switched between 60 and 120Hz. Hi Freq switchable between 8 and 12kHz. Lo Mid sweepable from 100 to 1.5kHz. Hi Mid sweepable from 1 to 15kHz. 50Hz Hi Pass Switch.

FIVER is a versatile 5 band equalizer with low and high shelf filters and 3 bands with continuously variable bandwidth.

It will give you full control over any source with its own character and almost transparent but musical sound. While it can be surgical, you can use it as color eq to shape your source.

Clean and crispy GUI will help your eyes with its pastel colors. Also, readouts will let you know exact frequencies that you working on. So, you can use FIVER easily and go deeper in source. LF: Low shelf with continuously variable from 30Hz to 300Hz / -12dB to +12dB / Independent bypass (Also, HF bypass). LMF: Low mid band with continuously variable from 50Hz to 400Hz / -12dB to +12dB / Continuously variable bandwidth / Independent bypass. MF: Mid band with continuously variable from 330 Hz to 2.5 kHz / -12dB to +12dB / Continuously variable bandwidth / Independent bypass. HMF: Mid band with continuously variable from 2 kHz to 16 kHz / -12dB to +12dB / Continuously variable bandwidth / Independent bypass. HF: High shelf with continuously variable from 2.5kHz to 25kHz / -12dB to +12dB / Independent bypass (Also, LF bypass). TRIM: Clean output / -12dB to +12dB. ALL BYPASS: General bypass for whole bands. ANALOG OBSESSION: This label is clickable. It will turn to red and engage Oversampling (4x).

Kolin is a vintage limiting amplifier with additional features like adjustable attack and release.

1ms to 50ms Attack Time. 0.1sec to 3sec Release Time. MIX option to blend DRY and WET signal. 20Hz to 500Hz Sidechain HPF. External Sidechain (EXT-SC). 40dB input range. +/- 20dB output.

MPReq is a vintage microphone preamp with two band fixed frequency program equalizer.

True Component and Circuit Modeling. Re-drawing and designing original circuit carefully and emulated original fingerprint of gear with our technology. Carefully designed transformers and tubes. Fully emulated mic-amp and program eq from the 50’s.

Microphone preamp gain control. Two-bands with boost and cut. Low band 100Hz and high band 12kHz

Ultra Analog Session puts forward a rich and modern sound thanks to a "hard sync" oscillator and filter core that is supplemented by a powerful unison. Key synthesis controls, an arpeggiator, and a multi-effect module complete the feature set for a direct and ludic synthesis experience.

With the help of long-time AAS collaborators Richard Devine and Sean Divine—each contributing 50 signature sounds—the factory library comprises 144 presets divided into the Arpeggio, Bass, Lead, Pad, and Polysynth categories.

Signature Sounds A superb sound library with signature presets from producers Richard Devine and Sean Divine.

Performance Ultra Analog VA-2 will match your playing style or musical context with ease thanks to the tap tempo and sync to host clock options; poly- or monophonic with note priority keyboard modes; up-to-4-voice unison; glide and legato functions; and the flexible vibrato.

Arpeggiator Ready, willing, and able, Ultra Analog VA-2's arpeggiator offers various syncing resolutions, playing algorithms, and rhythmic patterns that will spruce up any chord progressions into percolating melodies or pulsing sequences.

Effects You'll love the pure raw sound of Ultra Analog Session, but the built-in effects will bring it to so many places that you'll enjoy having them on hand.

Dear Analog Obsession users! Here is new plugin “TuPRE“! It’s tube line amp with custom passive program equalizer. Colorful and solid design for you! Not emulating any gear. Fully custom design. Simple but really effective for any source. Features – 45 dB line amp (virtually compensated gain) – Two band – fixed frequency program equalizer. Fully passive design. Virtually compensated. No active gain stage after eq section to keep it clean. – 100 Hz low shelf & 10 kHz high shelf (broad) with 10dB boost and cut – Clean output knob

"Rare" signature for low end from past. Simply run your all mix or single tracks with magic! Shining highs, burning tubes.

RareSE is a dual mono, stereo, mid/side Pultec style equalizer. The modern-day re-creation of the legendary tube EQ plug-in “RareSE”, can give your tracks the massive bass, silky air, and addictive warmth that made the original a studio standard. Juice your tracks with Mid/Side and Left/Right processing. Especially, created for bus processing and mastering with these features.

Dual-channel, two-band equalizer built exactly like the original, legendary units. Combines the vintage character of original units with the reliability of modern design. Oversampling for better processing. Bandwidth control lets you decide how wide a range you’re sculpting. Separate boost and cut controls provide additional creative potential. Mid/Side and Left/Right processing feature will give you better control on your tracks, busses or mastering. Link feature for Mid/Side or Left/Right.

FetSnap is the most interesting transient enhancer. We already love famous Fet compressor, right? And FetSnap is based on this famous compressor! In digital world, we can fully modify any circuit according to our requirements. So, just played with Fet compressor’s circuit and made it transient enhancer. Think like reverse-compressor or expander but fixed attack/release and tons of harmonics! FetSnap will enhance attack of your source and make it jump! It’s really colorful and snappy enhancer for your drums and any percussive instruments. But! It’s also very useful for your any other tracks! Need punchy bass guitar? Or “in your face” slaps? Use FetSnap! Need aggressive vocals with enhanced transient? Use FetSnap! Need funky and twangy guitars? Enhance your pick sound with FetSnap! And many more options up to you! Let me explain FetSnap controls. Really easy… Two main controls for your transients. TONE and SNAP. Snap is the most important control of this plugin. Simply, you can dial it up and enhance your attack. That simple! Tone control will shape your transient’s tone. It’s kind of tilt equalizer. Mix will blend your shaped transients with original source. FET symbol is simple bypass button. If you want to enhance your low end, simply set your Tone control to Dark side. Need high end transient? Set your Tone control to Bright side. When you decide your tone of transients, now, time to dial up your Snap control. Set your Snap control according to your taste and rise up source’s attack! If you happy with result, now, time to blend your enhanced attack with original source.

Britpressor is a vintage solid-state compressor / limiter with multiband-sidechain.

COMPRESSOR THRESHOLD : Will set threshold for compressor section. (Orange labeled knob). COMPRESSOR RECOVERY : Release time for compressor section. (Orange labeled knob). LIMITER LEVEL : Will set limiting level. (Above of Compressor Threshold). LIMITER RECOVERY : Release time for limiter section. (Above of Compressor Recovery). GAIN : Make-Up Gain. (Placed after Limiter Section). RATIO : Ratio setting for Compressor Section. MIX : Blending DRY and WET signals. (Placed after Limiter Section). HPF : Will cut lows for internal/external sidechain input. (Only Compressor Section). MID : Boost or cut mids (1.6kHz) for internal/external sidechain input. You can boost and get more compression on mids or cut for release mids. (Only Comressor Section). HIGH : Boost or cut mids (10kHz) for internal/external sidechain input. You can boost and get more compression on highs or cut for release highs. (Only Comressor Section). EXT : Will engage External Sidechain input.

3 Model mixing console plugin with Transformer, Bus Option and 2 Band Shelf EQ. Track Mode : Transformer (On/Off) -> Line In Amp -> EQ – > Line Out Amp Bus Mode : Transformer (On/Off) -> Summing Amp -> EQ -> Line Out Amp -> Transformer (On/Off)

Gray : 016 (Tube based) Blue : 73 UK Console (Transistor based) Black : Logic 4 Console (Op-Amp based) EQ : 73 UK based

Features INPUT: Preamp gain 0 to 24dB OUTPUT: Output control -24 to 24dB LOW: British style low shelf @100Hz – +/-6dB HIGH: British style high shelf @10kHz – +/-6dB XFMR: Transformer on/off MODE: Bus or track option (Default setting is Track) MODEL: Tube, Transistor, Opamp KONSOL: Bypass button (It will be white when you click it and plugin will be bypassed) ANALOG OBSESSION: This label is clickable. It will turn to red and engage Oversampling (4x)

Version 3.0 – 16.2.2021 – Added Oversampling feature – Catalina / Big Sur (M1) support – New GUI

Available Formats VST/VST3/AU | Mac 10.9 – 11.X VST/VST3 | Windows 7 – 8 – 10

LALA is a Teletronix LA-2A optical limiter / compressor simulation.

It has extra features like filter sidechain, external sidechain and mix.

Filter sidechain has 3 bands.

HPF – Will cut low end. MF / MG – Will set sensitivity of compressor for mid freqs. HF / FLAT – Will set sensitivity of compressor for high freqs (Enhanced version of original unit’s R37 setting). MIX – Will mix compressed signal with dry signal.

Classic & Solid Design FETISH is “solid” brother of OSS. There’s a sidechain filters like OSS. Plus, you can “SLAM” it! SLAM function is well known mod in DIY world. On the original gear, when pushing all “ratio”-buttons at once, you’d get a wrong bias and threshold. SLAM mode fixes this issue and adds more character. The filters will shape your compressor sidechain. Control low freqs, mid freqs. High Freq will control your high freq sensitivity and tame it. FETISH is all about delivering that classic sound, without the classic’s limitations. Another extra feaure is MIX. Now, you can mix your compressed and uncompressed sound! Fully re-designed! Now, it has all features that you looking for with compressors! Extra MIX and FILTERS options! Better control with INPUT! Improved sensitive METER! Extra SLAM mode!

Classic & Solid Design FETISH is “solid” brother of OSS. There’s a sidechain filters like OSS. Plus, you can “SLAM” it! SLAM function is well known mod in DIY world. On the original gear, when pushing all “ratio”-buttons at once, you’d get a wrong bias and threshold. SLAM mode fixes this issue and adds more character. The filters will shape your compressor sidechain. Control low freqs, mid freqs. High Freq will control your high freq sensitivity and tame it. FETISH is all about delivering that classic sound, without the classic’s limitations. Another extra feaure is MIX. Now, you can mix your compressed and uncompressed sound!

Fully re-designed! Now, it has all features that you looking for with compressors! Extra MIX and FILTERS options! Better control with INPUT! Improved sensitive METER! Extra SLAM mode!

Classic & Solid Design FETISH is “solid” brother of OSS. There’s a sidechain filters like OSS. Plus, you can “SLAM” it! SLAM function is well known mod in DIY world. On the original gear, when pushing all “ratio”-buttons at once, you’d get a wrong bias and threshold. SLAM mode fixes this issue and adds more character. The filters will shape your compressor sidechain. Control low freqs, mid freqs. High Freq will control your high freq sensitivity and tame it. FETISH is all about delivering that classic sound, without the classic’s limitations. Another extra feaure is MIX. Now, you can mix your compressed and uncompressed sound! Fully re-designed! Now, it has all features that you looking for with compressors! Extra MIX and FILTERS options! Better control with INPUT! Improved sensitive METER! Extra SLAM mode!